Roland Augustine, cofounder of New York's Luhring Augustine gallery, is stepping down to focus on philanthropy. Cofounder Lawrence Luhring will continue leading the gallery alongside longtime directors Lauren Wittels and Donald Johnson Montenegro, who will become equity partners. Luhring bought out Augustine's share at the end of last year, and the gallery plans to restructure in 2026, potentially changing its name within three years.
Tobias van Gils, founder of the Zurich-based investment firm MLT Capital, discusses his art collection in an interview with The Art Newspaper. He shares his early collecting journey, recent acquisitions like a large mountainscape by Harold Ancart, and his regret over missing out on Maurizio Cattelan's blue orchid work "Meat" (2024). Van Gils also mentions launching the MLT Art Foundation with his wife to house their collection and support art programming focused on children. He offers personal insights on his decision-making process, favorite artworks, and tips for navigating Art Basel.
Lisa Phillips, director of New York's New Museum, will retire after more than 25 years in the role, as reported by the New York Times. The museum is currently in the midst of a 62,000-square-foot expansion expected to open this fall, though no date has been set. Phillips, 71, oversaw the museum's relocation to the Bowery in 2007, launched the influential New Museum Triennial in 2010, and added initiatives like New Inc and Rhizome. Her tenure also included controversies, such as criticism over a 2010 show of works owned by a trustee, staff complaints about her $900,000 salary, and tensions around the museum's unionization in 2019.
"Delegitimation, Denunziation und Verunsicherung"
German cultural critic Georg Seeßlen warns in his taz column of a right-wing 'war of conquest' targeting liberal cultural institutions through systematic delegitimation, denunciation, and intimidation. Meanwhile, a new Berlin artist study reveals that the average annual income from artistic work is just €6,000, highlighting a structural dysfunction in the art system. Additionally, Jonathan Meese's play 'Alaska Kid' has been canceled at the Volksbühne Berlin following the death of his mother Brigitte Meese, who was his organizer, muse, and confidante.
Collector Amitha Raman shares her journey into art collecting, which began with late-night classes at MoMA under art historian Agnes Berecz, where she explored empty galleries after hours. Her first acquisition was Mary Beth Edelson's "Hounds of Hell" (1973), and she now serves as co-chair of MoMA's Young Patrons Council and a member of its Black Arts Council. Raman's collection includes works by Rashid Johnson, Wolfgang Tillmans, Tracey Emin, Jenny Holzer, and Jeffrey Gibson, and she actively loans pieces to major museums worldwide.
Pipilotti Rist's major installation *4th Floor to Mildness* has opened at the Portland Art Museum's Crumpacker Center in its West Coast premiere and only second U.S. exhibition. The immersive work features underwater film projected onto two biomorphic screens, a soundtrack by experimental musician Soap&Skin/Anja Plaschg, and raft-like beds for visitors to lie on while experiencing floating imagery and moving light circles. The exhibition was adapted from its original 2022 presentation at the New Museum in New York, with local production partners including Portland Garment Factory and Figure Plant contributing to the installation.
Art in General, the New York non-profit art space that closed its physical location in 2020 during the Covid-19 pandemic, is returning after a five-year hiatus. It will stage a pop-up exhibition at Yve Yang Gallery in Soho starting August 22, led by new director Xiaoyu Weng, who also serves as artistic director of the Tanoto Art Foundation in Singapore. New board members include artist Paul Pfeiffer, digital strategist Jiajia Fei, and gallerist Yve Yang. The organization plans to host pop-up exhibitions, talks, and events while searching for a permanent space.
The Tuscan hill town of Monte San Savino launched a contemporary art exhibition titled "Art Gender Gap" on International Women's Day, featuring 40 female artists and 53 works across multiple historic venues including the GAS, Chiesa di Santa Chiara, Palazzo Ciocchi di Monte, and the Renaissance Cisternone. Curated by Giuseppe Simone Modeo, Nicoletta Castellaneta, and Domenico de Chirico, the show includes loans from the National Museum of Women in the Arts in Washington (via its Italian committee president Claudia Pensotti Mosca), the Christian Levett collection, and the FAMM Museum in Mougin, France—a museum dedicated exclusively to women artists. Participating artists range from historical figures like Louise Bourgeois, Carol Rama, and Sonia Delaunay to contemporary names such as Kiki Smith, Pipilotti Rist, Marlene Dumas, Tracey Emin, and Mona Hatoum.
The School of the Art Institute of Chicago (SAIC) laid off three of five staff members at the Video Data Bank (VDB), a renowned video art distribution organization, on November 12. Former director Tom Colley announced the dismissals of digital collection manager Elise Schierbeek and distribution assistant Nicky Ni, and stated that acquisitions and programming would cease. SAIC cited financial pressures from federal policy changes and enrollment declines, insisting the VDB is not closing but needs adjusted staffing to protect its teaching mission. The VDB, founded in 1976 and approaching its 50th anniversary, holds works by major artists including Nam June Paik, Pipilotti Rist, and Bruce Nauman, and has historically received NEA funding.
The School of the Art Institute of Chicago (SAIC) laid off three of five staff members of its Video Data Bank (VDB), including director Tom Colley, as part of 20 total layoffs across the institution. The cuts, announced on November 12, eliminated leadership and key distribution and digital management roles, sparking outcry from the new-media art community. VDB, founded in 1976, is a leading archive of video art with over 6,000 works by artists including Nam June Paik, Bruce Nauman, and Pipilotti Rist, distributed worldwide via subscription streaming.
A new exhibition at MoMu in Antwerp, guest-curated by Geert Bruloot, explores the enduring legacy of the 'Antwerp Six'—a group of visionary designers who graduated from the Royal Academy of Fine Arts in the 1980s. The show features dedicated rooms for members including Walter Van Beirendonck and Dirk Van Saene, showcasing their distinct aesthetics ranging from maximalist rave-wear to surrealist runway recreations. It traces their journey from a self-funded trip to a London trade fair in 1986 to becoming global icons who challenged the dominance of Parisian couture.
180 Studios presents 'Paradigm Shift', a major exhibition at 180 Strand in London that transforms the venue's subterranean spaces to showcase acclaimed moving image works from the 1970s to the present. Curated by Jefferson Hack and Mark Wadhwa, the show features over a dozen artists including Ryan Trecartin, Nan Goldin, Andy Warhol, Pipilotti Rist, and Arthur Jafa, drawing from avant-garde cinema, TV, music video, performance, fashion, gaming, and internet culture. New commissions by 180 Studios sit alongside iconic historical works, tracing revolutions in moving image culture from Warhol's 1970s 'Fashion TV' to TELFAR TV today.
Art critic Tabish Khan selects five must-see exhibitions closing before the end of 2025. Highlights include "Paradigm Shift" at 180 Studios, featuring video works by Pipilotti Rist, Gillian Wearing, Arthur Jafa, and Cao Fei; Alison Wing Yin Poon's "A Constructed Home" at Tache, exploring Malayan-Chinese heritage through lacquered vases and ceramics; Noemie Goudal's "The Story of Fixity" at Borough Yards, a layered projection installation by Artangel; Mircea Teleaga's "Paradise" at LBF Contemporary, with glowing surreal landscapes; and Arch Hades' "We're all just passing through" at 8 Berkeley Square, blending poetry and sculpture.
Jemima Wyman's retrospective "Deep Surface" surveys three decades of her work exploring DIY aesthetics of concealment, protest iconography, and political solidarity. Born in Sydney and based in Los Angeles since 2004, Wyman is known for collages of masked protesters, activist signage, and street rally residues, as seen in works like *Aggregate Icon (RBW)* (2016) and *Mass Monument (Y & B)* (2018). The exhibition highlights her early inspiration from Fluxus, Minimalism, and Yayoi Kusama, as well as the influence of Brisbane's late-1990s art scenes and postcolonial Indigenous Australian art debates. Wyman, who has Indigenous (Palawa) heritage, uses camouflage and disguise to blur boundaries between visibility and concealment, figure and ground.
The Mitchell Art Museum at St. John’s College has announced its spring programming lineup, headlined by the exhibition "In the VIDEODROME: Abjection and Alienation." Opening March 26, the show features seminal video works by Martha Rosler and Pipilotti Rist that critique systemic injustice and the societal treatment of women's bodies. The museum is also continuing its survey of Fluxus artist Ken Friedman, which encourages community participation through instructional art scores.
The Kimball Art Center in Park City, Utah, has opened two new exhibitions, “Returning To Wonder” and “All Sketches Wish To Be Real,” featuring international and local artists. Among the featured artists is Alexandra Fuller, a multidisciplinary artist whose work includes cyanotypes of wildlife and who has ties to the Sundance Film Festival—her short film “Sister Wife” was accepted at the 2009 festival. The exhibitions also include works by Swiss artist Pipilotti Rist, American artist Lia Halloran, and Utah-based artist Antra Sinha. The center will host a series of public programs, including artist talks, workshops, and a book discussion, to engage the local community.
180 Studios in London has extended two exhibitions—'Paradigm Shift' and Ryoji Ikeda's 'data-cosm [n°1]'—through February 1, 2026, due to popular demand. 'Paradigm Shift' presents moving-image works from the 1970s to the present by artists including Andy Warhol, Pipilotti Rist, Nan Goldin, and Arthur Jafa, exploring the evolution of screen culture across avant-garde cinema, TV, music video, and internet culture. Ikeda's 'data-cosm [n°1]' is a world-premiere, site-specific audio-visual installation commissioned by 180 Studios, charting data from particle physics to astrophysics.
180 Studios in London will debut 'Paradigm Shift: New Dimensions in Moving Image' on October 14, 2025, during Frieze Week. Curated by Jefferson Hack and Mark Wadhwa, the exhibition features over a dozen artists including Andy Warhol, Nan Goldin, Arthur Jafa, Pipilotti Rist, and Telfar TV, tracing the evolution of moving image culture from Super 8 film to AI-powered glasses. The show is hosted in partnership with Ray-Ban Meta, and a private view on October 13 offers exclusive early access via a ticket lottery run by Dazed and AnOther.