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art what to see in new york galleries right now

This week's Critic's Table column highlights three New York gallery and museum shows. Painter Sam McKinniss praises Helene Schjerfbeck's first major U.S. institutional survey, "Seeing Silence: The Paintings of Helene Schjerfbeck," at the Metropolitan Museum of Art, calling the Finnish modernist more fascinating than Edvard Munch. Critic Johanna Fateman argues that Joan Semmel's career-spanning exhibition "In the Flesh" at the Jewish Museum proves her recent icon status is well-deserved and long overdue. Artist Ajay Kurian reviews Marguerite Humeau's mythic ecosystems at White Cube.

The 7 Best Art Shows to See This Fall, From N.Y.C. to San Francisco

The article previews seven major art exhibitions opening across the United States this fall, from New York City to San Francisco. Highlights include a rare U.S. retrospective of Finnish painter Helene Schjerfbeck at the Metropolitan Museum of Art, the first comprehensive U.S. survey of Afro-Cuban surrealist Wifredo Lam at the Museum of Modern Art, and a long-overdue museum retrospective for multimedia artist Suzanne Jackson at the San Francisco Museum of Modern Art. Other featured shows include Yoko Ono's traveling retrospective at the Museum of Contemporary Art Chicago.

New exhibition explores how Max Beckmann's hard-edged signature style first emerged in his drawing

An exhibition opening at Frankfurt's Städel Museum focuses on Max Beckmann's drawings, featuring 80 works that trace the emergence of his hard-edged signature style. Curated by Regina Freyberger, Stephan von Wiese, and Hedda Finke, the show spans from before World War I to the artist's final years in the US, including loans from major collections. It highlights how Beckmann's drawing evolved from preparatory studies to autonomous artworks, with key pieces like a 1928 portrait of his wife Quappi and the eerie watercolor 'The Murder' (1933).

Seeing Silence: The Paintings of Helene Schjerfbeck

This article introduces the work of Finnish modernist painter Helene Schjerfbeck (1862–1946), whose career spanned eight decades and evolved from naturalism to near abstraction. Born in Helsinki, she studied in Paris under French naturalist painters and initially gained recognition for history paintings celebrating Finnish heritage. Later, retreating to Hyvinkää to care for her mother, she abandoned naturalism, paring down her figure paintings and still lifes to simplified, materially intense compositions. The exhibition features key works such as 'View of St Ives' (1887) and 'Clothes Drying' (1883), highlighting her shift toward ethereal, boundary-testing imagery that early Finnish critics dismissed.