Maurizio Cattelan Opens Up About Sin, Silence, and Stealing: ‘I’m Guilty Too’

Italian artist Maurizio Cattelan directed the Renaissance Society’s annual benefit gala, titled "The Silent Party!", held at the Chicago Athletic Club during the week of Expo Chicago. The event subverted traditional gala expectations by requiring guests to remain silent for two hours, communicating only via handwritten notes while navigating a labyrinth of performances. The evening featured contributions from artists including Jacob Ryan Renolds, Davide Balula, and Isabelle Frances McGuire, culminating in a dinner that raised approximately $600,000 for the non-profit institution.

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Artnet News and Morgan Stanley have released a report analyzing the global art auction market across four major cities—London, Paris, Hong Kong, and New York—over the period from 2013 to 2023. Total auction sales for the first half of 2024 fell to $5.05 billion, down from $7.17 billion in the same period of 2023. The report highlights a dramatic 49 percent decline in London's auction sales following the 2016 Brexit vote, while New York has maintained its dominant position, driven by blockbuster collections like those of Peggy and David Rockefeller and Paul G. Allen. Hong Kong saw growth until the Chinese property crisis in 2022, and Paris has gained ground post-Brexit, with sales up 30 percent over 2013.

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Arthur “Art” Green, a key Chicago Imagist painter and original member of the Hairy Who, died at age 83 in April. The news was announced by Garth Greenan Gallery in New York, which represented him. Green rose to prominence in the mid-1960s alongside five fellow School of the Art Institute of Chicago graduates, exhibiting together as the Hairy Who from 1966 to 1969. Their work offered a humorous, hallucinatory take on American culture, blending Surrealism, Art Brut, and advertising conventions. Green developed a rich personal iconography featuring ice cream cones, wood grain, flames, and fingernails, and taught for decades, influencing a generation of artists.

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Luke Agada, a Nigerian painter who completed his MFA at the School of the Art Institute of Chicago in 2023, chose to remain in Chicago rather than move to New York or Los Angeles, citing the city's balance of opportunities. He opened his solo exhibition "To Translate Is to Move Across" at Monique Meloche Gallery during the third edition of Chicago Exhibition Weekend (CXW), a four-day event involving over 70 galleries, talks, studio visits, and a tennis mixer. CXW was founded by Abby Pucker of the consultancy firm Gertie and co-organized with Expo Chicago, expanding this year to include the Chicago Architecture Biennial and a curated exhibition of conceptual art.

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Georgian-Russian artist Zurab Tsereteli has died at age 91. He served as the chief artist of the USSR’s Ministry of Foreign Affairs and headed Russia’s Academy of Arts, and was a known supporter of Vladimir Putin. His monumental sculptures, favored by Russian elites, were controversial in his native Georgia.

Frida Kahlo: Making of an Icon

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The Museum of Fine Arts, Houston, has launched a major exhibition titled "Frida Kahlo: Making of an Icon," which explores the artist's transformation from a relatively unknown figure during her lifetime into a global cultural phenomenon. Curated by Mari Carmen Ramírez, the show features over 200 objects related to "Frida mania" alongside works by 80 contemporary artists who have been influenced by her legacy. The exhibition traces her life from her childhood in Mexico City and her tumultuous relationship with Diego Rivera to her emergence as a symbol for various social movements.

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Thomas Kellein, a curator and art historian known for leading museums in Europe and the US, died in Berlin at age 70 following a serious illness. He directed the Kunsthalle Basel (1988–1995), organizing shows for Cindy Sherman, Mike Kelley, and Rachel Whiteread, and later led the Kunsthalle Bielefield (1996–2010) with exhibitions of Caspar David Friedrich, Jeff Koons, and others. He briefly directed the Chinati Foundation in Marfa, Texas (2010–2012) before resigning, and subsequently led the Written Art Collection in Germany, commissioning text-based works by Lawrence Weiner, Jenny Holzer, and Qiu Zhijie.

There will be mud! Could my child (and buggy) survive a day at a sculpture park?

A parent takes their toddler to Yorkshire Sculpture Park (YSP) in West Yorkshire, UK, during a rainy February day. Despite the mud and drizzle, the child engages with outdoor artworks by Barbara Hepworth, Henry Moore, Bharti Kher, Sol LeWitt, Vanessa da Silva, and Damien Hirst, treating the sculptures as playgrounds and objects of discovery. The park offers free activity packs, a Hidden Forest designed for under-fives, and a family-friendly environment that encourages children to explore art and nature without the constraints of indoor galleries.

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Diego Marcon, a Milan-based artist working primarily in moving image, is gaining international attention for his unsettling and emotionally charged video installations. His work *Fritz* (2023), featuring a computer-generated boy slowly dangling from a noose while singing, exemplifies his method of dissecting genre cinema through animation, prosthetics, and pop culture references. Marcon has been featured in major exhibitions including the 59th Venice Biennale (2022), Fondazione Between Art and Film in Venice, and Kunsthalle Basel, with a new commission *Krapfen* touring internationally after premiering at the Renaissance Society in Chicago. His upcoming solo exhibition at the Consortium Museum in Dijon opens December 5, 2025.

Art Transport Hobbled and Prices Surging in Asia Amid US and Israel’s War in Iran

The ongoing conflict involving the United States, Israel, and Iran has severely disrupted the global art logistics network, particularly in Asia. A report in the Art Newspaper details soaring costs and shipping delays, with international air freight for fine art spiking up to 300% due to increased oil prices. Some exhibitions, like a Per Kirkeby show in China, have opened with fewer works, and shipments for Art Basel Hong Kong were stuck at sea for over a month. Shippers are now considering alternative routes, such as the China-Europe Railway Express, to mitigate delays and costs.

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DePaul University has announced the permanent closure of the DePaul Art Museum (DPAM) in Chicago, effective June 30. The decision comes as the private university faces severe financial strain, including a $27.4 million budget deficit that has already led to significant staff layoffs. While the university plans to convene discussions on how the museum's building and its 4,000-object collection might serve future academic needs, the institution as a public-facing museum will cease operations following its final exhibitions in March.

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Ashley Stewart Rödder, a highly respected director at Gagosian, has passed away at the age of 42 following a prolonged illness. During her tenure at the gallery since 2019, she was instrumental in managing the careers of prominent contemporary artists including Nathaniel Mary Quinn, Stanley Whitney, Titus Kaphar, and Deana Lawson. Her career also included significant leadership roles at Salon 94 and David Zwirner, as well as board positions at the nonprofit Performa and the Children’s Art Guild.

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The Art Institute of Chicago has acquired a preparatory oil study for Norman Rockwell's 1948 painting *The Dugout*, donated by former Illinois Governor Bruce Rauner and his wife Diana Rauner. This marks the first work by the iconic American illustrator to enter the museum's collection, where it now hangs alongside Grant Wood's *American Gothic*.

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The Hammer Museum in Los Angeles has appointed Michael Wellen as its new chief curator and Regan Pro as chief of learning, engagement, and research. Wellen joins from Tate Modern, while Pro was previously at the Lucas Museum of Narrative Art. The appointments fill key leadership roles that had been vacant, with the chief curator position open since 2023.

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A Renoir painting that had been missing for a century sold for $2 million at auction in Paris. The work, titled *L’enfant et ses jouets – Gabrielle et le fils de l’artiste, Jean* (circa 1910), depicts the artist’s young son Jean with his nursemaid Gabrielle. It had never been published or exhibited and was discovered in remarkably good condition. Auction house Joron-Derem offered the painting in its Tableaux Modernes sale at Hôtel Drouot on November 25, where an international collector secured it for a hammer price of €1.45 million ($1.68 million), with buyer’s fees bringing the total to about €1.8 million ($2 million). The painting had been gifted by Renoir to his pupil and close friend Jeanne Baudot, then passed to her adopted son Jean Griot, who kept it in his bedroom until his death in 2011.

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Tinworks Art, the Montana-based nonprofit that revived Agnes Denes's "Wheatfield" land art in Bozeman last year, has acquired the historic Rialto theater in downtown Bozeman. The organization will inaugurate the venue with screenings of Matthew Barney's 2018 film "Redoubt," running from January 31 through February 1, with two showings daily Thursdays through Sundays. The Rialto, built in 1908 as a post office and converted to a theater in 1924, was donated to Tinworks and joins its two-acre complex of former warehouses and agricultural buildings that have hosted exhibitions by artists including Stephen Shore, Lucy Raven, and Theaster Gates.

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Tate director Maria Balshaw has defended the museum network's programming against criticism linking it to declining attendance, arguing in the Guardian that visitor numbers have returned to 95% of pre-pandemic levels when compared to annual pre-Covid figures rather than the record year of 2019. She cited popular shows for Pablo Picasso, J. M. W. Turner, and Tracey Emin as a strong foundation for future growth, though critics like Catherine Bliss countered that apart from the Lynette Yiadom-Boakye portrait show and El Anatsui's Turbine Hall installation, recent contemporary exhibitions have failed to excite. Separately, the article reports a wave of closures and cutbacks sweeping China's private art museums, including the shutdown of Shenzhen's Jupiter Museum of Art and Qingdao's TAG Art Museum, with the UCCA Center for Contemporary Art also facing financial difficulties.

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The Texas Historical Commission announced that buildings repurposed by minimalist artist Donald Judd in Marfa, Texas, have been added to the U.S. National Register of Historic Places. Approved by the National Park Service in May 2025, the designation expands the existing Fort D.A. Russell Historic District to include 15 buildings and a large-scale installation, all altered or created by Judd between 1973 and his death in 1994. The properties are managed by the Chinati Foundation and the Judd Foundation, which operate as separate entities. This is the second Judd-linked historic district in Marfa, following the Central Marfa Historic District’s designation in 2022.

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The McNay Art Museum in San Antonio mounted the exhibition "Rasquachismo: 35 Years of a Chicano Sensibility" to mark the 35th anniversary of scholar Tomás Ybarra-Frausto's foundational 1989 essay theorizing rasquachismo. The show, curated by Mia Lopez and on view from December through March, featured works by major Chicanx artists including Yolanda M. López, Carmen Lomas Garza, Santa Barraza, Celia Álvarez Muñoz, Carlos Almaraz, Frank Romero, Patssi Valdez, Luis Jiménez, and younger artists like Ruth Buentello, Juan de Dios Mora, and Jimmy James Canales. Ybarra-Frausto credited Mi Tierra Cafe y Panaderia in San Antonio's Historic Market Square as a key influence on his critical eye, describing the restaurant as a "hotbed of rasquachismo."

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The Seattle Art Museum has opened “Ai, Rebel: The Art and Activism of Ai Weiwei,” the largest U.S. retrospective ever for the Chinese dissident artist. The exhibition features iconic works such as the neon sign *FUCK* (2020), the sculpture *Middle Finger* (2000), and the photographic series “Study of Perspective” (1995–2011), alongside pieces that remix art history—from Duchamp-inspired readymades to Lego versions of Old Masters. Curated by Ping Foong, the show spans Ai’s career, including his politically charged responses to the Sichuan earthquake and his infamous 1995 performance *Dropping a Han Dynasty Urn*.

art armory week diary new york september

The article is a first-person diary chronicling the author's experiences during Armory Art Week in New York City in September. It begins at the Fulton Transit Center for the launch of artist Chloë Bass's public sound work "If you hear something, free something," presented by Creative Time and MTA Arts & Design, which features recorded announcements in five languages playing across 14 subway stations. The author then visits galleries in Chinatown, including Matthew Kirk's show at Fierman and Ohad Meromi's exhibition at 56 Henry, encountering notable art-world figures like Jerry Saltz, Issy Wood, and Naomi Fry along the way.

shows worth traveling for summer

This article from Cultured magazine highlights several art exhibitions and museum openings around the world that are worth traveling for in summer 2025. Featured shows include Andra Ursuța's "Apocalypse Now And Then" at the Deste Foundation in Hydra, Greece; Wangechi Mutu's "Black Soil Poems" at Galleria Borghese in Rome; Ha Chong-Hyun's "Light Into Color" at Château La Coste in France; Cindy Sherman's "The Women" at Hauser & Wirth in Menorca; the 12th Site Santa Fe International in New Mexico; and the opening of the Naoshima New Museum of Art in Japan, designed by Tadao Ando. Each entry includes a brief description of the artist's work and practical tips for visitors.

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The article explores how Emily Brontë's novel *Wuthering Heights* has inspired visual artists across different eras. It details specific works by English artist Edna Clarke Hall, who created hundreds of sketches and watercolors reflecting her personal connection to the story's themes of isolation and turmoil, and by Polish-French modernist Balthus, who produced a series of ink illustrations focusing on the childhood trauma of the protagonists.

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Theater director Łukasz Twarkowski's new multimedia production, "ROHTKO," is set to open at London's Barbican Centre on October 2. The four-hour performance, which premiered in Riga in 2022, uses onstage action, video screens, and a techno soundtrack to explore the nature of authenticity in art, taking the Knoedler & Co. forgery scandal—which involved fake Rothko, Pollock, and Motherwell paintings—as a central narrative thread.

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A rediscovered Renoir painting, *L'enfant et ses jouets – Gabrielle et le fils de l'artiste, Jean* (created before 1910), sold for over €1.8 million ($2 million) at Hôtel Drouot in Paris on November 25. The intimate portrait of Renoir's young son Jean with his nursemaid Gabrielle had remained in the same private collection for over a century, never before published or exhibited. It was offered by auctioneer Christophe Joron-Derem in the "Tableaux Modernes" sale and purchased by an international buyer, with the hammer price of €1.45 million falling within the presale estimate.

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The childhood home of legendary singer and activist Nina Simone in Tryon, North Carolina, has been fully restored after nine years of effort by an artist coalition led by Adam Pendleton, alongside Julie Mehretu, Rashid Johnson, and Ellen Gallagher. The restoration, completed with a $6 million boost from a charity auction and gala co-hosted by tennis star Venus Williams and Pace Gallery, preserved the 650-square-foot clapboard house to its 1933–1937 condition, including historically accurate materials, an ADA ramp, geothermal climate control, and a century-old magnolia tree named “Sweetie Mae.” The African American Cultural Heritage Action Fund announced the completion, and the property remains closed to the public while community programming and ethical cultural tourism are being planned.

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Shanghai Art Week 2025 is underway, anchored by two major concurrent art fairs: Art021 Shanghai and West Bund Art and Design, running from November 13 to 16. West Bund has relocated to a new venue, the West Bund Convention Center designed by Skidmore, Owings, and Merrill, featuring over 200 participants including 106 galleries in its main sector. Art021 returns to the Shanghai Exhibition Center with 139 galleries from 22 countries, including 33 first-time participants. The Shanghai Biennale opened early at the Power Station of Art, curated by Kitty Scott under the title "Does the Flower Hear the Bee?" featuring 67 artists and collectives. Meanwhile, alternative events like "Artist's Treat," launched by Xu Zhen in collaboration with Hol Platform and ShanghArt Gallery, are drawing attention in repurposed local spaces.

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The Rijksmuseum's 2023 Vermeer exhibition, which brought together 28 of the artist's 34 surviving paintings, was a historic success, drawing 650,000 visitors and inspiring extensive new research. A new book, *Closer to Vermeer*, presents findings from advanced imaging techniques and archival studies, revealing that Vermeer made significant changes to 30 of his paintings. For example, in *The Little Street* (1658–59), the door was originally painted shut, the children were absent, and the woman was positioned differently, showing how Vermeer deliberately opened the scene to viewers. Other alterations include modifications to *The Milkmaid* (1657–58) and *Diana and her Nymphs* (1653–54).

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The National Park Service has added the Donald Judd Historic District in Marfa, Texas, to the National Register of Historic Places. The designation covers 15 buildings transformed by artist Donald Judd, including structures on the decommissioned Fort D.A. Russell army base, as well as his outdoor work *15 Untitled Works in Concrete* (1980–84). Judd began acquiring property in Marfa in 1971, creating an artist-centered environment that now draws around 50,000 visitors annually.

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The article highlights Medardo Rosso, an Italian sculptor largely overlooked despite his pioneering role in modernist sculpture. A new exhibition at the Kunstmuseum Basel, "Medardo Rosso: The Invention of Modern Sculpture," showcases 50 of his works alongside pieces by over 60 artists including Rodin, Degas, and Brancusi, aiming to reassert his influence. Rosso's radical approach rejected monumentality for materiality and process, embracing subjects from society's fringes and anticipating 20th-century art developments. The show also revisits his bitter rivalry with Rodin, whom Rosso accused of borrowing his signature tilting effect.