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Ten Out Of London Exhibitions Spring 2026 – Artlyst Guide

Artlyst has published a guide to ten major exhibitions opening across UK museums and galleries outside London in Spring 2026. Highlights include a year-long programme for the 250th anniversary of John Constable in Suffolk, the Gwen John exhibition 'Strange Beauties' at National Museum Cardiff celebrating her 150th birthday, a Frank Bowling survey at The Fitzwilliam Museum in Cambridge, a Joan Eardley show in Edinburgh, and Paula Rego at Newlands House & Gallery. Other featured exhibitions include Andy Hollingworth's photography of comedians at Birmingham Museum & Art Gallery and a Vivienne Westwood retrospective at the Bowes Museum.

Gwen John: The 'reclusive spinster' artist who shunned conformity

A major retrospective of Gwen John, one of Britain's greatest 20th-century artists, is opening at National Museum Cardiff on the 150th anniversary of her birth. The exhibition, titled 'Gwen John: Strange Beauties,' brings together works from across the UK and the USA for the first time, including a significant collection acquired from her nephew Edwin in 1976 that has never been extensively researched or exhibited. John, born in 1876 in Haverfordwest, Pembrokeshire, was long overshadowed by her younger brother, the artist Augustus John, and was often dismissed as a 'reclusive spinster.' However, curators and biographers now challenge that myth, revealing her as a socially engaged, determined artist who pursued her own path despite Victorian-era constraints on women.

Gwen John—the quiet ‘seer of strange beauties’—gets major show in Wales

The National Museum Cardiff is mounting a major survey exhibition of Gwen John (1876-1939), one of the most famous artists in its collection, titled "Gwen John: Strange Beauties." The show marks the 150th anniversary of John's birth in Wales and will be the most comprehensive exhibition of her work in decades, featuring major loans from institutions such as Tate and the Museum of Modern Art in New York. It will travel to Scotland and the US, emphasizing John's interest in form, materials, and color theory, including late watercolours she never sold or exhibited. The exhibition draws on the museum's extensive archive of over 900 drawings, letters, and photographs acquired in 1976, and aims to shift focus from John's biographical narrative—her relationship with Auguste Rodin and reputation as a recluse—to her artistic dedication and technical innovations.