Artnet News recaps the defining trends of 2025 in the art world, highlighting five key stories. These include the resurgence of elaborate frames in contemporary art ("Bordercore"), the rise of "red-chip art" favored by a new breed of flashy collectors, a "para-pastoral" movement that twists idyllic rural scenes into unsettling visions, and the growing popularity of small-scale paintings driven by intimacy and market shifts.
Artist Harry Gould Harvey IV and others are reclaiming the frame as an integral part of the artwork, using found wood and elaborate designs to embed narrative, memory, and place. Harvey, represented by P.P.O.W., began making frames from a fallen black walnut tree, while artists like Jenna Rothstein create ceramic frames with spiky thorns. The New Museum Los Gatos recently honored Holly Lane, a pioneer who milled Renaissance-style frames in the 1980s, challenging the minimalist norm.
Artnet News revisits the trend of inventive, sculptural frames in contemporary painting, originally explored in Katie White's essay "Bordercore." The article features a podcast conversation between White and editor Ben Davis, examining how artists like Stephanie Temma Hier use frames as surreal, symbolic extensions of their work, moving beyond traditional containment to comment on and disrupt the artwork's boundaries.
Artnet News published a podcast episode featuring writer and editor Katie White, who discusses her article "Bordercore: Why Frames Became the New Frontier in Contemporary Art." White explores how contemporary artists are reimagining picture frames as surreal, sculptural, and symbolic elements that actively comment on, disrupt, or extend the artwork beyond its traditional boundaries. She cites examples like Stephanie Temma Hier's 2021 work "Sparks and Tremors," which combines oil on linen with glazed stoneware sculpture, and notes that statement frames are increasingly appearing at art fairs and exhibitions after a long period of frameless display.