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Thoroughly Modern Maastricht: why Tefaf is embracing the 20th century

TEFAF Maastricht is reinforcing its position as a premier destination for high-end collectors by increasingly integrating 20th-century secondary market material alongside its traditional Old Masters and antiquities. Despite a period of leadership instability—marked by the recent departure of managing director Dominique Savelkoul after less than a year—the fair remains a critical fixture for 276 exhibitors. This year's edition highlights a diverse range of objects spanning 7,000 years, from Neolithic pottery to contemporary photography and high jewelry worn by celebrities like Helen Mirren.

London's pre-contemporary art market gets boost from two new summer events

Two new summer events for pre-contemporary art are launching in London: Classic Art London (CAL), running from 23 June to 4 July, and Studiolo, a one-day showcase on 26 June. CAL fills the gap left by London Art Week, which ended in 2024, and features gallery exhibitions across Mayfair, St. James's, Cecil Court, and Belgravia, along with a talks programme at the Society of Antiquaries. Highlights include a rediscovered Titian, a solo show of Paul Nash landscapes, and a focus on Swedish Cubo-Futurist Gösta Adrian-Nilsson (GAN). Studiolo, held at Spencer House, presents art, antiquities, and sculpture.

Innovative London drawing fair with no stands stages its second edition

Tracing Time, a London drawing fair organized by Trois Crayons, returns for its second edition from 26 June to 5 July at No. 9 Cork Street. The selling exhibition features drawings spanning 500 years, with 35 participating galleries—double the number from its debut—including works by Giovanni Domenico Tiepolo, Gustav Klimt, and Françoise Gilot. Unlike traditional fairs, it operates without stands: dealers pay a flat fee for logistics, retain 100% of sales, and the space functions as a social hub without booths or dealers present.