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Spring Exhibitions at the Lilley Museum of Art

The John and Geraldine Lilley Museum of Art at the University of Nevada, Reno, has announced three new exhibitions for its spring 2026 program, running from January 27 to May 23. The shows include “Home Truth: Image Making in Absence, Photography by Steven Seidenberg,” co-curated by Stephanie Gibson and Carolyn L. White; “Ayana V. Jackson,” co-curated by Gibson and visual storyteller Iyana Esters; and “Homeland Security: Images from the Epicenter of the Cuban Missile Crisis,” featuring archival photographs from Prensa Latina. An opening reception will be held on February 19, with free parking and refreshments.

The Lilley Museum of Art launches newest exhibition, 'To Hold a Form'

The Lilley Museum of Art at the University of Nevada, Reno has launched a new exhibition titled 'To Hold a Form: Art with Sound in the Work of Jennie C. Jones, LaRissa Rogers and Naama Tsabar.' Curated by Executive Director and Chief Curator Stephanie Gibson, the show features immersive, interactive works that blend visual art and sound. A highlight was a site-specific performance by artist-in-residence Naama Tsabar and a team of musicians, including Ruby Barrientos, Sophie Duvall, Jonesy, Sarah Strauss, and Karlie Watson, which took place on October 1 and 2, 2025. The exhibition remains open to the public, inviting visitors to touch and activate Tsabar's felt-and-piano-wire sculptures, challenging traditional museum norms.

The Lilley Museum of Art launches newest exhibition, 'To Hold a Form'

The Lilley Museum of Art at the University of Nevada, Reno has launched a new exhibition titled 'To Hold a Form: Art with Sound in the Work of Jennie C. Jones, LaRissa Rogers and Naama Tsabar.' Curated by Executive Director and Chief Curator Stephanie Gibson, the show features immersive, interactive works that blend visual art and sound. A highlight was a site-specific performance by artist-in-residence Naama Tsabar, collaborating with musicians Ruby Barrientos, Sophie Duvall, Jonesy, Sarah Strauss, and Karlie Watson, which filled the museum with unusual sounds from guitars, wooden platforms, and strings. The exhibition remains open for visitors to touch and activate Tsabar's felt-and-piano-wire sculptures, challenging traditional museum norms.