new museum reopening expansion new humans review

The New Museum in New York has officially reopened following a two-year closure for a major expansion designed by OMA. The renovation doubles the institution's footprint to 60,000 square feet, introducing a central spiral staircase that seamlessly connects the original SANAA-designed building with the new structure. The reopening is marked by the massive group exhibition "New Humans: Memories of the Future," a sprawling survey featuring over 200 artists curated by artistic director Massimiliano Gioni.

The Robots Were Never the Problem

The New Museum has reopened with 'New Humans: Memories of the Future,' a massive survey featuring over 150 contributors including Hito Steyerl, Precious Okoyomon, and H.R. Giger. Spanning 13 sections across the museum's new 5,500 square-meter extension, the exhibition traces the intersection of art, technology, and the human body from the early 20th century to the present. It juxtaposes interwar European works, such as Hannah Höch’s photomontages and Bauhaus ballets, with contemporary installations like Simon Denny’s sculpture of an Amazon worker's cage.

Nairy Baghramian and Ibrahim Mahama to create major new commissions for Art Basel 2026.

Art Basel has announced that Nairy Baghramian and Ibrahim Mahama will create major new site-specific sculptures for the 2026 edition of its flagship fair in Switzerland. Baghramian will present "Modèle vivant (S’empilant)" (2026), an elaborate installation designed for the Messeplatz fountain, while Mahama's commission details are yet to be fully disclosed. Both artists are part of Art Basel's inaugural class of Gold Awardees, with the commissions first revealed in February 2026.

Art Basel unveils Basel Exclusive and further program highlights for its flagship show in June

Art Basel has announced new program highlights for its flagship fair in Basel this June, including a new initiative called Basel Exclusive. Developed in dialogue with galleries, Basel Exclusive requires participating exhibitors from the main Galleries sector to reserve at least one major work—or an entire presentation—from all pre-fair previews, online viewing rooms, and pre-sales, unveiling them publicly for the first time during the VIP opening on June 16. The fair also revealed the lineup for Unlimited, its platform for large-scale works, which will feature 59 projects by 66 international galleries, curated for the first time by Ruba Katrib of MoMA PS1. Unlimited Night returns on June 18 with extended hours and special performances.

How Wayne McGregor’s epic ballets draw on help from his artistic friends

Choreographer Wayne McGregor’s upcoming production at the Royal Opera House, 'Alchemies', highlights his career-long commitment to cross-disciplinary collaboration with visual artists and designers. The program features a world premiere with costumes by fashion designer Saul Nash, alongside revivals of 'Yugen' and 'Untitled, 2023'. These works incorporate significant contributions from the art world, including set designs by ceramicist Edmund de Waal and previous collaborations with figures like Tacita Dean and Olafur Eliasson.

The New Museum’s ‘New Humans’ Reckons With Human-Machine Relations in the Workplace

The New Museum has inaugurated its recently renovated space with 'New Humans: Memories of the Future,' a sprawling exhibition featuring over 700 works across four floors. The show explores the historical and evolving relationship between humanity and labor, tracing the narrative from ancient Mesopotamian myths to the industrial age and the rise of robotics. Key sections like 'Mechanical Ballets' highlight how artists have historically responded to the dehumanization of the workforce through the lens of early 20th-century avant-garde movements.

8 Art Films Worth Watching in May

8 Kunstfilme, die sich im Mai lohnen

Monopol magazine presents eight art films worth streaming in May, including a documentary featuring 40,000 slides from critic Jerry Saltz capturing the 1990s New York art scene, Shirin Neshat's film "Women Without Men" about women in 1953 Tehran, Christian Petzold's new film "Miroirs No. 3," and a documentary on the Shroud of Turin. The roundup also includes a politically charged drama directed by Yael Bartana and a Dada-metal film, offering a diverse selection of art-related cinema.

This Museum Show Will Make You Question Whether You’re Still Human

The New Museum in New York has opened "New Humans: Memories of the Future," an exhibition curated by Chief Curator Massimiliano Gioni that explores a century of art predicting the fusion of humans and machines. The show features works by artists including Anicka Yi, Francis Picabia, Constantin Brancusi, and Marcel Duchamp, alongside robots and technological artifacts that blur the boundaries between bodies and technology. The exhibition is housed within OMA's newly expanded museum space on the Bowery.

Humans, Machines, and Possible Futures: The Last 100 Years at New Museum

HUMANS MACHINES AND POSSIBLE FUTURES THE LAST 100 YEARS AT NEW MUSEUM

The New Museum has launched "New Humans: Memories of the Future," a massive exhibition spanning its entire building and featuring over 200 international contributors. The show traces a century of artistic, scientific, and social evolution, pairing 20th-century masters like Constantin Brâncuși and Salvador Dalí with contemporary commissions from artists such as Hito Steyerl and Wangechi Mutu. By exploring themes of automated labor, artificial intelligence, and mechanized warfare, the exhibition frames the relationship between humanity and technology as a series of cyclical leaps and reversals rather than linear progress.

Story of Max Peiffer Watenphul, the Bauhaus painter who found his new homeland in Italy

Storia di Max Peiffer Watenphul, il pittore del Bauhaus che trovò in Italia la sua nuova patria

A major retrospective titled "Max Peiffer Watenphul. Pittore del Bauhaus" has opened at the Galleria Nazionale d'Arte Moderna e Contemporanea (GNAMC) in Rome, curated by Gregor H. Lersch, director of the Museo Casa di Goethe. The exhibition explores the complex artistic journey of Max Peiffer Watenphul (1896–1976), a German Bauhaus-trained painter who found a second home in Italy. It highlights his multidisciplinary approach, his troubled painting style marked by unusual materials and scratched surfaces, and his deep connection to Italy, where he fled after Nazi persecution and where he lived until his death.