In Genoa, an exhibition dedicated to Giovanni Korompay, the Futurist who loved Pink Floyd

A Genova una mostra dedicata a Giovanni Korompay, il futurista che amava i Pink Floyd

A major retrospective exhibition dedicated to Giovanni Korompay, a Venetian painter, sculptor, and illustrator associated with the second wave of Futurism, has opened at the Wolfsoniana in Genoa Nervi. Titled "Korompay, un’antologica," the show runs until November 1st and features around sixty works, including paintings, sculptures, graphic works, photographs, and documents. It explores Korompay's evolution from traditional training under Ettore Tito to his embrace of Futurist aeropainting, exemplified by works such as "Alta velocità" (High Speed), which celebrates a 1934 world speed record set by a Macchi-Castoldi MC 72 seaplane. The exhibition is curated by Alex Casagrande, Matteo Fochessati, Franco Tagliapietra, and Anna Vyazemtseva, with loans from public museums (Mart, Mambo), private collections, and the Fondazione Korompay.

Roaring: Art, Fashion, and the Automobile in France, 1918–1939

The Saint Louis Art Museum is presenting "Roaring: Art, Fashion, and the Automobile in France, 1918–1939," a major exhibition on view from April 12 to July 27, 2025. Curated by Genevieve Cortinovis, the show brings together automobiles, haute couture, painting, sculpture, photography, film, and decorative arts to explore the intertwined evolution of fashion and car design in early 20th-century France. Highlights include a 1917 painting by Henri Matisse depicting the view from his Renault, juxtapositions of Alfa Romeo and Citroën logos with works by Piet Mondrian and Charles Loupot, and a c. 1927 dress by Suzanne Talbot inspired by Tutankhamun's funerary mask. The exhibition draws heavily from local and midwestern collections, including the Missouri Historical Society.

Arles Drawing Festival: What Not to Miss at This Fourth Edition

Festival du dessin d’Arles : ce qu’il ne faut surtout pas rater pour cette quatrième édition

The fourth edition of the Arles Drawing Festival has opened, featuring over forty exhibitions across the city. The highlights include two major private drawing collections being publicly presented: Marin Karmitz's collection, displayed at the Sainte-Anne church under the title "Et la vie continue…", and the Collezione Ramo from Milan, showcased at the Museon Arlaten chapel as part of a focus on Italian art.

The Ricci Oddi Gallery in Piacenza has been renovated. Here's how it changed after the work (funded by citizens)

La Galleria Ricci Oddi di Piacenza è stata rinnovata. Ecco com’è cambiata dopo i lavori (finanziati dai cittadini)

La Galleria d'Arte Moderna Ricci Oddi in Piacenza, Italy, has completed a year-long renovation and reinstallation project, reopening to the public on April 28. The work, designed pro bono by Milanese studio Lissoni & Partners and funded by citizens, restored the original architecture by Giulio Ulisse Arata, emphasizing a central panopticon and natural zenithal light. The museum remained partially open during construction, which refreshed all 22 rooms and over 1,000 square meters of space, aiming to reconnect the collection with its purpose-built building.