Guest columnist John Chiaverina reports from the opening of the 2026 Whitney Biennial, capturing the shifting moods of the New York art scene. Through interviews with participating artists like Maddie Biven of the collective kekahi wahi and veteran performer Pat Oleszko, the piece explores a tension between the desire for exuberant, risk-taking aesthetics and a perceived lack of political urgency among younger generations.
Artist Joe Coleman is the subject of a new documentary film, "How Dark My Love," directed by Scott Gracheff, which premiered at the Tribeca Film Festival in New York. Concurrently, Coleman has curated a group exhibition titled "Carnival" at Jeffrey Deitch gallery, featuring his own hyperrealistic paintings alongside works by artists such as Derrick Adams, George Condo, and Anne Imhof, as well as his personal collection of oddities and ephemera. The film centers on the creation of Coleman's magnum opus, a life-size portrait of his wife, Whitney Ward, titled "Doorway to Whitney," which took nearly four years to complete.
The article, published by Cultured, serves as a curated guide to September's art exhibitions in New York, highlighting both ongoing and closing shows. It recommends balancing the frenzy of fair week with slower, more meaningful experiences, pointing to specific exhibitions like EJ Hill's silent kneeling performance at 52 Walker, Lisa Yuskavage's drawing show at the Morgan Library, the Stettheimer Dollhouse at the Museum of the City of New York, and MoMA's presentation of Hilma af Klint's nature notebooks. It also notes upcoming must-see shows, including a Cady Noland exhibition at Gagosian, and mentions the Gaza Biennial, Nancy Holt, Raúl de Nieves, and Kahlil Robert Irving, along with future features on Ambera Wellmann and Sophie Calle.
Raúl de Nieves has transformed the industrial architecture of Pioneer Works in Red Hook into a luminous sanctuary through his solo exhibition, "In Light of Innocence." The installation features 50 handcrafted faux stained-glass panels made from acetate and aluminum tape, replacing traditional religious iconography with symbols from tarot, Mexican folklore, and personal text. The centerpiece is a large light box featuring a skeleton that symbolizes transformation and renewal rather than death.
Actress and comedian Ego Nwodim will co-chair the Whitney Museum of American Art’s annual Art Party on January 27, 2026. The event, hosted by the Whitney Contemporaries, will take place at the museum’s Gansevoort Street building and feature DJ sets by Raúl de Nieves and The Dare. Nwodim joins co-chairs including artists Martine Gutierrez and Emma Safir, as well as Whitney Contemporaries Steven Beltrani, Micaela Erlanger, and Alexander Hankin. The evening will offer after-hours gallery access, cocktails, and dancing, with proceeds supporting the Whitney’s exhibitions, education, and public programs.
At Brooklyn's Pioneer Works, a drag queen professional wrestling event called Choke Hole, part of artist Raúl de Nieves's exhibition, was disrupted when audience member and performer Chiquitita stormed the stage. She objected to a skit that made light of Immigration and Customs Enforcement (ICE) deportations, shouting that 'ICE is not entertainment!' and hurling the microphone into a video screen. The performance, titled ARMAGEDDON, featured an alien queen plot involving nuclear codes and ICE, and Choke Hole later apologized, removing the segment from subsequent shows.
Choke Hole, a drag wrestling show, issued an apology on Friday for a controversial ICE-themed segment performed at Pioneer Works, a Brooklyn art center. The event, titled ARMAGEDDON, was held in conjunction with a show by artist Raúl de Nieves and featured a character named Visqueen, a sex robot, who announced that an ICE agent was present to deport an alien queen. Wrestler Candy Pain fought the fictional agent and won, but the performance angered spectators, including trans activist Chiquitita, who confronted the cast and criticized the trivialization of real ICE violence. Choke Hole acknowledged the harm, donated over $3,000 to NYC ICE Watch, and urged followers to contribute.
MoMA PS1 held its annual gala on Tuesday night, celebrating the institution's 50th anniversary and honoring founding director Alanna Heiss and former MoMA Director Glenn D. Lowry. More than 500 guests attended the Surrealist-themed event, which featured artistic direction by the fashion and art collective Women’s History Museum, with stilt walkers, custom posters, performances, and DJ sets. Notable attendees included artists Wolfgang Tillmans and Camille Henrot, dealers Jeffrey Deitch, and musicians Swizz Beatz, along with museum leadership and collectors.
The Museum of Modern Art is celebrating the 40th anniversary of its New Photography series with 'New Photography 2025: Lines of Belonging,' featuring 12 international artists from Mexico City, Johannesburg, Kathmandu, and New Orleans. Other must-see exhibitions include 'Ministry: Reverend Joyce McDonald' at the Bronx Museum, showcasing the artist's ceramic works born from her HIV diagnosis and art therapy; 'The Magical City: George Morrison’s New York' at the Metropolitan Museum of Art, highlighting the overlooked Abstract Expressionist painter; and 'Christian Marclay: Doors' at the Brooklyn Museum, a cinematic supercut in the new Moving Image Gallery.
Raúl de Nieves's first solo institutional show in New York City, titled "In Light of Innocence," has opened at Pioneer Works. The exhibition transforms the Main Hall into an immersive, cathedral-like environment featuring 50 faux stained glass panels, a monumental lightbox mural, and works that blend Catholic, Mexican folkloric, and tarot symbolism. The artist uses humble materials like paper, wood, glue, tape, and colored acetate to create kaleidoscopic, light-responsive installations that shift throughout the day.
The Whitney Museum of American Art hosted its sold-out 2026 Art Party, a fundraiser organized by the Whitney Contemporaries and co-chaired by comedian Ego Nwodim, artists Martine Gutierrez and Emma Safir, patrons Steven Beltrani and Alexander Hankin, and stylist Micaela Erlanger. The event transformed the museum's ground floor into a dance floor with DJ sets by the Dare and artist Raúl de Nieves, attracting a crowd that included First Lady of New York Rama Duwaji, Martha Stewart, artists Sasha Gordon and Frank WANG Yefeng, and curators Chrissie Iles and Christiane Paul.
Raúl de Nieves, a queer Mexico-born artist based in Williamsburg, Brooklyn, is preparing for his latest institutional exhibition, “In Light of Innocence,” opening September 12 at Pioneer Works in Red Hook. The show features 40 new stained glass assemblages made from tape, acetate, and inexpensive materials, installed above a single floor-bound work—a departure from his typically maximalist style. De Nieves, who has exhibited at the ICA Boston, the Baltimore Museum of Art, and the Cleveland Museum of Art, and gained prominence after the 2017 Whitney Biennial, describes the exhibition as a valediction, stating it will be the last time he creates this kind of work.
UC Davis has announced the Maria Manetti Shrem Art Studio MFA Program, a two-year graduate program supported by a $14 million endowment from Maria Manetti Shrem. The program offers generous funding, spacious private studios, and culminates in a thesis exhibition at the Jan Shrem and Maria Manetti Shrem Museum of Art. It features renowned faculty, visiting artists such as Njideka Akunyili Crosby and Wangechi Mutu, and partnerships with institutions like the Headlands Center for the Arts and Skowhegan School of Painting and Sculpture. Applications are open until January 5, 2026, with a virtual MFA Open House on December 8, 2025.
Prospect, New Orleans' international art exhibition, has canceled its next planned show in 2027. The decision was announced by the organization's most recent director, Nick Stillman, who cited the current political climate and cuts to government arts funding as making the financial outlook for the multi-million-dollar event "ominous." Stillman has since left the organization. Instead of mounting another exhibition, Prospect will publish a book titled "20 Years of Prospect" and shift focus to exploring sustainable models for presenting global art discourse while archiving its past work.