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what defined 2025 curators pick the years best art

Several international curators and museum directors, including Connie Butler of MoMA PS1, Carolyn Christov-Bakargiev, Julieta Gonzalez of the Wexner Center for the Arts, and Madeleine Grynsztejn of MCA Chicago, selected artworks that they believe define 2025. Highlights include Ayoung Kim's video installation 'Delivery Dancer’s Arc: 0º Receiver' (2024), Beeple's 'Regular Animals' premiered at Art Basel Miami Beach, and Kerry James Marshall's painting 'Haul' (2025) from his retrospective at the Royal Academy of Arts. Julieta Gonzalez also pointed to a broader constellation of practices emphasizing collectivity, ecological thinking, and Indigenous cosmologies rather than a single emblematic work.

Inside Sunpride Foundation’s Mission to Champion LGBTQ+ Art Across Asia

Patrick Sun founded the Sunpride Foundation in 2014 to support LGBTQ+ communities through art, combining his passion for contemporary queer Asian art with philanthropy. The foundation's flagship "Spectrosynthesis" exhibition series has been staged at major institutions across Asia, including the Museum of Contemporary Art, Taipei, and the Bangkok Art and Culture Centre. The latest iteration, "Spectrosynthesis Seoul," opened at Seoul's Art Sonje Center and runs through June 28, 2026. Sun, a Hong Kong-born real estate developer and longtime art collector, built the foundation's collection with a focus on works suitable for museum exhibitions about queer identity.

the asia pivot tobias berger

Tobias Berger, a veteran curator who held senior roles at Hong Kong’s M+ and Tai Kwun, has transitioned from the public sector to lead two new private initiatives: Serakai Studio and the Tanoto Art Foundation. Ahead of Art Basel Hong Kong, Berger is launching "Gold," an experimental salon space in Wong Chuk Hang that merges contemporary art with design and fashion. These roles mark a shift toward agile, privately funded cultural models that prioritize regional focus and experimental programming over the bureaucratic structures of large public museums.

chinas ultra contemporary moment

Artnet News profiles five ultra-contemporary artists working in China today, highlighting their practices amid shifting cultural narratives, economic pressures, and technological change. Featured artists include Xia Yu, known for tempera paintings of everyday life, and Ye Linghan, who creates monumental "data portraits" from smartphone screenshots. The article details their backgrounds, notable exhibitions, market prices, and upcoming projects, emphasizing their growing appeal to collectors and curators.

curators reveal their favorite artworks of all time

Artnet News asked leading curators and museum directors to share their favorite artworks of all time. Connie Butler of MoMA PS1 chose David Hammons's "Bliz-aard Ball Sale" (1983), praising its connection from Duchamp to AI. Julieta Gonzalez of the Wexner Center selected Hans Holbein the Younger's "The Ambassadors" (1533), highlighting its anamorphic skull as a metaphor for viewing modernity from the margins. Madeleine Grynsztejn of MCA Chicago picked Francisco Goya's "A Pilgrimage to San Isidro" (1819–23) from his Black Paintings cycle, calling it a metaphor for fanaticism.

philip tinari leaves ucca beijing hong kong tai kwun

Philip Tinari is leaving his role as director and CEO of UCCA Center for Contemporary Art in Beijing after 14 years to become deputy director and head of art at Tai Kwun Culture & Arts in Hong Kong, starting February 23. He succeeds curator Pi Li, whose contract expires in February. Tinari oversaw UCCA's transition to a nonprofit museum in 2018 and its expansion with three new venues, including UCCA Dune, UCCA Edge, and UCCA Clay, while organizing major exhibitions of artists such as Henri Matisse, Pablo Picasso, Andy Warhol, Cao Fei, and Anicka Yi.

And We Shall Go Through Their Hills Without Much Delay

This article documents three journeys into and out of Yunnan, China, spanning from 1874 to 2023. It begins with British interpreter Augustus Raymond Margary's failed colonial expedition to establish a trade route, which ended in his violent death and contributed to unequal treaties opening Southwest China. It then follows a Naxi student named Xueshan in 1937, whose railway journey introduced modern timekeeping to the region, and finally describes the construction of the Burma Road, a critical WWII supply route. The narrative concludes with the artist Cheng Xinhao retracing these routes on foot from Kunming toward Burma over a year and a half, reflecting on history, bodily experience, and the layers of infrastructure that have reshaped the landscape.

Philip Tinari appointed as deputy director and head of art at Hong Kong’s Tai Kwun cultural complex

Philip Tinari, the longtime director and CEO of Beijing's UCCA Center for Contemporary Art, has announced he will leave to become deputy director and head of art at Hong Kong's Tai Kwun cultural complex. He will oversee programming at Tai Kwun Contemporary and shape strategy for the entire complex, which includes performing arts, galleries, and restaurants. Tinari replaces Pi Li, who previously worked at M+ and co-founded Boers-Li gallery. The appointment is backed by The Hong Kong Jockey Club, whose director Chin Chin Teoh and Tai Kwun Arts director Timothy Calnin cited a 2018 collaboration with Tinari on a Cao Fei exhibition as influential. Tinari's departure follows reports of financial difficulties at UCCA, which the institution denied. UCCA has appointed Lingyi Kong as new CEO and Xi Guo as deputy director, effective February 2026.

"Trevor Yeung: Courtyard of Detachments", a new configuration of the artist's solo exhibition representing Hong Kong in the 60th International Art Exhibition – La Biennale di Venezia, opens at M+ on Saturday, 14 June 2025

A new configuration of Trevor Yeung's solo exhibition "Courtyard of Detachments," originally representing Hong Kong at the 60th Venice Biennale, will open at M+ museum in Hong Kong on June 14, 2025. The presentation reimagines the artist's acclaimed Biennale project for the museum context.

Through Bamboo, the Artist Lap-See Lam Explores Her Family’s History

Swedish artist Lap-See Lam has opened her first solo exhibition in Asia at the Tai Kwun Contemporary in Hong Kong. The show, titled "The Dream of the Lion's Way," features her signature multimedia installations, including video, sculpture, and sound, which weave together Cantonese opera, family narratives, and 3D-scanned environments of Chinese restaurants in Sweden.

Potatoes Grow on Trees: Hu Yinping Replants Meaning in Making

Beijing-based artist Hu Yinping is presenting three major works in Hong Kong this March, including the installation 'Potatoes Grow on Trees' in the Encounters sector of Art Basel Hong Kong. The works stem from her long-running project 'Hu Xiaofang,' a semi-fictional company that employs women in rural China to create crocheted artworks, redistributing income and visibility to this often-overlooked demographic.

Pride of place: the rise of LGBTQ+ art in Hong Kong

Hong Kong's art scene is witnessing a significant rise in the visibility and institutional embrace of LGBTQ+ art, particularly during its annual Art Week. Exhibitions like the Sunpride Foundation's 'Myth Makers—Spectrosynthesis III' at Tai Kwun Contemporary have acted as major accelerants, moving queer discourse from semi-private contexts into prominent public institutions.