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alison knowles dead make a salad fluxus 1234759536

Alison Knowles, a pioneering artist of the Fluxus movement, died at age 92 in New York on October 29. Her gallery, James Fuentes, announced her passing but did not specify a cause. Knowles was best known for works like *Make a Salad* (1962) and *The Identical Lunch*, which used everyday materials and simple text-based instructions to create participatory art. Her most famous piece, *Make a Salad*, consists only of its title as a directive, allowing performers to interpret it freely; it has been staged at venues from Art Basel to Tate Modern. Knowles was a key figure in Fluxus, a movement formalized in 1963 by George Maciunas that rejected traditional art in favor of performance and accessible materials.

abstract artist rosemarie beck van doren waxter 2568826

Rosemarie Beck, a once-promising abstract painter celebrated in the 1940s and 1950s by the Whitney Museum and mentored by Robert Motherwell, abandoned abstraction in 1958 to pursue figuration. Despite early success and shows at prestigious venues like the Stable Gallery, her shift to mythological and literary themes caused her to fade from art historical memory. A new exhibition, "Rosemarie Beck: Earthly Paradise," at Van Doren Waxter in New York, showcases over 25 figurative works from 1959 to 2000, marking a major reappraisal of her career.

popular artists march 2025 2617709

Artnet News published its quarterly analysis of the most exhibited living artists at over 250 U.S. museums in March 2025, identifying more than 3,700 artists. The top artist is photographer Cara Romero, who appears in multiple museum shows including a major retrospective at the Hood Museum at Dartmouth College. Three of the six most featured artists have Native American backgrounds, reflecting a surge in exhibitions celebrating Indigenous art. The list excludes the late Jaune Quick-to-See Smith, a Native painter and curator who died in January 2025 at age 85 and would have ranked highly.

Giovanni Battista Piranesi: Visions of Grandeur

Middlebury College Museum of Art presents 'Giovanni Battista Piranesi: Visions of Grandeur,' an exhibition showcasing the 18th-century Italian printmaker, architect, designer, and antiquities dealer. The show features prints, drawings, a book, a map, and a recently acquired sculpture drawn from Middlebury's collections, augmented by loans from the Yale University Art Gallery, the Pierpont Morgan Library and Museum, and private collections. Curated by architectural history professor Pieter Broucke, the exhibition includes label texts researched by Middlebury students in a January 2025 curatorial lab course.

Philadelphia Museum of Art Names Katherine Anne Paul as the Newly Appointed Stella Kramrisch Curator of Indian and Himalayan Art

The Philadelphia Museum of Art has appointed Katherine Anne Paul as the Stella Kramrisch Curator of Indian and Himalayan Art, a role named after the pioneering scholar and curator. Paul previously served as Assistant and Associate Curator of Indian and Himalayan Art at the PMA from 2002 to 2008, and most recently held the Virginia and William M. Spencer III Curator of Asian Art position at the Birmingham Museum of Art, where she also served as Lead Curator. She holds a PhD from the University of Wisconsin–Madison and has curated notable exhibitions including "Silver & Ceremony from Southern Asia 1830–1930" and "Expanding Darshan: Manjari Sharma, To See and Be Seen."

Le Petit Salon: The Journey of an Eighteenth-Century Room from Paris to Vermont

The Middlebury College Museum of Art will reassemble Le Petit Salon, an 18th-century French neoclassical paneled room designed by Pierre-Adrien Pâris in 1776 for the duc d’Aumont’s Parisian mansion. Gifted to the college in 1959 by Susan Dwight Bliss, the room had been in storage since the 1990s. The exhibition, running from July 8 to December 6, 2025, traces the room’s journey from Paris to Manhattan—where it decorated the Bliss family’s Gilded Age mansion for fifty years—and finally to Middlebury, where it became part of Le Château, the college’s French language dormitory. The show also features Pâris’s original watercolor elevations and studies from his time in Rome and Naples, with loans from Bowdoin College, the Metropolitan Museum of Art, the Cooper-Hewitt National Design Museum, and the Fine Arts Museum of Besançon.