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acquavella and nahmad contemporary billionaire jan koum 1234755775

WhatsApp co-founder Jan Koum has filed a lawsuit against interior designer Remi Tessier, alleging that Tessier inflated prices and misrepresented the quality and origin of luxury goods purchased on his behalf, including several artworks. Koum hired Tessier for nine projects, including residences in the US and Europe and two superyachts. The suit claims Tessier received kickbacks on art purchases, including a $7.8 million Picasso painting, and a judge has granted discovery orders against three galleries—Acquavella Galleries, Nahmad Contemporary, and Perrotin New York—to produce records and testimony. Koum intends to use the evidence to file a criminal complaint against Tessier in France.

GaHee Park: The Exhaustion of Distance

GaHee Park's solo exhibition "Half-Looking, Half-Seen" is on view at Perrotin New York from April 24 to May 30, 2026. The show presents paintings that destabilize perception, using light and shadow to fragment figures and objects, with works like "Seafood Heaven," "Wetland at Dusk," and "Creeping Shadow" exploring themes of visibility, identity, and temporal collapse. The exhibition marks a trajectory toward Park's institutional debut at Yerba Buena Center for the Arts.

Exhibition | Nick DOYLE, 'Collective Hallucinations' at Perrotin, New York, United States

Perrotin gallery in New York presents 'Collective Hallcinations', an exhibition of new works by Brooklyn-based artist Nick Doyle. The show features wall-mounted denim collages and an immersive installation of a psychic parlor, including Doyle's first use of artificial intelligence. The works explore the fraught relationship between land and technology, progress and destruction, using denim as a material that evokes Americana, capitalism, and masculinity. The centerpiece, 'Mirror, Mirror', is a denim-clad structure housing an AI avatar named Ava, who offers sardonic commentary on the American dream and the digital frontier.

Exhibition | GaHee PARK, 'Half-Looking, Half-Seen' at Perrotin, New York, United States

Perrotin New York presents 'Half-Looking, Half-Seen', a special exhibition of new paintings by GaHee Park, featuring still lifes and portraits set within seascapes and landscapes that explore psychological dynamics of perception and coexistence. The show precedes Park's first institutional solo exhibition in the United States, opening in August 2026 at the Yerba Buena Center for the Arts in San Francisco. Works such as 'Seafood Heaven', 'Wetland at Dusk', and 'Creeping Shadow' depict ambiguous scenes where figures, animals, and natural elements blur boundaries between perceiving and being perceived, with influences including Joan Jonas's performance art.

Gelitin “All for All” at Perrotin, New York

The Austrian group Gelitin has opened a new exhibition titled "All for All" at Perrotin gallery in New York. The show continues the group's long-term exploration of artworks as social forms, focusing on building chosen families and temporary publics through their collaborative practice.

art perrotin gabriel de la mora interview

Artist Gabriel de la Mora, now 57, reflects on how his childhood dyslexia and autism shaped his artistic practice in an interview tied to his latest exhibition "Repeated Original" at Perrotin in New York, on view through April 11. The show features meticulous geometric works made from fragmented eggshells and curved reflective glass, with each piece titled after the exact number of fragments used. De la Mora sources eggshells from Mexico City restaurants and churches that serve free meals, and he recently closed a major career survey at Museo Jumex, where he led 79 guided tours over six months, including for deaf children.

Exhibition | Jens FÄNGE, 'Antechamber' at Perrotin, New York, United States

Perrotin New York presents 'Antechamber,' an exhibition of over twenty new paintings by Swedish artist Jens Fänge. The works feature distorted, labyrinthine interiors populated by people, animals, and mannequins, using layered materials like oil, vinyl, linen, and burlap to create compositions that blur the line between figuration and abstraction. Recurring motifs such as doors, windows, halos, and locusts shift meaning across the show, which draws inspiration from Hans Christian Andersen's fairytales and Nathanael West's surrealist novels.