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koyo kouoh dead zeitz mocaa venice biennale 1234741860

Koyo Kouoh, the celebrated Cameroonian-born curator known for championing African contemporary art, has died unexpectedly at age 57. She passed away in a hospital in Basel, Switzerland, due to cancer, just months after being appointed curator of the 2026 Venice Biennale—making her only the second African-born curator to lead the prestigious exhibition, following Okwui Enwezor in 2015. Kouoh was executive director and chief curator of the Zeitz Museum of Contemporary African Art (Zeitz MOCAA) in Cape Town since 2019, where she organized landmark shows like "When We See Us: A Century of Black Figuration in Painting" (2022), and founded RAW Material Company in Dakar in 2008, an independent art center now considered a top space in West Africa.

the buzz in bucharest sammy loren on rad and the refreshing romanian art scene

The article reports on the fourth edition of Romanian Art Dealers (RAD), an art fair in Bucharest that exclusively features Romanian galleries and artists. The author, Sammy Loren, travels from Los Angeles to experience the fair, which is co-founded by dealer Catinca Tabacaru and artist-dealer Daniela Pălimariu. The fair includes 31 booths, a Curatorial Summit with 35 international curators, and a central installation titled "Donate a Word" (2025) by Romanian artist Victoria Zidaru. The author attends events like the 10-year anniversary party for Sandwich Gallery and notes the intimate, family-like atmosphere of the local art scene.

NAFRICA–MASCHERE: The Mask Strikes Back

Curator Simon Njami discusses his exhibition 'NAFRICA–MASCHERE' at the Museo e Real Bosco di Capodimonte, which juxtaposes the fascist anthropological archives of Lidio Cipriani with contemporary artworks. The show utilizes the metaphor of the mask to explore the tension between how individuals are perceived and how they project themselves, specifically addressing the persistence of colonial logic in the modern world. By including artists from Africa, America, and Italy, Njami seeks to move beyond a binary 'colonizer vs. colonized' narrative toward a broader inquiry into human representation and power.