The Blanton Museum of Art at the University of Texas at Austin has opened a new exhibition titled 'Coded: Art Enters the Computer Age, 1952–1982.' The show features over 100 works by 75 artists who used computers, algorithms, and data as creative tools, exploring the intersection of art and technology during a pivotal three-decade period.
The Amarillo Museum of Art (AMoA) is hosting the Texas Panhandle Student Art Show, an annual exhibition showcasing student artwork from across the Texas Panhandle. A special reception will be held on May 15, 2026, to honor participating students and award winners. The show features a wide range of media including paintings, drawings, printmaking, computer art, collage, jewelry, ceramics, sculpture, and mixed media. Awards include Best of Show honors, scholarships from West Texas A&M University and Amarillo College, and Georgia O’Keeffe Excellence in Art & Creativity awards sponsored by Education Credit Union.
The Smithsonian National Museum of American History in Washington DC is marking the 250th anniversary of US independence with a major exhibition titled "In Pursuit of Life, Liberty & Happiness," opening on 14 May. The show displays 250 objects spanning all three floors of the museum, ranging from a Revolutionary War-era gunboat (the Philadelphia) to a Donald Trump "Make America great again" hat. Seventy-six rarely seen objects are concentrated in entry hall cases, while the rest are embedded throughout existing galleries, connected by a "ribbon" design. Director Anthea Hartig frames the exhibition as a commemoration of moments where individuals and communities fought for recognition and identity, pairing each object with an action verb to emphasize democracy as participatory.
Summer exhibitions are opening across East and South Texas at venues including the Art Museum of Southeast Texas, the Beeville Art Museum, the Longview Museum of Fine Arts, the Museum of East Texas in Lufkin, and the Rockport Center for the Arts. Highlights include Janavi Mahimtura Folmsbee's 'Magic Water' at the Rockport Center for the Arts, a 2026 FotoFest Biennial Participating Space; Jennifer Arnold's 'A Layered Space: Coming Up For Air (v.6)'; Elena Rodz's 'Byways' as part of the Past Master Artists | Rockport Legends exhibition; Bill Pangburn's 'Printed Traces – A Neches River Journal' at the Art Museum of Southeast Texas; and Woody Gwyn's 'Skylight On Water, Trees, Rock and Road' at the Art Museum of South Texas.
A new exhibition titled "From Hermès to Home" at the Waco Welcome Center showcases the work of internationally acclaimed artist Kermit Oliver alongside local artists Cade Kegerreis and Vincent Thomas, who were mentored by Oliver. Oliver is the only American artist to have designed scarves for Hermès, and the show features his iconic scarf designs alongside paintings and self-portraits by all three artists, marking the first time their work has been exhibited together. The exhibition coincides with a limited-edition re-release of Oliver's scarf design "Faune et Flore du Texas" and the upcoming publication of a book about him by Texas A&M University Press.
Interdisciplinary artist Jinsun Kim presents a solo exhibition titled 'C.O.C.O.O.N.: HEALING' at K Space Contemporary in Corpus Christi, Texas. The exhibition features mixed-media sculptures that create immersive, cocoon-like environments exploring themes of healing, survival, and transformation. The works are informed by Kim's childhood memories of her mother's illness and recovery, translating personal experience into universal spatial narratives.