filter_list Showing 16 results for "Museum of Glass" close Clear
dashboard All 16 museum exhibitions 14person people 1article news 1
date_range Range Today This Week This Month All
Subscribe

high line art and chanel culture fund kick off partnership with rising star frank wang yefeng 1234749048

High Line Art and the Chanel Culture Fund have launched a partnership to co-commission rising artists working in digital and time-based media for High Line Originals, a film series hosted at the High Line Channel in Manhattan. The fourth cycle begins September 10 with the premiere of Frank Wang Yefeng's "Groundless Flower – ཨ" (2025), and the program shifts from a biannual to an annual commissioning cycle. Additional U.S. premieres by Cao Fei, Lu Yang, and Jakob Kudsk Steenson will screen on September 8 and 9, with a group show featuring Petra Cortright in November 2025.

kids damage art 2639206

A child under the age of five recently scratched a Mark Rothko painting at a museum in the Netherlands, forcing its removal for restoration. The article compiles several notorious incidents of children accidentally damaging artworks, including a 12-year-old boy punching a hole through a $1.5 million Baroque painting by Paolo Porpora in Taipei, a 4-year-old shattering a 3,500-year-old vase at the Hecht Museum in Israel, a girl climbing a Donald Judd sculpture at Tate Modern, and kids breaking a glass artwork by Shelley Xue at the Shanghai Museum of Glass. In most cases, the damage was accidental, driven by curiosity or misinterpretation, and often involved lapses in adult supervision.

medina triennial western new york 2661153

A new contemporary art triennial is set to launch in 2026 in Medina, a small village in Western New York with a population of about 6,000. The Medina Triennial will feature approximately 50 site-responsive works created by invited artists across indoor and outdoor locations, including former industrial buildings and spaces along the Erie Canal. The exhibition is co-directed by Kari Conte and Karin Laansoo, with associate curator Ekrem Serdar, and is conceived by the New York Power Authority and the New York State Canal Corporation to revitalize the canal and highlight its significance. A steering committee includes major regional institutions such as the Buffalo AKG Art Museum, the Burchfield Penney Art Center, the University at Buffalo, the Memorial Art Gallery, and the Corning Museum of Glass. The inaugural edition runs from June 6 to September 7, 2026, with a hub opening in September 2025 for public programs.

High Museum shines a light on an artist who protested, ‘I am not a designer’

The High Museum of Art in Atlanta has launched a major retrospective titled “Isamu Noguchi: ‘I am not a designer,’” exploring the prolific career of the Japanese-American artist. Curated by Monica Obniski, the exhibition features over 200 objects including sculptures, stage sets, furniture, and architectural models. A central highlight is the connection to Atlanta’s own Piedmont Park, which houses "Playscapes," the only artist-designed playground Noguchi completed in the United States, currently celebrating its 50th anniversary.

‘There’s a bead connection to every place’: Wendy Red Star on exploring the real and symbolic currency of beads

Artist Wendy Red Star has launched a site-specific solo exhibition titled 'One Blue Bead' at Sargent’s Daughters in Tribeca, exploring the historical and symbolic weight of trade beads. The exhibition transforms the gallery into a simulated trading floor featuring monumental glass beads, over 100 watercolors, and Hudson’s Bay point blankets. The project originated from the artist's residencies at the Pilchuck School of Glass and the Tacoma Museum of Glass, where she researched the global circulation of glass beads from Europe to Africa and the Americas.

Cosmos: The Art of Observing Space Art and Science Symposium

A symposium titled "Cosmos: The Art of Observing Space Art and Science Symposium" will take place at the Royal Astronomical Society (RAS) headquarters in Burlington House, London, celebrating the major exhibition "Cosmos: The Art of Observing Space" at the Royal West of England Academy (RWA) in Bristol (24 January–19 April 2026). Curated by visual artist Ione Parkin RWA, the exhibition features over 30 contemporary artists alongside loan items from public collections, all inspired by astronomy, cosmology, astrophysics, and space exploration. The symposium includes talks by astronomers, archivists, and exhibiting artists, with a catalogue published by Sansom & Company featuring contributions from Professor Chris Lintott, Professor Amaury Triaud, Dr Sian Prosser, and Ione Parkin RWA.

Women’s Work: The art of Dana Boussard (museum exhibition)

In 1973, three pioneering women artists—Lela Autio, Dana Boussard, and Nancy Erickson—proposed an exhibition of their soft sculpture at the University of Montana in Missoula, but were denied because their work was dismissed as "women's work." Undeterred, they staged the show in the empty Carnegie Library building in 1974, and a year later the Missoula Art Museum (MAM) was founded. Now, MAM's special exhibition "Women's Work" celebrates the museum's 50th anniversary by featuring works from these three artists, including three pieces by Dana Boussard: "The Rialto" (1971), "Sister" (1970), and "Another Time, Another Place" (1970). The exhibition honors the radical spirit of the original 1974 show and the fiber-art movement, which gained momentum alongside the women's movement and feminist art.

walters art museum chief collections curatorial affairs officer 1234771982

The Walters Art Museum in Baltimore has appointed Katherine Larson as its chief collections and curatorial affairs officer, a newly created senior role. Larson will also serve as senior curator of Ancient Art, overseeing curatorial operations, collections, conservation, research, the exhibition calendar, and fundraising, beginning March 30.

'Tough Stuff' Women in the American Glass Studio opens May 16 at CMoG

The Corning Museum of Glass (CMoG) will open 'Tough Stuff: Women in the American Glass Studio' on May 16, 2026, running through January 10, 2027. This is the first survey exhibition dedicated to women artists working in glass during the 1960s and 1970s, featuring over 200 objects from artists including Claire Falkenstein, Audrey Handler, Margie Jervis, Susie Krasnican, Kathleen Mulcahy, Ginny Ruffner, Ruth Tamura, and Toots Zynsky. Curated by Tami Landis, the show draws from CMoG's permanent collection, the Rakow Research Library, and notable loans, presenting works that have never been displayed before.

Hastings College art professor has solo exhibition at Museum of Nebraska Art

Dr. Brian Corr, an associate professor at Hastings College and internationally recognized glass artist, is presenting his first solo museum exhibition at the Museum of Nebraska Art (MONA). Titled "Of Light and Shadow," the show serves as a 20-year retrospective of Corr’s career, featuring large-scale glass installations and sculptures that explore the interplay of light, shadow, and contemplative space. A highlight of the exhibition is the U.S. debut of "One," a significant architectural installation originally created in 2007.

Art professor Brian Corr debuts solo exhibition at the Museum of Nebraska Art

The Museum of Nebraska Art (MONA) is hosting "Of Light and Shadow," the first solo museum exhibition for internationally recognized glass artist and Hastings College professor Dr. Brian Corr. The survey spans two decades of Corr’s career, featuring large-scale sculptures and installations that utilize light and shadow as primary materials. A highlight of the show is the U.S. debut of "One," a significant architectural installation originally created for his master’s thesis in Australia.

Opening reception at UWAG for "i look to the skies" an installation by Jude Abu Zaineh.

The University of Waterloo Art Gallery (UWAG) opened an exhibition titled "i look to the skies," a solo installation by Palestinian-Canadian interdisciplinary artist Jude Abu Zaineh. The work centers on Maqlouba, a traditional Palestinian dish, as a metaphor for diaspora, memory, and cultural preservation. The installation incorporates bioart, video, sculpture, textiles, and petri dishes cultivated from food remnants and foraged materials, creating a contemplative sanctuary that explores themes of exile, migration, and identity under colonial violence.

Women’s Work: The art of Nancy Erickson (museum exhibition)

In 1973, three pioneering women artists—Lela Autio, Dana Boussard, and Nancy Erickson—proposed an exhibition of their soft sculpture at the University of Montana in Missoula, but were denied because their work was dismissed as "women's work." Undeterred, they staged their own exhibition in the empty Carnegie Library building in 1974, a year before the Missoula Art Museum (MAM) was founded. Now, MAM's special exhibition "Women's Work" celebrates the museum's 50th anniversary by showcasing the works of these three artists, including several pieces by Nancy Erickson (1935-2022) such as "Rainbow Flight" (1974), "Montana Selective Cut: Official Visit" (1974), and "Pattee Canyon Fire" (1977).

Tariqa Waters' 'Venus is Missing' at the Seattle Art Museum Tasks Visitors With a Galactic Mission

Tariqa Waters' immersive installation 'Venus is Missing' has opened at the Seattle Art Museum, running through January 5, 2026. The exhibition, which won Waters the museum's Betty Bowen Award in 2023, invites visitors to 'beam' into a futuristic cosmic world via a transporter beam of light. The gallery features a pink retro-futuristic spaceship, an 8-foot-tall ball-barrette sculpture, and a vinyl image of Waters' daughter, all set to staticky music blending Herbie Hancock and Luther Vandross. The installation draws from science fiction, music, and Waters' childhood memories, exploring themes of vulnerability and connection through her signature humor and pop art sensibility.

A pink rocket ship and other sci-fi elements fuel Seattle artist’s latest exhibit

Seattle artist Tariqa Waters presents her first solo exhibition with sci-fi elements, titled "Venus is Missing," at the Seattle Art Museum from May 7, 2025 through January 5, 2026. The show features a retro-futuristic pink rocket ship and oversized glass sculptures of ball barrettes—elastic hair ties from the 1970s and '80s—arranged as constellations. Waters won the Betty Bowen Award in 2023, which led to this exhibition, and she used the extra preparation time to create an immersive narrative about vulnerability, nostalgia, and escape. The exhibition also connects to her upcoming book "WHO RAISED YOU? A Martyr Sauce Guide To Etiquette," published by Minor Matters Books.

Made in NY artists draw on personal experiences at Schweinfurth Art Center

The Schweinfurth Art Center in Auburn, New York, is hosting a group exhibition titled 'Made in NY,' featuring works by artists from across the state who draw on personal experiences, including themes of identity, family history, and regional landscapes. The show includes a range of media such as painting, sculpture, and mixed media, highlighting the diverse creative voices emerging from New York State.