The Rijksmuseum in Amsterdam has secured a major loan of the ancient marble sculpture *Sleeping Hermaphroditus* from the Louvre in Paris. The work will be a centerpiece of the museum's upcoming exhibition "Metamorphoses," which opens on February 6, 2026, and explores themes of transformation drawn from Ovid's epic poem.
A previously unknown painting by Artemisia Gentileschi, *Hercules and Omphale* (ca. 1635–37), was identified after being damaged in the 2020 Beirut port explosion. The work, which hung in Beirut’s Sursock Palace, underwent a three-year conservation at the J. Paul Getty Museum and is now on view at the Columbus Museum of Art in the exhibition *Artemisia Gentileschi: Naples to Beirut*. It depicts the Greek myth of Queen Omphale enslaving Hercules, a rare subject for Gentileschi that subverts traditional gender roles.
A new exhibition in Paris, "Artemisia Gentileschi: Heroine of Art," at the Musée Jacquemart-André, presents around 40 paintings by the Italian Baroque painter, including four recently rediscovered works. Curator Patrizia Cavazzini deliberately shifts focus away from Gentileschi's rape and trial, instead highlighting her artistic development and achievements. Among the rediscovered pieces are "Virgin of the Annunciation" (c. 1609-10), one of her earliest known works, and a signed portrait of a Knight of the Order of Saint Stephen (c. 1619-20), previously misattributed to Justus Sustermans.
Francisco de Zurbarán, one of the three great Spanish 17th-century painters alongside Velázquez and Murillo, is finally receiving his first solo exhibition in the UK at the National Gallery in London. The show highlights his distinctive style of religious painting, characterized by stark chiaroscuro, sculptural realism, and a meditative stillness that makes the immaterial seem tangible. Works such as his crucified Christ and The Apparition of Saint Peter to Saint Peter Nolasco exemplify his ability to depict visions and inner spirituality, often commissioned by powerful religious foundations in Seville during the Counter-Reformation.
Peter Paul Rubens, the renowned Baroque painter known for dramatic altarpieces and 'Rubenesque' figures, also led a secret career as a diplomat and spy for the Holy Roman Empire and Spanish Habsburgs. The article details his early life, education, and apprenticeship, and reveals how he used his artistic access to European courts to gather intelligence, including while working on commissions for Marie de' Medici in France. His diplomatic efforts helped broker peace between Spain and England, and he was appointed Secretary of the Flanders' Council.
Salvador Dalí's iconic mustache, voted the Most Famous Mustache of All Time in a 2010 Telegraph survey, originated in the 1940s after he initially sported a more subdued "Menjou" style in the 1930s. The artist developed his flamboyant upturned mustache, first appearing in his painting *Soft Self-Portrait with Grilled Bacon* (1941), and maintained it with meticulous daily grooming using date-based wax. Dalí treated the mustache as a personal logo and creative symbol, even co-authoring a 1954 book with photographer Philippe Halsman titled *Dalí's Mustache*, featuring 28 surreal photographs.
The Kimbell Art Museum in Fort Worth is presenting 'The Holy Sepulcher: Treasures From the Terra Sancta Museum, Jerusalem,' an exhibition of opulent 17th-century liturgical objects from the Church of the Holy Sepulcher. The collection, featuring gifts from European rulers like King Louis XIII of France and King Philip IV of Spain, includes gold, silver, and jewel-encrusted pieces such as vestments, a throne, and a sanctuary lamp, and is on view from March 15 to June 28.