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It’s the Most Controversial Venice Biennale in Years. Can the Art Stand Up to the Noise?

The 2026 Venice Biennale is embroiled in controversy, with the US Pavilion at the center of a political storm. The Trump administration's State Department overhauled the selection process, bypassing the usual NEA panel and commissioning a nonprofit, the American Arts Conservancy, to organize the pavilion. Artist Alma Allen, who accepted the invitation despite threats from galleries and curators, presents a show that critics find politically muted. The Biennale's jury resigned days before the opening, and annual prizes were canceled, adding to the turmoil.

Alma Allen Offers a Quiet Vision in Venice—Even as Questions Swirl the U.S. Pavilion

Alma Allen's exhibition "Call Me the Breeze" has opened at the U.S. Pavilion for the 61st Venice Biennale. The Utah-born sculptor presents a pared-down, whimsical show that contrasts with the bombastic work of his predecessors, grouping new and old pieces to explore themes of conflict, mourning, and transcendence inspired by Hieronymus Bosch's *Visions of the Afterlife*. The exhibition was produced hurriedly over a few months, and Allen, who typically leaves his works untitled, felt compelled to explain his art for the first time in 30 years amid controversy surrounding his commission.