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In 2013, visitors to New York's Museum of Modern Art encountered actress Tilda Swinton sleeping in a raised glass box in the lobby, a performance piece titled *The Maybe*. Swinton first performed the work at London's Serpentine Gallery in 1995, developed with Joanna Scanlan, and has reprised it only twice: at Rome's Museo Baracco in 1996 and at MoMA in 2013. The MoMA iteration, curated by Klaus Biesenbach, featured Swinton alone in the glass case for eight hours a day over seven days, without the historical curiosities that accompanied the original Serpentine installation. Swinton has stated in a 2024 interview that she intends to perform *The Maybe* again "when least expected."

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The Artists Who Put Their Bodies Into the Work

This article from Google News, dated May 3, 2026, profiles a selection of artists who have used their own bodies as central elements in their work. It draws a connection to the Metropolitan Museum of Art's spring Costume Institute exhibition, "Costume Art," which places fashion in dialogue with other artworks. The roundup includes Marina Abramović, known for her 2010 MoMA performance "The Artist Is Present"; Chris Burden, who staged dangerous works like "Shoot" (1971); David Hammons, creator of the "Body Prints" series; Frida Kahlo, whose painting "The Broken Column" (1944) depicts her own physical pain; Ana Mendieta, whose "Silueta" series used her figure in the landscape; and Yoko Ono, a conceptual artist with a significant body-based practice.

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