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Theaster Gates: Contending with the Past and Present

Theaster Gates has transformed the Smart Museum of Art into a personal sanctuary for his first major solo institutional exhibition in Chicago, titled "Unto Thee." The immersive installation features vast archives from Gates's personal collections, including African artifacts, funerary objects, and a significant vinyl record collection that provides a continuous sonic backdrop to the space. Key works on display include the monumental "Black Still Life #3" and the ongoing series "Walking Prayer," which consists of black books embossed with golden phrases that explore the complexities of Black identity and collective memory.

21 Renoirs From the Collection of the Artist’s Muse Hit the Market

Bonhams has announced an online auction titled “A Lasting Impression,” featuring 21 previously unseen or little-known paintings by Pierre-Auguste Renoir. These works originate from the personal collection of Gabrielle Renard, the artist’s longtime muse and his children's nanny, who sat for the Impressionist master nearly 200 times. The sale, scheduled for May 10–20, includes intimate portraits of Renard, landscapes, and a floral still life, with estimates ranging from $220,000 to $700,000.

Gary E. Harris Exhibition To Open At Pittsford Fine Art

Pittsford Fine Art will host a solo exhibition of oil paintings by Western New York artist Gary E. Harris from May 1 through May 31, 2026. The showcase features landscapes inspired by Cape Cod and Western New York, alongside still life works that emphasize light, atmosphere, and open composition. Harris, a former creative director who transitioned to full-time painting, draws significant influence from 19th-century French Impressionism.

Michaelina Wautier Finally Known by Her Name

The Royal Academy of Arts in London has launched a monographic exhibition dedicated to Michaelina Wautier, a 17th-century Brussels-based painter whose work was misattributed to male contemporaries for centuries. Despite her mastery across diverse genres—including portraiture, floral still lifes, and large-scale history paintings typically reserved for men—her identity was obscured by patriarchal societal norms and a lack of biographical documentation. The show highlights her technical brilliance, notably in works like "The Triumph of Bacchus," which was long credited to male artists due to the era's restrictions on women studying nude models.

PKM gallery to open Lee Jung-jin exhibition 'Unseen/Thing' Wednesday

Photographer Lee Jung-jin has launched a major solo exhibition titled "Unseen/Thing" at PKM Gallery in Seoul, marking her first solo show in six years. The exhibition is divided into two parts: her latest "Unseen" series, captured during a 2024 trip to Iceland, and her "Thing" series from the early 2000s, which features analog still lifes printed on traditional Korean hanji paper. The new works depart from Lee’s previous focus on the static silence of deserts, instead capturing the volatile, forceful energy of the Icelandic landscape.

Group Exhibition ‘Here’s To Painting’ To Be Celebrated With Opening Reception Saturday Afternoon

The Newtown Municipal Center Art Gallery is hosting "Here’s To Painting," a group exhibition featuring original works by 12 local artists. Curated by the Newtown Cultural Arts Commission, the show highlights the creative output of a long-standing collective under the mentorship of retired art educator Claudia Mitchell. The collection primarily consists of watercolors and pastels, depicting local Newtown landmarks, international streetscapes, and still lifes.

Brandywine Museum of Art’s exhibition features a contemporary eye on still life

The Brandywine Museum of Art has announced a new group exhibition titled "Abundance/Excess: A Contemporary Eye on Still Life," featuring works by 10 contemporary artists. The show is divided into two thematic sections: "Abundance," which examines the history of wealth and commerce in America, and "Excess," which focuses on the environmental and social consequences of overconsumption. Curated by Kerry Bickford, the exhibition includes diverse media ranging from traditional painting to works made from discarded materials like trash-picked toys and grocery flyers.