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nada miami 2025 strong early sales 2723076

NADA Miami 2025 opened at Ice Palace Studios with strong early sales and a buoyant mood, as crowds streamed through the aisles on Tuesday morning. Dealers reported brisk business, with Polina Berlin selling multiple works by artists including Tamo Jugeli, Parmen Daushvili, and Casey Bolding, while Charles Moffett sold ten paintings by Kenny Rivero. The fair, hosting around 140 exhibitors, saw participation from galleries like Deanna Evans Projects, Alice Amati, and Gladwell Projects, with many dealers expressing relief and confidence after a multi-year contraction in the art market.

untitled art miami beach 2025 exhibitor list 1234751372

Untitled Art, Miami Beach has announced the 157 exhibitors for its 2025 edition, running December 3–7 on Miami Beach. The fair introduces a new “Artist Spotlight” section organized by artist Petra Cortright, alongside its main Galleries section and the reimagined Nest section curated by Jonny Tanna. Notable first-time exhibitors include Meliksetian | Briggs, PALMA, and Soho Revue in the main section, while several galleries have switched from NADA and Art Basel Miami Beach, including Kavi Gupta returning after a lawsuit hiatus. The fair also features Allison Glenn as curator of site-specific Special Projects.

art market minute dec 8 2725081

The article reports strong sales across Miami art fairs, particularly at Art Basel Miami Beach, where Beeple's "Regular Animals"—robotic dogs with hyper-realistic heads of billionaires—were a major attraction in the new digital art section Zero10. It also notes that three art-world heavyweights are launching a new gallery focused on secondary market sales, and that the Art Dealers Association of America is launching a new art fair after canceling its long-running Art Show.

How much should art cost? The pitfalls and paradoxes of pricing works

The article examines the current state of the art market, which is in its third consecutive year of contraction. It traces how low interest rates fueled speculative price inflation, leading to a boom in ultra-contemporary art that has now burst, with collectors shifting toward Old Masters. Dealers like Larry Gagosian are now advocating for lowering primary market prices, while private sales stall due to sellers' 'anchoring' to peak valuations. The piece highlights the disconnect between high prices and long-term value, using examples such as auction records being manipulated (e.g., Patrick Drahi's anonymous bidding on a Francis Bacon triptych) and the reality that most artworks in even celebrated collections depreciate.