Marian Goodman’s Prized $65 Million Collection Lands at Christie’s

Christie’s has announced the sale of the private collection of the late legendary art dealer Marian Goodman, who passed away in January at age 97. Estimated to bring in approximately $65 million, the collection is headlined by a group of significant works by Gerhard Richter, an artist Goodman championed for four decades. The centerpiece of the auction is Richter’s 1982 painting "Kerze (Candle)," which carries a high estimate of $50 million and will lead a series of dedicated sales in New York this May.

Chicago’s Obama Presidential Center has art at its core

The Obama Presidential Center is set to open on Chicago’s South Side on June 19, 2026. The $850m institution, designed by Tod Williams Billie Tsien Architects, features more than 25 site-specific contemporary art commissions integrated into its architecture and 19.3-acre campus. Ahead of the opening, the museum has partnered with Expo Chicago to preview these works, which include monumental contributions from artists such as Julie Mehretu, Mark Bradford, and Nick Cave.

Inside the Fight to Keep a Trove of Frida Kahlo Works from Leaving Mexico

The Gelman Collection, featuring 11 essential masterpieces by Frida Kahlo, is at the center of a heated legal and cultural dispute following news of its transfer from Mexico to Spain. Acquired by the Zambrano family and managed by the Banco Santander Foundation, the collection is slated for a multi-year residency at the new Faro Santander cultural hub. Critics and historians argue the move potentially violates Mexico’s strict heritage laws, which designate Kahlo’s works as national monuments subject to permanent export bans.

‘The violence of racist tyranny’: African Guernica goes on display alongside Picasso masterpiece

The Reina Sofía museum in Madrid has installed Dumile Feni's 1967 drawing 'African Guernica' directly opposite Pablo Picasso's iconic 'Guernica' painting. This pairing is the centerpiece of the museum's new annual exhibition series 'History Doesn’t Repeat Itself, But It Does Rhyme,' which aims to place works from different cultural contexts in dialogue with Picasso's masterpiece.

Getty Center to Close in Los Angeles as Major Renovation Looms

The Getty Center in Los Angeles will close for a full year starting March 15, 2027, to undergo its first major renovation since opening in 1997. The "modernization initiatives" include updates to the galleries, a redesign of the Welcome Hall with a new café, and the replacement of the iconic tram system to increase passenger capacity. During the closure, the Getty Villa in Malibu will remain open and display highlights from the Center’s permanent collection, while additional programming will be held at a temporary space on Sepulveda Boulevard.

Opportunities in April 2026

Hyperallergic has published its monthly list of opportunities for artists, writers, and art workers, featuring a curated selection of upcoming deadlines for residencies, fellowships, grants, and open calls. The list includes programs from institutions like the Banff Centre for Arts and Creativity, the Center for Craft, the Tulsa Artist Fellowship, and Light Work, offering financial support, studio space, and community.

What does 250 years of American art look like?

The National Gallery of Art in Washington, D.C. has launched "Dear America," a major exhibition commemorating the U.S. semiquincentennial through more than 100 works on paper. Drawing from the museum’s deep permanent holdings, the show features a diverse range of media including photography, lithographs, and artist books by figures such as Andy Warhol, Ansel Adams, Faith Ringgold, and Kara Walker. The curation spans 250 years, juxtaposing iconic American imagery with lesser-known folk art and contemporary works that explore the complexities of national identity.

London’s National Gallery announces architects for new £350m wing

The National Gallery in London has selected Japanese architecture firm Kengo Kuma and Associates to design a new £350m wing, scheduled to open in the early 2030s. Chosen from a shortlist of six finalists, Kuma’s design features a Portland stone exterior and will be constructed on the site of the soon-to-be-demolished St Vincent House. The extension will provide nearly double the space for temporary exhibitions and an additional 1,500 square meters for the permanent collection, connected via bridges to the existing Sainsbury Wing and Wilkins building.

Yves Saint Laurent’s Lalanne Mirrors Set for $15 Million Sale

Sotheby’s has announced the sale of a monumental set of 15 gilt-bronze mirrors by Claude Lalanne, originally commissioned by fashion icon Yves Saint Laurent for his Paris apartment. The mirrors are the centerpiece of a 123-lot auction from the collection of Jean and Terry de Gunzburg, scheduled for April 22 at the Sotheby’s Breuer building. Estimated to fetch between $10 million and $15 million, the mirrors represent a significant appreciation in value since the de Gunzburgs acquired them for approximately $2.4 million at the historic 2009 Saint Laurent estate sale.

Art21 Honors Paul Pfeiffer and Charles Gaines at 2026 Spring Gala as Organization Celebrates 25 Years of Championing Access to Contemporary Art

Art21 will honor artists Paul Pfeiffer and Charles Gaines at its 2026 Spring Gala on April 14, alongside a tribute to philanthropist Agnes Gund. The event, held at Tribeca Rooftop, features a live auction of exclusive experiences and a marching band procession, and serves as the centerpiece of the organization's year-long 25th-anniversary celebration.

The Beautiful Renaissance of the [mac] in Marseille

La belle renaissance du [mac] à Marseille

The [mac] (Musée d’Art Contemporain) in Marseille is undergoing a significant revival following years of stagnation and underfunding. Under the new leadership of Stéphanie Airaud, who was appointed in 2023, the museum has completed major renovations including updated storage facilities, a new rooftop terrace, and a reorganized gallery layout. The institution is leveraging its impressive but previously underutilized collection of over 1,000 works—featuring masters like Basquiat, Klein, and Saint Phalle—while actively working to correct historical gender imbalances and strengthen ties to Mediterranean contemporary art.

Valuable Art Collection Featuring Frida Kahlo Set To Leave Mexico Sparks Concern in Art Community

The Mexican art community is voicing alarm over the relocation of the prestigious Gelman Collection to Spain, where it is slated to become the centerpiece of the new Foro Santander cultural center. Managed by Santander Bank and previously acquired by the Zambrano family, the collection includes 160 works by modern masters such as Diego Rivera and David Alfaro Siqueiros, including 18 rare paintings by Frida Kahlo. Critics and academics have signed an open letter demanding transparency from the Mexican government regarding the legality of this long-term export, given that many of these works are designated as national artistic monuments.

Kate McNamara Named Director of Harvard’s Carpenter Center for Visual Arts

Harvard University's Carpenter Center for the Visual Arts has officially appointed Kate McNamara as its John R. and Barbara Robinson Family Director. McNamara, who had been serving in the role on an interim basis since last year, is the founder of the experimental art space ODD-KIN and has held leadership positions at Providence College Galleries, Otis College of Art and Design, and Boston University Art Galleries.

Who Do Chicago’s Art Fairs Serve?

Expo Chicago and its satellite fairs serve as a complex barometer for the Midwestern arts ecosystem, highlighting both the successes of local representation and the tensions of institutional growth. While galleries like Andrew Rafacz and Corbett vs. Dempsey demonstrate viable career paths for Chicago-based artists like Melissa Leandro and Gabrielle Garland, the fair's shifting structure reveals a narrowing field for smaller nonprofits.

‘Knoxville Girl’ Gets Her Revenge in Wayne White’s New KMA Exhibition

The Knoxville Museum of Art has debuted a major new exhibition by Chattanooga-born artist and puppeteer Wayne White titled "Revenge of the Knoxville Girl." The centerpiece of the show is a ten-foot-tall marionette of the titular character from the famous Appalachian murder ballad, depicted as having crawled out of the river to claim the severed head of her killer, Willy. The installation blends local folklore with references to Cormac McCarthy’s novel *Suttree* and Tennessee Volunteers football culture.

Obama Presidential Center Announces Final Cohort of Commissions Ahead of June Opening, Including María Magdalena Campos-Pons, Jeffrey Gibson, Lorna Simpson

The Obama Presidential Center in Chicago has unveiled its final cohort of artist commissions ahead of its scheduled opening in June. This group includes high-profile contemporary artists such as Njideka Akunyili Crosby, Jeffrey Gibson, and Lorna Simpson, who will contribute site-specific works ranging from a multi-layered portrait of the Obamas to a 34-foot stainless steel sculpture by Martin Puryear honoring the late John Lewis. These eight artists join a previously announced roster, bringing the total number of new commissions for the 19.3-acre South Side campus to 30.

Lucy Sante on Collage: ‘You Have to Kill One Thing to Make Another.’

Visual historian and author Lucy Sante has opened two simultaneous exhibitions of her collage artwork in New York. The shows, at Karma gallery and the Center for Book Arts, feature work created from a vast personal archive of materials she has collected over decades, which she meticulously cuts and reassembles.

A Sneak Peak Inside “Costume Art” at the Metropolitan Museum of Art

The Metropolitan Museum of Art is set to open the Condé M. Nast Galleries, a new permanent home for the Costume Institute located in prime real estate adjacent to the Great Hall. The inaugural exhibition, "Costume Art," will integrate fashion with artworks from 19 of the museum’s collecting areas, featuring pieces by designers like Tory Burch and Michael Kors alongside works by artists such as Jean Arp. This move transitions the Costume Institute from its traditional basement location to the center of the museum's physical and narrative layout.

Obama Presidential Center announces new work by Jeffrey Gibson, Rashid Johnson, Lorna Simpson.

The Obama Foundation has unveiled the final group of artists commissioned to create site-specific works for the Obama Presidential Center in Chicago. This prestigious roster includes Jeffrey Gibson, Rashid Johnson, Lorna Simpson, and Njideka Akunyili Crosby, whose works will be integrated into the 19.3-acre campus. The announcement completes the artistic vision for the center, which aims to blend public space with high-caliber contemporary art when it opens on June 19th.

Digital Art Exhibit Showcases Tech's Creative Potential in Austin

The Blanton Museum of Art in Austin has launched 'Run the Code: Data-Driven Art Decoded,' a major exhibition featuring over 20 digital artworks produced between 2004 and 2022. On loan from the Thoma Foundation, the collection includes pieces by prominent figures such as teamLab, Leo Villareal, and Marina Zurkow that utilize coding, real-time data, and generative AI. The show highlights the evolution of digital practice in the "post-social media era," ranging from interactive installations to algorithmic critiques of environmental and social issues.

Piacenza, Klimt's Portrait of a Lady is back at the Ricci Oddi Gallery of Modern Art

Gustav Klimt’s "Portrait of a Lady" has returned to the Ricci Oddi Gallery of Modern Art in Piacenza following a successful loan exhibition at the My Art Museum in Seoul. The masterpiece resumes its permanent display just as the gallery prepares to unveil a comprehensive renovation of its 22 exhibition rooms. Designed by Lissoni & Partners, the redevelopment project has modernized over 1,000 square meters of the institution's floor space.

Experimental Funding Schemes and Militant Analysis: The Experience of CERFI

The Center for Institutional Studies, Research, and Training (CERFI), a research cooperative co-founded by Félix Guattari in the wake of May 1968, sought to merge militant political practice with institutional psychotherapy. By adopting a model of 'analytical self-management,' the group utilized rotational roles and collective research to avoid the hierarchies and alienation typical of traditional academic and political organizations. This experimental structure was heavily influenced by the 'grid' system used at the La Borde psychiatric clinic, aiming to turn administrative labor into a tool for subjective liberation.

European Commission Tells Venice Biennale to ‘Clear Its Name’ Regarding Russian Pavilion or Risk Losing $2.3 M. Grant for 2028

The European Commission has issued a 30-day ultimatum to the Venice Biennale, threatening to withdraw a €2 million ($2.3 million) grant for the 2028 edition unless the organization addresses concerns regarding the Russian Pavilion's inclusion in 2026. The Commission alleges that hosting a government-funded delegation violates EU sanctions and provides a cultural platform for Russian state interests amidst the ongoing war in Ukraine. The Biennale's president, Pietrangelo Buttafuoco, must respond by May 11, just two days after the exhibition's public opening.

‘Yellowstone’ Creator Taylor Sheridan to Direct 4D Film for New Alamo Museum

Taylor Sheridan, the creator of the hit television series Yellowstone, has been tapped to direct a 4D film for the upcoming Alamo Visitor Center and Museum in San Antonio. The film will serve as the centerpiece of a $185 million museum revamp, which includes a state-of-the-art theater designed to be the most technologically advanced of its kind. Sheridan, a Texas native, will chronicle the 1836 siege and battle that remains a foundational event in Texan history.

Review: “The Things We Carry” at Un Grito Gallery

The exhibition "The Things We Carry" at Un Grito Gallery serves as the centerpiece for the 2026 Contemporary Art Month (CAM) Perennial in San Antonio. Curated by Casie Lomeli and Leslie Moody Castro, the show features eight artists including Matt Rebholz, whose vibrant, alien-like landscapes subvert traditional Western imagery, and Tina Linville, who presents tactile sculptures composed of salvaged materials and concrete. The exhibition is part of a larger city-wide initiative spread across five artist-run spaces.

Ashland University senior art exhibition opens April 9

Ashland University is set to host its annual Senior Art and Design Exhibition at the Coburn Gallery, running from April 9 through May 9, 2026. The showcase features the capstone projects of graduating seniors and kicks off with an opening reception where student awards will be officially announced.

Twelve Exhibitions, One Looming Question: Bard Student Curators Take on the Meaning of Now at Hessel Museum

The Hessel Museum at Bard College has launched its annual spring exhibition season, featuring twelve distinct curatorial projects titled "Everything That Happens Will Happen Today." Organized by graduating students from the Center for Curatorial Studies (CCS), the showcase serves as a professional debut for an emerging cohort of curators. The projects range from solo retrospectives of under-recognized artists like Brazilian painter Maria Auxiliadora Silva to explorations of feminist art history through the work of A.I.R. Gallery co-founder Anne Healy.

Birmingham museum opens exhibition on death and grief

Birmingham Museum & Art Gallery has launched a community-led exhibition exploring the universal experiences of death, dying, and grief. Curated in partnership with the local collective BrumYODO, the showcase features traditional mourning rituals alongside contemporary inquiries into how artificial intelligence might manage bereavement. The exhibition serves as the centerpiece for the annual "A Matter of Life and Death" festival, incorporating interactive workshops, clay-making sessions, and even a themed comedy night to engage the public with a typically taboo subject.

A recovered ‘balsa’ is the center of an art exhibit in Miami’s Design District

Artists Antonia Wright and Rubén Millares have unveiled a poignant installation titled "Exile" at the Piero Atchugarry gallery in Miami’s Design District. The centerpiece is an authentic 'balsa' (raft) recovered from the shores of Key Biscayne, featuring a 1942 Chevrolet engine and metal barrels marked with the logo of Cuba’s state beekeeping company. The artists preserved the vessel's original state, adding only interior lighting to highlight bullet holes and a soundscape of the roaring sea to immerse viewers in the harrowing experience of Cuban migrants.

QUISQUEYA HENRÍQUEZ: THE CENTER CAN BE EVERYWHERE

QUISQUEYA HENRÍQUEZ: EL CENTRO PUEDE ESTAR EN TODAS PARTES

A major retrospective exhibition titled "El centro puede estar en todas partes" (The Center Can Be Everywhere) for artist Quisqueya Henríquez has opened at the Centro de Arte Complutense in Madrid. Curated by René Morales with Isabella Lenzi and Alfonsina Martínez, the show presents the most comprehensive European review of Henríquez's multidisciplinary work, spanning photography, video, collage, and installation, and is organized thematically rather than chronologically.