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Marina Abramović rolls into Davos with an immersive project that encourages world leaders to take a digital detox

Marina Abramović has unveiled a new immersive work titled THE BUS at the World Economic Forum (WEF) in Davos, Switzerland, running until 23 January. The piece, part mobile sculpture and part meditation capsule, invites world leaders and participants to step away from the forum's intense schedule for a digital detox and inner reflection using the Abramović Method. The project was curated by Mirjam Varadinis, curator-at-large at the Kunsthaus Zürich, and developed through Abramović's institute (MAI). It marks Abramović's debut at the WEF, which this year also features eco-artist Thijs Biersteker, multimedia artist Ronen Tanchum, and street artist JR.

The Davos arts programme: ‘Art ventures where policy briefs and position papers cannot go’

The article describes the Arts and Culture Programme at the World Economic Forum's Annual Meeting in Davos, centered on the theme 'A Spirit of Dialogue.' It features performances and installations including the Mahler Chamber Orchestra with violinist Renaud Capuçon and an AI-generated visual installation by artist Ronen Tanchum, a concert by musician Jon Batiste, Thijs Biersteker's data-driven installation 'Forestate' created with Unesco, and Marina Abramović's mobile installation 'THE BUS.' The programme is structured around three pillars: Human Presence in the Digital Age, Tradition and Innovation, and Connection and Collaboration.