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Artist Sid Pattni’s Dual Cultural Backgrounds Inspire His Exploration of Identity in Flux | Travel Insider

Melbourne-based artist Sid Pattni is gaining international recognition for his unique fusion of portraiture and traditional Indian embroidery. Following a transformative residency in New Delhi, Pattni has developed a practice that reclaims colonial-era imagery by framing figures within vivid, beaded borders inspired by Mughal miniatures. His work explores the complexities of the Indian diaspora and the fluid nature of identity, moving beyond conventional portraiture to incorporate ancestral craft techniques.

sothebys to host major sale in abu dhabi larry gagosian talks discreet art dealing curator flees thailand over arrest fear and more morning links for september 25 2025 1234753625

Sotheby's will host a landmark exhibition in Abu Dhabi on October 1-2, 2025, at the Bassam Freiha Art Foundation, showcasing masterworks by Vincent van Gogh, Paul Gauguin, Frida Kahlo, Edvard Munch, René Magritte, and Camille Pissarro, collectively valued at $150 million. This marks the first public fine art exhibition ever staged by Sotheby's in Abu Dhabi and the most valuable presentation the auction house has held in the Middle East. Separately, Larry Gagosian discussed the art market recession at Puck's Art of Influence conference, noting that private sales are rising as collectors shy away from auction houses. Other news includes controversy over Cai Guo-Qiang's performance in Tibet, a curator fleeing Thailand over arrest fears, and declining sales at Sydney Contemporary.

Meet the new faces of Australian art

Australia's biggest annual art sales weekend, centered on the Sydney Contemporary fair held September 11 and 14, 2025, attracted a record 26,440 ticket buyers across its 12 editions. However, total booth sales fell for the third consecutive year to $16 million, down from a peak of $23 million in 2022. Gallerists report that market activity has shifted from works over $100,000 to those around the $50,000 mark, indicating a cooling in the high end of the market.

Sydney Contemporary art fair sees fourth year of decline in sales

Sydney Contemporary, Australia's largest contemporary art fair, reported A$16m (US$10.5m) in sales for its 2025 edition, marking a fourth consecutive year of decline. The fair, held from 11 to 14 September at Carriageworks, featured 116 exhibitors and nearly 500 artists, making it the largest edition to date. Despite the drop from last year's A$17.5m and A$23m in 2022, founder Tim Etchells remains committed, citing record visitor numbers of 26,440 and a shift in buyer behavior where sales often close weeks after the fair. Notable sales included a A$1.5m painting by Emily Kam Kngwarray, still under consideration by a collector. A new photography section, Photo Sydney, debuted and will return next year.

This painting sold for most in the biggest weekend of art sales

Sydney Contemporary, Australia's largest art fair, saw record attendance and stronger sales in its 2025 edition, recovering from a dip the previous year. The fair, now 12 years old, may surpass its 2022 record of $23 million in sales, though final figures won't be known until mid-week.

Would you pay $48,000 for a drawing by a 9yo King Charles?

Sydney art dealer Justin Miller is offering a crayon drawing of a sailing boat by a nine-year-old King Charles III at the Sydney Contemporary art fair at Carriageworks, with a price tag of $48,000. The artwork, created by the future monarch during his childhood, is being presented as a rare collectible tied to royal history.

How the wealth transfer from Boomers to their children will shake up the art market

The article examines how the transfer of wealth from Baby Boomers to younger generations is reshaping the Australian art market. As Boomers downsize or pass away, their tightly held collections—featuring artists like Grace Cossington Smith, Howard Arkley, and Brett Whiteley—are entering auction houses, creating rare buying opportunities. Meanwhile, younger collectors (Gen X, Millennials, Gen Z) face economic uncertainty, leading to a softening in the ultra-contemporary market and a decline in NFTs. New models of online and agency representation are bypassing traditional galleries, and galleries themselves are undergoing generational change, with some closing and others like Ames Yavuz and D'Lan Contemporary expanding.