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Alexander James Dissects Painting’s Most Enduring Shape in Hong Kong Exhibition

British artist Alexander James presents *Dissecting the Square*, a new exhibition at Phillips Gallery in Hong Kong, running until 31 May 2026. The show features a series of paintings, sculptures, and installations that explore the square as a geometric form, inspired by a moment when sunlight dissected an empty canvas in his studio. James divides canvases into quadrants, creating works that balance order and disruption. The exhibition also includes Josef Albers’ *Homage to the Square: In Time* (1967) and a sculpture by Sean Scully, placing James’s practice in dialogue with art historical precedents.

Controversial art show canceled at NY archdiocese venue finds home at Jesuit parish

Jesuit artist Nicholas Leeper's solo exhibition "Twilight of the Idols," which blends Byzantine iconography with pop art and advertising imagery, was abruptly canceled by the Sheen Center for Thought and Culture in New York about two weeks before its scheduled opening in May 2026. The center, founded by the New York Archdiocese, cited phone calls and emails expressing concern about the work, which includes pieces like "Madonna and Child (Tomatokos)" depicting Mary as a Campbell's soup housewife and "The Visitation" reimagining Mary and Elizabeth in a cigarette ad. Within a day, the exhibition found a new venue at the Mary Chapel of St. Francis Xavier Church, organized in partnership with Xavier High School, where Leeper teaches.

Eye opening: Artist speaks through the eyes in his artwork

Alexandre Emmanuel Henrique, a Brazilian-born artist now living in Cary, North Carolina, has a solo exhibition titled "BraFro" at the Waterworks Visual Arts Center in Salisbury. The show is part of the gallery's larger exhibit "ART from ALL Perspectives." Henrique's paintings explore his family history, particularly the story of his great-grandmother, who was enslaved in Brazil after being brought from Africa. The works use eyes as a central motif to convey emotion and narrative, ranging from sorrow to joy, with titles like "Sorrow" and "Once Upon a Time." Henrique works primarily in oils, and many pieces were created specifically for this exhibition.