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consuelo jimenez underwood icons 2025

Consuelo Jimenez Underwood, a textile artist born in 1949 in Sacramento, has spent decades creating works that confront the US-Mexico border. In 2009, she was invited to participate in the group exhibition “Xicana: Spiritual Reflections/Reflexiones Espirituales” at the Triton Museum of Art in Santa Clara, California. Faced with a blank museum wall, she decided to “blow up the border,” creating her first large-scale installation, *Undocumented Border Flowers* (2010), which features a red gash representing the border surrounded by paper flowers of the four border states. This work launched her ongoing “BORDERLINES” series, which she has produced some 15 times across the country, often collaborating with schoolchildren or recently incarcerated women. Her practice is deeply personal: her father was an undocumented immigrant from Mexico of Huichol ancestry, and she spent her childhood as a migrant farmworker, following harvests along Highway 99. Her first woven artwork, *C.C. Huelga* (1974), was inspired by the United Farm Workers flag and leader César Chávez.

ana pellicer sculptor dead

Ana Pellicer, a Mexican sculptor celebrated for her monumental copper creations, has died at age 79. Mexico’s culture ministry announced her death this week without specifying a cause. Pellicer gained international recognition later in life for the oversized jewelry she created for the Statue of Liberty, including a 36-foot-tall necklace exhibited at MoMA PS1 in New York in 2018 as part of the show “Body Armor.” Born in Mexico City in 1946, she spent much of her career in the shadow of her husband, sculptor James Metcalf, and together they trained female artisans in Santa Clara del Cobre in ancient copper techniques, founding the Centro de Acción Educativa.

Has the world grown weary of art biennials? In search of an antidote, a Portuguese festival turns to anarchism

Anozero, a biennial art festival held in Coimbra's Monastery of Santa Clara-a-Nova, has opened a ghostly edition that uses installations—including Taryn Simon's sound piece of laments in multiple languages—to protest plans by the Portuguese government to redevelop the 17th-century convent into a hotel under its Revive programme. Festival co-founder Carlos Antunes threatens to cancel the biennial if the development proceeds, framing the event as a warning to the developer about the spirits that haunt the building.

What’s on now at San Francisco museums, January 2026

A roundup of current and upcoming exhibitions at San Francisco museums in January 2026 highlights several shows closing soon, including "Manet and Morisot" at the Legion of Honor and "Suzanne Jackson: What is Love" at SFMOMA, both ending March 1. New exhibitions opening include "The art of Cece Carpio" at SOMArts on Jan. 30, and "Trina Michelle Robinson: Open Your Eyes to Water" at 500 Capp Street and Root Division in February. The de Young Museum features "Boom and Bust: Photographing Northern California" and artist Rose B. Simpson's show "LEXICON," part of the newly opened galleries dedicated to Arts of Indigenous America. The Museum of the African Diaspora presents "Unbound: Art, Blackness and the Universe" and "Continuum: MoAD Over Time," while the Asian Art Museum hosts "Jitish Kallat: Covering Letter (Terranum Nuncius)."

Stimmung: sakral

The Anozero Biennale in Coimbra, Portugal, opens at the former Santa Clara convent, blending religious imagery with anarchist ideas. Artists including Taryn Simon and Nan Goldin present works that explore utopian visions of community and reciprocity within the monastery's walls.

New exhibit honors groundbreaking Pueblo potter Jody Folwell

The New Mexico Museum of Art has launched "O’Powa O’Meng: The Art and Legacy of Jody Folwell," the first solo exhibition dedicated to an Indigenous woman in the institution's history. This career retrospective, organized in collaboration with the Minneapolis Institute of Art and the Fralin Museum of Art, features over 30 works by the Santa Clara Pueblo potter. The display includes a newly debuted piece, "Buffalo Hunt," and highlights Folwell’s innovative use of relief techniques and narrative surfaces that address contemporary political and social issues.

Student artists take center stage at ArtNow 2026 Exhibition

The New Museum Los Gatos (NUMU) has launched ArtNow 2026, its largest juried high school exhibition to date, featuring 97 student artists from 36 schools across Santa Clara County. Selected from over 600 submissions, the featured works respond to the theme "Before / Between / Beyond," exploring concepts of identity, heritage, and the future. The exhibition process is designed to mirror professional standards, requiring students to submit artist statements and undergo a rigorous selection process by a panel of arts professionals.