Maxwell Graham gallery in New York is presenting a joint exhibition featuring works by artists Hans Haacke and Louise Lawler. The show runs from March 5 to April 18, 2026, and is documented with 18 images on the source website.
The High Desert Museum in Bend, Oregon, has unveiled a new solo exhibition titled "Miguel Almeida: Las Manos que dan de Comer" (The Hands That Feed). Featuring large-scale murals, hand-painted animations, and a ten-foot-tall cutout figure surrounded by actual soil, the installation explores the daily lives and human stories of farm workers in the American West. Almeida, a first-generation Mexican American artist based in Boise, draws from his own family history of agricultural labor to create vibrant, contemporary works influenced by skateboarding culture and Mexican folk traditions.
The High Desert Museum in Bend, Oregon, has unveiled a new solo exhibition titled "Miguel Almeida: Las Manos que dan de Comer" (The Hands That Feed). The show features large-scale murals, hand-drawn animations, and a 10-foot-tall cutout figure of a farmworker surrounded by soil and ambient field sounds. Drawing from his own experience working in the fields of Idaho, the first-generation Mexican American artist uses a vibrant, contemporary style influenced by skateboarding culture and Mexican folk traditions to depict the daily lives of agricultural laborers.
“Lo straniero” di François Ozon. Un film tra estetica delle superfici e rilettura politica
Director François Ozon has adapted Albert Camus’s existentialist masterpiece 'The Stranger' into a new feature film, premiering at the 82nd Venice Film Festival. Shot in stark black and white by cinematographer Manuel Dacosse, the film departs from the 1967 Luchino Visconti adaptation by leaning into a cold, clinical aesthetic inspired by Michelangelo Antonioni. The narrative follows Meursault, an emotionally detached clerk in colonial Algiers, whose impassive reaction to his mother's death and the subsequent senseless murder of an Arab man leads to his legal and moral condemnation.