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7 yayoi kusama works to know

Artnet News profiles seven key works by Yayoi Kusama, tracing her career from the 1960s to the present. The article highlights her iconic pieces such as *Narcissus Garden* (1966), a guerrilla installation at the Venice Biennale where she sold mirrored spheres, and *Death of a Nerve* (1976), a soft sculpture reflecting her emotional struggles after returning to Japan. It also notes her early life, including her traumatic childhood, move to New York, and friendships with artists like Georgia O'Keeffe and Joseph Cornell.

Mind the baby! Visitors to the Japanese Venice Biennale pavilion will be asked to look after dolls

Ei Arakawa-Nash, a Japanese-born artist who no longer holds Japanese citizenship, will represent Japan at the Venice Biennale with an exhibition titled "Grass Babies, Moon Babies." The pavilion will feature over 100 baby dolls that visitors are invited to adopt and carry, engaging in caregiving tasks such as changing a nappy. Each doll corresponds to a historically significant date tied to minority communities, linking intimate acts of care to broader historical narratives. The project also includes a collaboration with the Korean Pavilion, marking the first such partnership between the two national pavilions in Biennale history.

Crystal Bridges Museum of American Art Announces Historic Expansion Opening

Crystal Bridges Museum of American Art in Bentonville, Arkansas, has announced a historic expansion, increasing its size by 50 percent to 114,000 square feet, with a grand opening scheduled for June 6 and 7, 2026. The expansion, designed by Safdie Architects, includes fully reimagined galleries and is celebrated by two landmark gifts: 18 major works by women artists donated by chairperson Olivia Walton and her husband Tom Walton, and 200 artworks by over 100 artists donated by collectors Candace and Michael Humphreys. The Walton gift features artists such as Yayoi Kusama, Alice Neel, and Njideka Akunyili Crosby, while the Humphreys gift introduces many new artists to the museum's holdings.