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Glassblower and porcelain heir Paul Arnhold on the art he loves to collect

The article profiles Paul Arnhold, a New York-based glassblower and fourth-generation heir to a major Meissen porcelain collection. He discusses how his hands-on practice as a maker directly informs his eclectic approach to collecting, which spans from ancient Etruscan artifacts to contemporary paintings by artists like Salman Toor. He emphasizes collecting based on personal joy and tactile presence rather than provenance alone.

Gainsborough’s Powdered Wig Portraits Are Suddenly Hot in New York

A new exhibition at the Frick Collection in New York has assembled 25 portraits by the 18th-century British painter Thomas Gainsborough. The show focuses on his depictions of the era's elite, showcasing the powdered wigs, lavish fabrics, and social stature of his sitters.

Thomas Gainsborough’s Portraits of Pride and Prejudice

A new exhibition at the Frick Collection, "Gainsborough: The Fashion of Portraiture," re-examines the 18th-century English painter's work. It focuses on how his portraits, from early Suffolk "conversation pieces" to later Bath society commissions, used landscape and lavish clothing to visually encode social status, ownership, and belonging.

Donna Distefano Recreates Centuries-Old Jewelry for the Frick Collection

Donna Distefano, a contemporary jewelry designer, has meticulously recreated 16th-century jewelry pieces for The Frick Collection's exhibition "Gold, Silver, and Rare Stones: Renaissance Jewelry in the Robert Lehman Collection." Her work involved extensive research into historical techniques and materials, resulting in wearable replicas of intricate pendants and brooches originally owned by European nobility.

the subtle scandal and snark of gainsboroughs mr and mrs andrews 2743727

Thomas Gainsborough's 1750 painting 'Mr. and Mrs. Andrews' is the centerpiece of the Frick's exhibition 'Gainsborough: The Fashion of Portraiture' in New York. The portrait of the newlywed Suffolk gentry is celebrated as Gainsborough's earliest masterpiece, notable for its eccentric composition that gives equal prominence to the couple and their vast estate, hinting at the transactional nature of their marriage.