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Racquel Chevremont, a model, curator, and reality TV star, has filed a 31-page lawsuit against her former romantic partner, artist Mickalene Thomas, in the Supreme Court of the State of New York. The suit expands on earlier harassment allegations from August, detailing claims of an abusive work environment and financial exploitation. Chevremont alleges that Thomas denied her promised compensation from sales of artworks featuring Chevremont, including a painting that sold for $1.83 million, and that Thomas paid herself significant sums while Chevremont received nothing from their joint company, MT Special Projects (also known as Deux Femmes Noires). Thomas has denied the allegations through a spokesperson, calling them false and a desperate attempt to profit from her reputation.

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Tim Blum, co-founder of the influential Blum & Poe gallery, is stepping away from the traditional gallery model after more than 30 years. He told ARTnews that the decision was driven by burnout with the relentless cycle of art fairs, openings, and obligations, not by financial strain. His Tokyo and Los Angeles locations will close after summer exhibitions, and a planned New York space may not open as a conventional gallery. Blum will instead pursue a more flexible model involving special projects and collaborations, while continuing to buy and sell art personally.

Marian Goodman Gallery to ‘Pause’ Operations in Los Angeles

Marian Goodman Gallery is suspending operations at its Los Angeles location after two and a half years, following the conclusion of Tacita Dean's solo show on April 25. The gallery's partners announced a consolidation of programming to its historic homes in New York and Paris, stating they will evaluate the space's future while maintaining an LA presence through art fairs, special projects, and museum exhibitions.

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Untitled Art has announced the 84 exhibitors for its inaugural Houston edition, taking place September 19–21, 2025, at the George R. Brown Convention Center, with a preview day on September 18. The fair, which has run in Miami Beach for 12 years, expands to Houston citing the city's $1.3 billion arts-related spending in 2022, making it the largest art market in Texas. The exhibitor list includes 17 Texas-based galleries (about 20% of participants), leading US galleries from San Francisco, Los Angeles, Detroit, and New York, and international dealers from Canada, Spain, the UK, Peru, the Bahamas, and Latvia. A Nest section offers reduced booth prices for 20 galleries, and the fair will collaborate with Houston institutions including the Museum of Fine Arts Houston, the Contemporary Arts Museum Houston, and the Menil Collection for special projects.

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Untitled Art, Miami Beach has announced the 157 exhibitors for its 2025 edition, running December 3–7 on Miami Beach. The fair introduces a new “Artist Spotlight” section organized by artist Petra Cortright, alongside its main Galleries section and the reimagined Nest section curated by Jonny Tanna. Notable first-time exhibitors include Meliksetian | Briggs, PALMA, and Soho Revue in the main section, while several galleries have switched from NADA and Art Basel Miami Beach, including Kavi Gupta returning after a lawsuit hiatus. The fair also features Allison Glenn as curator of site-specific Special Projects.

A New Brooklyn Art Fair With a Global Outlook Debuts This Spring

A New Brooklyn Art Fair With a Global Outlook Debuts This Spring

A new art fair called Conductor: Art Fair of the Global Majority will hold its inaugural edition in Brooklyn from April 30 to May 3, 2026. Organized by Powerhouse Arts, it will feature 27 galleries and 17 special projects, bringing together artists and galleries from Africa, Latin America, Asia, the Caribbean, the Middle East, Oceania, and Indigenous nations.

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Artissima, Italy's only contemporary art fair, closed its 32nd edition on November 2, 2025, at the Oval Lingotto Fiere in Turin, drawing 34,500 visitors and 176 galleries from 36 countries. Directed by Luigi Fassi for the fourth year, the fair ran from October 30 to November 2, featuring 63 monographic presentations and 26 first-time exhibitors. The edition introduced a new 5% VAT rate on artworks in Italy, awarded 13 prizes including the new Vilnius Residency Prize, and saw the Fondazione Arte CRT Acquisition Fund acquire 26 works for GAM Torino and Castello di Rivoli, marking its 25th anniversary. Special projects included "From Japan: Anonymous Art Project" and a film screening by Basim Magdy at Parco Michelotti.

8 Must-See Exhibitions in Tokyo Right Now

Art Week Tokyo returns for its fourth edition from November 5–9, 2025, co-hosted by over 50 venues across the city. Instead of a traditional art fair, visitors can use free shuttle buses to explore participating galleries, museums, and nonprofit spaces, including Pace, Perrotin, Kaikai Kiki Gallery, the Mori Art Museum, and the Museum of Contemporary Art Tokyo. Highlights include a curated Focus exhibition titled “What Is Real?” by documenta 14 artistic director Adam Szymczyk, a survey show “Prism of the Real” co-curated with M+, a mid-career retrospective for Aki Sasamoto, and special programming such as a guided tour of micro homes by architect Kazuyo Sejima and a pop-up bar designed by Ichio Matsuzawa with a menu by Michelin-starred chef Shinobu Namae.

The Best Exhibitions to See Around San Francisco During FOG Design+Art

January brings a full slate of exhibitions across the Bay Area timed to San Francisco Art Week, headlined by the 12th edition of FOG Design+Art at Fort Mason Center (January 21-25). Galerie highlights nine must-see shows, including "100 Candleholders" at Blunk Space, where international artists create candleholders inspired by JB Blunk; "New Work: Sheila Hicks" at SFMOMA, featuring fiber installations tied to personal places; "The Houses Are Haunted By White Night-Gowns" at The Future Perfect, a furniture-and-bowls installation by Studio Ahead; and "Auudi Dorsey: What’s Left, Never Left" at Jonathan Carver Moore, where the painter excavates histories of African American leisure sites.

Napoles Marty wins Frieze Los Angeles Impact Prize

Napoles Marty, a US painter and sculptor based between Connecticut and Rhode Island, has won the 2026 Frieze Los Angeles Impact Prize. The award includes $25,000 and a solo stand at the fair, which opens in late February at Santa Monica Airport. Marty, whose work draws on dream imagery and his Cuban heritage, was selected by a jury including collectors Allison K. Berg and Maisha C. Clark. He will collaborate with fair organizers and Diana Nawi, curator of special projects at the Los Angeles County Museum of Art, on his presentation. Marty was previously a member of the sixth cohort of Nxthvn, a Connecticut-based arts incubator founded by artist Titus Kaphar and impact investor Jason Price.

Person of the Day | Chase Quinn Adopts Multi-Discipline Approach to Art-Museum Exhibits, Programs

Chase Quinn has been appointed as the inaugural creative director and curator of special projects at the Mississippi Museum of Art (MMA) in Jackson, starting in January 2025. In this newly created role, he oversees both curatorial and education departments, focusing on inclusive, cohesive content development and storytelling. Quinn, previously co-director of education and programs and curator of special projects at the Gibbes Museum of Art in Charleston, South Carolina, was inspired by Carrie Mae Weems’ series “From Here I Saw What Happened and I Cried” at Tate Modern in the mid-1990s, which shaped his approach to complicating narratives around race in museum exhibitions.

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Frieze has announced the launch of Frieze House Seoul, a year-round exhibition and project space in the Yaksu-dong neighborhood, set to open alongside the fourth edition of Frieze Seoul from September 3 to 6, 2025. Housed in a four-story building dating from 1988, the venue will host short-term gallery residencies, special projects, and curated exhibitions beyond the fair dates, and features a permanent site-specific installation by SANAA founders Kazuyo Sejima and Ryue Nishizawa. The news comes as Frieze works to extend its five-year partnership with Kiaf, the fair run by the Galleries Association of Korea, which began in 2022 and is set to expire in 2026.

Tim Blum will phase out traditional gallery model, close Los Angeles and Tokyo locations

Tim Blum, co-founder of the influential Los Angeles gallery Blum (formerly Blum & Poe), announced he will phase out the traditional gallery model, closing the gallery's permanent public spaces in Los Angeles and Tokyo. Blum cited burnout from the relentless demands of art fairs and gallery openings, emphasizing the decision is about the system, not the market. The gallery, which introduced American audiences to Japanese artists like Yoshitomo Nara and Takashi Murakami and gave early shows to Mark Grotjahn and Anna Weyant, will shift to a more flexible model involving collaborations and special projects. A previous New York space closed in 2023, and a Tribeca space's future remains undetermined.

An Art Fair for the "Global Majority" Debuts in Brooklyn

The inaugural Conductor Art Fair debuted at Powerhouse Arts in Brooklyn, running through May 3. Co-curated by fair director Adriana Farietta and PHA president Eric Shiner, the event features 28 gallery exhibitors and 20 special projects, with a focus on representing "the global majority and Indigenous nations." Highlights include an immersive yurt installation by Vuslat and Sana Frini, works by Palestinian artist Khaled Jarrar, Puerto Rican sculptor Margarita Vincenty, Venezuelan artist Esmelyn Miranda, and Bangladeshi artist Bishwajit Goswami. The fair offers affordable booth fees starting at $2,500 for nonprofits and free participation for self-representing artists with a 30% sales donation to PHA.

Conductor Launches in Brooklyn With Venice Biennale-Bound Artists and Immersive Projects

Conductor, a new art fair hosted by Powerhouse Arts, opened in Brooklyn on Wednesday night, drawing over 800 visitors within hours. The fair features 28 galleries and 20 special projects, with installations spilling out of traditional booths into shared spaces. Highlights include House of Silence, a tent-like structure by Turkish artist Vuslat and architect Sana Frini; Retorno (2022) by Juan José Barboza-Gubo, presented by Praise Shadows Gallery; and works by Beya Gille Gacha, who is set to appear in the Cameroon Pavilion at the Venice Biennale. Fair director Adrianna Farietta noted that some galleries had to withdraw due to the war in Iran, but the result remains an inclusive and immersive event.

Frieze House Seoul: A New Permanent Exhibition Space Arrives in the Korean Capital

Frieze has announced the opening of Frieze House Seoul, a new permanent exhibition space in the Yaksu-dong neighborhood of the Korean capital. The venue, housed in a renovated 1988 building designed by Samuso Hyoja, spans over 2,260 square feet across four floors and includes a landscaped garden with a permanent site-specific installation by SANAA. Its inaugural exhibition, "UnHouse," curated by Jaeseok Kim, features queer and emerging artists such as Anne Imhof, Catherine Opie, and Joeun Kim Aatchim, exploring themes of home, identity, and power. The space will host year-round programming, including gallery residencies and special projects, building on the model of Frieze's No 9 Cork Street in London.

Glasgow International announces full 2026 programme

Glasgow International has revealed the complete programme for its 11th edition, scheduled for 5-21 June 2026. The biennial, now under the direction of Helen Nisbet, will feature new works by artists including Kate Cooper, Tanoa Sasraku, and Luke Fowler, and will explore themes of memory, kinship, and cultural resonance. The festival also includes the 'Gatherings' event series and a new 'Special Projects' initiative highlighting community-embedded organizations in Glasgow.

Emerging Practices and New Languages: This is How Pinta Lima 2026 is Shaped

EMERGING PRACTICES AND NEW LANGUAGES THIS IS HOW PINTA LIMA 2026 IS SHAPED

Pinta Lima has announced the details for its 13th edition, scheduled to take place from April 23 to 26, 2026, at Casa Prado. Under the artistic direction of Irene Gelfman, the fair will feature 45 galleries from 15 international cities, with nearly 70% of participants arriving from outside Peru. The event is structured into five specialized sections, including the Main Section, RADAR (curated by Ilaria Conti), NEXT (curated by Juan Canela), and dedicated spaces for video and special projects.

CONDUCTOR Is New York’s First Art Fair Committed to the Global Majority

A new art fair called CONDUCTOR: Art Fair of the Global Majority will launch in Brooklyn from April 30 to May 3, 2026. Hosted at Powerhouse Arts, the inaugural edition will feature 27 gallery exhibitors and 17 special projects dedicated to artists from Africa, Latin America, the Caribbean, South Asia, Southeast Asia, the Middle East, Oceania, and Indigenous Nations worldwide.