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Why St. Louis Is A World-Class Art Destination

The Saint Louis Art Museum (SLAM) is presenting "Anselm Kiefer: Becoming the Sea," a landmark exhibition featuring new, large-scale paintings and sculptures by the renowned German artist. The works, including 30-foot-tall paintings like "Missouri, Mississippi" (2024) and "Lumpeguin, Cigwe, Animiki" (2025), were created specifically for SLAM's soaring Sculpture Hall after Kiefer revisited St. Louis in 2023. The exhibition draws on Kiefer's 1991 visit to the city, where he was deeply impressed by the Mississippi and Missouri rivers, and brings together themes of rivers, borders, memory, and cultural metaphor.

At SLAM, Anselm Kiefer’s Material Transformations

The Saint Louis Art Museum (SLAM) is presenting "Anselm Kiefer: Becoming the Sea," an exhibition of 40 works by the German artist dating from the 1970s to the present, including 20 recent pieces and five monumental site-specific paintings. Curated by museum director Min Jung Kim, the show features Kiefer's characteristically vast, heavy works built from materials like tar, melted lead, and steel, displayed without stanchions and with minimal labels to encourage immersive viewing. The exhibition was inspired by a conversation between Kim and Kiefer about the confluence of rivers—the Rhine in his native Germany and the Mississippi and Missouri in St. Louis—and makes use of SLAM's grand 1904 World's Fair building.

One Fine Show: “Anselm Kiefer, Becoming the Sea” at the Saint Louis Art Museum

The Saint Louis Art Museum has opened “Anselm Kiefer: Becoming the Sea,” an exhibition featuring 40 works by the German artist from the 1970s to the present, including over 20 pieces made in the last five years and five monumental site-specific paintings. The show highlights Kiefer's 1991 journey up the Mississippi River during a visit to St. Louis, a formative trip that inspired new works such as the 30-by-27-foot painting *Missouri, Mississippi* (2024), which depicts the artist encountering the Melvin Price Lock and Dam in Alton, Illinois. The exhibition also includes pieces like *Die Milchstraße* (1985-87) and two works dedicated to beat poet Gregory Corso, whose lines about eternal life gave the show its title.

Saint Louis Art Museum will house Anselm Kiefer display in Sculpture Hall through Spring 2027

The Saint Louis Art Museum announced that a portion of the landmark exhibition "Anselm Kiefer: Becoming the Sea" will remain on display in its Sculpture Hall through Spring 2027. The installation features five monumental, three-story paintings—including "Missouri, Mississippi," "Lumpeguin, Cigwe, Animiki," and "Am Rhein"—that were among the most popular pieces of the exhibition, which drew around 150,000 visitors during its 14-week run. The extension was prompted by strong public turnout and the artist's personal connection to the space.

Anselm Kiefer’s Rustbelt Romanticism | Exhibition review at St Louis Art Museum

German artist Anselm Kiefer's first major U.S. museum exhibition in 20 years, "Anselm Kiefer: Becoming the Sea," has opened at the Saint Louis Art Museum. The show features 40 works from the past half century, including five towering site-specific canvases in the museum's 1904 Sculpture Hall, with about half the works created in the last five years. Kiefer's Neo-Expressionist pieces blend nostalgia for the Rhine River with homages to the Mississippi, incorporating references to Indigenous Anishinaabe and Wabanaki spirits, Wagner's "Rhinemaidens," and poets Paul Celan and Gregory Corso.