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Shreg the green ogre, a grey obsessive and Vermeer’s boiled egg – the week in art

This week's art roundup from The Guardian highlights a range of exhibitions across the UK, including Bruce Asbestos's 'Bootleg Shreg 2' at Exeter Phoenix Gallery, a playful show featuring a green ogre that parodies copyright rules. Other notable shows include Roy Oxlade's primitive paintings at Alison Jacques, May Morris's craft legacy at Lady Lever Art Gallery, a 30-year anniversary group show at Timothy Taylor, and Alan Charlton's monochrome grey works at Annely Juda Fine Art. The article also features an image of a naturally sculpted rock on Kangaroo Island, a review of the Turner Prize nominees, and a masterwork analysis of Vermeer's 'The Guitar Player' at Kenwood House, which was stolen in the 1970s and recovered with the help of a clairvoyant.

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Belgian billionaire Guy Ullens, a key figure in promoting Chinese contemporary art, died at age 90. His death was announced by the Ullens Center for Contemporary Art (UCCA) in Beijing, which he founded in 2007 as one of China's first privately run contemporary art centers. The article also covers Art Basel Hong Kong, Art Dubai's digital art sales, Gallery Weekend Beijing's new invitation-only system, Bluerider Art's expansion to Los Angeles, the appointment of Ho Tzu Nyen as artistic director of the 16th Gwangju Biennale, the Turner Prize 2025 shortlist, the opening of New Taipei City Art Museum, and Saudi Arabia's new typefaces.

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This week's art industry roundup covers major developments across art fairs, auction houses, galleries, and museums. At Expo Chicago, emerging artist Auudi Dorsey sold her painting *Rumble* (2025) for $14,000 on opening day at Palo Gallery, while the fair featured 170 exhibitors including 20 from South Korea amid tariff concerns. Vienna Contemporary appointed Abaseh Mirvali as artistic advisor for 2025-2026. Sotheby's was selected by Barbara Gladstone's estate trustees to sell her collection, starting with a May 15 single-owner sale of 12 works estimated at over $12 million. Nine artworks from the Anne and Sid Bass collection head to Christie's New York, and Sotheby's secured a $70 million Alberto Giacometti sculpture for its May 13 evening sale. Philipp Kaiser departed Marian Goodman Gallery after six years. Customs backlogs from President Trump's import policy changes are causing shipping headaches, with DHL halting business-to-consumer shipments over $800 to the U.S. Air de Paris withdrew from Art Basel. Mexico City gallery OMR hired Agustina Ferreyra as director. Angelica Jopling is expanding her London gallery Incubator to New York. Alexander Gray Associates now represents Donald Moffett. In museums, the National Endowment for the Humanities, following DOGE staff cuts, is offering grants up to $600,000 for statues for Trump's National Garden of American Heroes. CCS Bard appointed Lauren Cornell as artistic director and Mariano Lopez Seoane as graduate program director. The New York Academy of Art named Paul R. Provost president. The Artists' Legacy Foundation appointed Daisy Murray Holman executive director. The Speed Art Museum named Diallo Simon-Ponte assistant curator. The Garage Museum of Contemporary Art in Moscow appointed Daria Kotova director. The Nasher Sculpture Center named Carlos Basualdo director. The Cultural Infrastructure Index reported a 17% drop in completed cultural projects in 2024.

ArtReview Podcast | Episode 5: Rene Matić

Artist Rene Matić discusses their multidisciplinary practice and cultural influences in the latest episode of the ArtReview Podcast. The conversation explores Matić’s background as a second-generation skinhead of St Lucian heritage, their status as the youngest-ever Turner Prize nominee, and the upcoming commission for the grand opening of the V&A East Museum in April 2026.

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The four nominees for the 2025 Turner Prize have been announced at Tate Britain, including Scottish sculptor Nnena Kalu, who is nonverbal autistic; Iraqi British painter Mohammed Sami; Rene Matić from Peterborough; and London-based Korean Canadian artist Zadie Xa. The shortlist was revealed by Tate Britain director Alex Farquharson, who praised the artists for reflecting the breadth of contemporary British art. The prize, established in 1984, awards £25,000 to the winner and £10,000 to each shortlisted artist. The nominees' works will be exhibited at Cartwright Hall Art Gallery in September as part of Bradford's UK City of Culture celebrations.

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Nnena Kalu, a Glasgow-born, London-based artist known for her charged abstract works driven by rhythmic repetition, has won the 2025 Turner Prize, the U.K.'s top award for contemporary art. The announcement was made at a ceremony at Bradford Grammar School, with Kalu receiving £25,000 ($33,000) for her presentation at Bradford's Cartwright Hall Art Gallery, featuring a colorful installation of suspended bundles made from found materials like VHS tape, fabric, rope, and paper. Kalu, born in 1966, is the first learning disabled artist to be nominated for and win the Turner Prize, marking a historic milestone.

Space, stadiums, poses and prizes: the best art and architecture of autumn 2025

This article is a seasonal preview of the best art and architecture exhibitions opening in autumn 2025, primarily in London and other UK venues. It highlights major shows including Mona Hatoum's dialogue with Giacometti at the Barbican, a Picasso exhibition at Tate Modern, Kerry James Marshall's first major European retrospective at the Royal Academy, and the Turner Prize 2025 at Cartwright Hall Art Gallery in Bradford. Other featured exhibitions cover Hilary Lloyd's work on Dennis Potter, Marie Antoinette's image through art and fashion at the V&A, Basel Abbas and Ruanne Abou-Rahme's new commission at Nottingham Contemporary, and a Lee Miller retrospective at Tate Britain.

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Nnena Kalu, a 59-year-old Scottish artist with a learning disability, has won the 2025 Turner Prize, one of the world's most prestigious art awards. Her winning works include vast, swirling abstract drawings and sculptures made from wound VHS tape and found fabric, described as direct, honest, and compelling. The article argues that Kalu won not because of or despite her disability, but on the merit of her art, which stands out for its aesthetic simplicity and emotional power.

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The Turner Prize 2025 exhibition has opened at Cartwright Hall Art Gallery in Bradford, England, featuring four nominated artists: Mohammed Sami, Nnena Kalu, Rene Matić, and Zadie Xa. Critics have largely rallied behind Sami, a Baghdad-born, London-based painter whose large-scale works obliquely address war and memory, with several reviewers calling him a shoo-in for the award. The only major dissenter is Adrian Searle of the Guardian, who favors Kalu's sculptural works made from tape, fabric, and cable ties. The show has received mixed to positive reviews, with some critics noting the shortlist's focus on identity and diversity.

Have we reached peak painting?

The article examines the enduring dominance of painting in the art world, despite repeated predictions of its demise. It cites record-breaking sales—Leonardo's *Salvator Mundi* ($450m), Jasper Johns's *Flag* ($110m), and Marlene Dumas's *Miss January* ($13.6m)—and highlights the upcoming Jenny Saville survey at the National Portrait Gallery in London. The Turner Prize shortlist includes painter Mohammed Sami, whose work *Poor Folk II* sold for $571,500 at Sotheby's, far exceeding estimates. Exhibitions like *Painting after Painting* at SMAK in Ghent and *R U Still Painting???* in New York explore how artists continue to use the medium, with curators and market figures affirming painting's resilience.

‘There’s no fudging. She deserves to win’: critics react as Turner Prize 2025 opens

The Turner Prize 2025 exhibition opened on 23 September at Bradford's Cartwright Hall Art Gallery, featuring nominees Nnena Kalu, Rene Matić, Mohammed Sami, and Zadie Xa. Kalu, a learning disabled Scottish artist, is nominated for her contributions to the Conversations exhibition at the Walker Art Gallery in Liverpool and her work at Manifesta 15 in Barcelona. Her practice, supported by ActionSpace, includes suspended sculptures and vortex drawings. The exhibition runs from 27 September to 22 February 2026 as part of the UK City of Culture festival.

Lease agreement secures Camden Art Centre’s future for 99 years

Camden Art Centre in north London has secured its future for the next 99 years by purchasing the lease on its building, following a £1.9m fundraising campaign. The campaign, launched quietly nine months ago, reached its target quickly thanks to contributions from artists, galleries, trusts, foundations, and individuals. The building, owned by the London Borough of Camden, was previously held on a peppercorn lease for 23 years. Artists including Antony Gormley, Chantal Joffe, Alvaro Barrington, and Kara Walker supported the acquisition fund, while director Martin Clark emphasized the urgency of the deal, which had a 2027 deadline.

Four artists shortlisted for Turner Prize 2025

Four artists—Nnena Kalu, Rene Matić, Mohammed Sami, and Zadie Xa—have been shortlisted for the Turner Prize 2025. The winner will be announced on 9 December 2025 at a ceremony in Bradford, with an exhibition of their work running from 27 September 2025 to 22 February 2026 at Cartwright Hall Art Gallery, as part of the Bradford 2025 UK City of Culture celebrations. The prize, now in its 41st year, awards £25,000 to the winner and £10,000 to each of the other nominees.

Tate announces 2025 Turner Prize shortlist

The Tate has announced the shortlist for the 2025 Turner Prize, which will be held in Bradford as part of the UK City of Culture festival from September 27 to February 22, 2026. The four nominees are Iraqi artist Mohammed Sami, known for his solo exhibition 'After the Storm' at Blenheim Palace; British artist Rene Matić, whose work addresses race, gender, and political rhetoric; Scottish-born Nnena Kalu, nominated for her contributions to exhibitions at the Walker Art Gallery and Manifesta 15; and London-based Canadian artist Zadie Xa, recognized for her installation at the Sharjah Biennial 16. The winner will be announced on December 9, receiving £25,000, while the other shortlisted artists will each receive £10,000.

Groundbreaking Achievement: 2025 Turner Prize Goes to Nnena Kalu, First Artist With Learning Disability to Win Prestigious Award

London-based artist Nnena Kalu (b. 1966) won the Turner Prize 2025 at a ceremony in Bradford on December 9, becoming the first artist with a learning disability to receive the prestigious award since its inception in 1984. Kalu’s practice spans sculpture, installation, and works on paper, featuring cocoon-like hanging sculptures made from unconventional materials like masking tape and VHS ribbon, as well as large-scale drawings of spiraling vortexes. She was selected from a shortlist that included Rene Matić, Mohammed Sami, and Zadie Xa, and was recognized for her presentation in the group exhibition “Conversations” at the Walker Art Gallery and her work at Manifesta 15 in Barcelona. The prize includes a £25,000 award.

Nnena Kalu wins the 2025 Turner Prize

Scottish artist Nnena Kalu has won the 2025 Turner Prize, becoming the first learning-disabled person to receive the prestigious award. Her winning work includes suspended sculptures bound with rope and tape, along with swirling vortex drawings, currently on display at Cartwright Hall Art Gallery in Bradford as part of the UK City of Culture festival. Kalu, who is autistic and has limited verbal communication, was nominated for her contributions to the Conversations exhibition at the Walker Art Gallery in Liverpool and for her work Hanging Sculpture 1 to 10 at Manifesta 15 in Barcelona. The jury, chaired by Tate Britain director Alex Farquharson, praised the visual and aesthetic quality of her abstract art, noting its powerful presence and enigmatic expressiveness.

"Etwas zaghaft, etwas ängstlich, etwas sicher"

The article surveys recent art-world commentary, focusing on a critical review of the Turner Prize shortlist in The Guardian, where Eddy Frankel calls the selection "timid, anxious, safe" and laments a self-perpetuating, elitist system. It also covers a Hyperallergic essay by Lisa Siraganian questioning whether artworks can possess personhood, sparked by Pierre Huyghe's Venice exhibition. Additionally, it reports on controversy at the Venice Biennale, where the jury preemptively excluded countries whose leaders are sought by the International Criminal Court—namely Russia and Israel—drawing sharp criticism from Die Welt's Marcus Woeller. A podcast interview with US sculptor Alma Allen, selected for the US Pavilion, rounds out the coverage.