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Comment | As Cop30 opens in Brazil, it is time for the art world to embrace ethics with aesthetics

COP30, the United Nations Climate Change Conference, opens in Belém, Brazil, with culture officially on its agenda for the first time, thanks to advocacy from the Amazonian activist group Labverde and Art of Change 21. The conference features interventions and performances by eight Brazilian and indigenous artists, including photographer Christian Braga and activist Beto Oliveira, alongside a flurry of artist-led activities in UK galleries and institutions. The article also marks the tenth anniversary of Gustav Metzger's environmental art project "Remember Nature," which mobilized over 140 artists including Judy Chicago, Olafur Eliasson, and Marina Abramović, and was revisited on November 4, 2025, with sixteen English arts institutions hosting public projects.

The $236m Klimt, Cop 30 and the art world, Caravaggio’s Victorious Cupid—podcast

This podcast episode from The Art Newspaper covers three major art-world stories. Gustav Klimt's "Portrait of Elisabeth Lederer" (1914-16) sold for the second-highest price ever at auction during Sotheby's New York sale of works from the late billionaire Leonard Lauder's collection, a "white-glove" auction that has sparked debate about a market recovery. Additionally, the episode discusses COP30-related art commissions appearing on posters across the UK and Brazil under the theme "It's Not Easy Being Green," alongside the Gallery Climate Coalition's new Stocktake Report on carbon emissions. The episode's Work of the Week is Caravaggio's "Victorious Cupid" (1601-02), which has traveled from Berlin's Gemäldegalerie to the Wallace Collection in London for an upcoming exhibition.

Seven years after brutal fire, National Museum of Brazil to partially reopen

The National Museum of Brazil (Museu Nacional-UFRJ) in Rio de Janeiro will partially reopen its galleries nearly seven years after a devastating electrical fire destroyed around 90% of its collection. The temporary reopening features guided tours of three rooms, including one displaying decorative paintings uncovered during restoration, the surviving Bendegó meteorite, a suspended sperm whale skeleton, and donated objects such as fossils, manuscripts, ceramics, and Indigenous artefacts. The museum's full reopening is scheduled for 2028, with a reconstruction budget of 516.8 million reais ($90.4 million) and an additional 170 million reais ($29.8 million) still needed.