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An Insider’s Guide to Dallas Art Fair Week

The Dallas Art Fair returns for its 18th edition from April 16–19, 2026, featuring over 90 international galleries at the Fashion Industry Gallery. Director Kelly Cornell highlights key participants including blue-chip mainstays like Perrotin and OMR alongside newcomers like James Fuentes, who will present works by Dallas Art Prize winner John McAllister. The week also features the Dallas Invitational, a boutique fair at the Rosewood Mansion, and major institutional shows at the Nasher Sculpture Center and The Warehouse.

Texas Art Legend Robert Rauschenberg is Celebrated in Groundbreaking Nasher Exhibition

The Nasher Sculpture Center in Dallas has launched "Rauschenberg Sculpture," a major exhibition marking the first museum presentation dedicated exclusively to Robert Rauschenberg’s three-dimensional works in three decades. Organized by senior curator Dr. Catherine Craft in collaboration with the Robert Rauschenberg Foundation, the show features over two dozen works spanning the 1950s to the 1990s, including his iconic "Combines," rotating Plexiglas "Revolvers," and experimental clay and metal assemblages.

The Dallas Art Fair: A Balance Of Growth And Consistency

The Dallas Art Fair (DAF), founded in 2009 by developer John T. Sughrue and curator Chris Byrne, concluded its eighteenth edition this past weekend. Director Kelly Cornell, who started as an intern and became director in 2016, has strengthened partnerships with the Dallas Museum of Art, Nasher Sculpture Center, and Dallas Contemporary, while securing sponsors like Bank of America. The fair has grown from 35 to over 90 galleries, though it still lacks mega-galleries like Gagosian, Hauser & Wirth, David Zwirner, and Pace. International participation this year included about 20 galleries, with notable names such as Perrotin, Anat Egbi, and Hesse Flatow, while galleries from Germany and China were absent.

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Melvin Edwards, the pioneering sculptor known for his powerful steel assemblages and "Lynch Fragments" series, has died at the age of 88 in Baltimore. Edwards was a trailblazer who reframed Minimalism by infusing it with political and cultural weight, becoming the first Black sculptor to have a solo exhibition at the Whitney Museum in 1970. His work utilized industrial materials like chains and barbed wire to address histories of enslavement, anti-Black violence, and global conflict while maintaining a sophisticated abstract language.