The March 2026 issue of the academic journal *Print Quarterly* has been published, featuring a collection of scholarly articles and reviews focused on the history of prints and printmaking. The contents include new research on artists ranging from Hans Burgkmair and Paul Gauguin to Hiroshige and Aubrey Beardsley, along with obituaries for notable scholars and reviews of recent publications and exhibitions.
The Brooklyn Museum is preparing to investigate the restoration of Paul Gauguin’s relief panel, *Te Fare Amu*, which was recently gifted to the institution by the Henry and Rose Pearlman Foundation. The artwork features a crouching nude figure whose genitals were painted over with green pigment by the collector Henry Pearlman in 1954 to bypass U.S. Customs indecency laws. While a 2017 conservation assessment at the Art Institute of Chicago deemed the overpainting too risky to remove, Brooklyn Museum conservators plan to re-evaluate the piece when it arrives for exhibition this fall.
The National Gallery of Art in Washington, D.C. has made over 60,000 high-resolution digital images from its permanent collection available for free download through its NGA Images platform. This open-access initiative includes masterpieces by iconic artists such as Vincent van Gogh, Paul Gauguin, and Rembrandt van Rijn, allowing users to download files up to 3,000 pixels for personal or educational use.
A polychromed wood relief by Paul Gauguin, titled 'Te Fare Amu', is set to undergo conservation to remove overpaint that has obscured the figure's genitals for seven decades. The sculpture was partially painted over in 1954 by American collector Henry Pearlman, who feared the work would be seized by US Customs as 'obscene' or 'indecent' upon its import from Paris. The piece is part of a major 63-work promised donation from the Pearlman family foundation to the Brooklyn Museum, LACMA, and MoMA.