Vasari Art Codex

museum exhibitions schedule Oct 20, 2025 visibility 2 link 1 artist

'All That Remains' faculty exhibition opens Oct. 21

SUNY Oswego's Tyler Art Gallery will open 'All That Remains' on October 21, featuring artwork by faculty members Peter Cardone and Christopher McEvoy. Cardone presents a photographic series of the Oswego West Pierhead Lighthouse, capturing empty interior spaces and lake views that evoke presence and absence. McEvoy exhibits large abstract paintings with layered organic and geometric forms that explore perception, consciousness, and the assembly of coherence from fragments. The exhibition includes related events on October 28—a curator talk and artist presentation with Cardone, and a poetry reading with McEvoy and other faculty—plus a closing reception on November 14.

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museum exhibitions schedule Oct 20, 2025 visibility 2 link 1 artist

'All That Remains' faculty exhibition opens Oct. 21

A faculty exhibition titled 'All That Remains' opens Oct. 21 at Tyler Art Gallery on the SUNY Oswego campus, featuring works by art faculty members Peter Cardone and Christopher McEvoy. Cardone presents a photographic series of the Oswego West Pierhead Lighthouse, capturing empty interior spaces and lake views that evoke presence and absence. McEvoy contributes large abstract paintings with layered organic and geometric forms that explore perception, memory, and the construction of meaning. The exhibition includes related events on Oct. 28, such as a presentation by H. Lee White Maritime Museum curator Michael Pittavino, artist talks, and a poetry reading with faculty poets.

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museum exhibitions schedule Sep 2, 2025 link 1 artist, 1 gallery

'Rhino World Order' to open Tyler Art Gallery season

SUNY Oswego's Tyler Art Gallery opens its fall season with 'Rhino World Order,' an exhibition of large-scale ceramic and plaster sculptures by Buffalo-based artist Richard Tomasello. The show runs from September 2 to October 8, with an opening reception on September 5. Tomasello's work draws inspiration from Eugène Ionesco's 1959 absurdist play 'Rhinoceros,' using the rhinoceros as a metaphor for fascism and conformity. His sculptures address themes of physical assault, school shootings, mob mentality, toxic masculinity, and systemic violence, emphasizing the power of individual resistance. Related events include a panel discussion with the artist and gallery director Davana Robedee, and a student reading of the play.

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