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Diego Marcon, an Italian video artist known for his uncanny and meticulously crafted films, is gaining significant attention in the United States. He recently had his first American solo show at the Renaissance Society in Chicago and is preparing for another at the New Museum in New York. His work, such as the video "La Gola" (2024), features hyper-realistic, inanimate busts with animated eyes that speak about bodily experiences, blending narrative with structuralist film techniques. Marcon's films often explore family dynamics and the materiality of film, creating dreamlike experiences that haunt viewers.

Folklore, mythology and tradition: five must-see shows at London Gallery Weekend

London Gallery Weekend features several exhibitions that draw on folklore, mythology, and traditional processes, offering a counterpoint to the AI-dominated art world. The article highlights five female artists whose shows span from Argentina to Australia to South Korea: Anna Perach at Richard Saltoun explores ancient folklore and identity through tufted sculptures; Francis Upritchard at Kate MacGarry presents uncanny sculptures inspired by mythology and science fiction; and Soyoung Hyun at IMT Gallery examines memory and ritual through clay vessels and shadow works. Other shows include indigenous Aboriginal artist Emily Kam Kngwarray and New Zealand-born Upritchard, who borrows from diverse cultural sources.

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Boston's Midtown Hotel has sparked outrage after decorating its newly renovated space with AI-generated artwork that mimics Andy Warhol's style to depict local celebrities like David Ortiz and Barbara Walters. Guest Alex Steed publicly criticized the hotel on social media, noting the art's uncanny valley quality and the placard proudly stating the works were entirely created by artificial intelligence. The complaint went viral, drawing thousands of views and comments condemning the hotel for choosing AI over hiring local artists in a city known for its art schools and museums.

Take a walk on the wild side with the Haas Brothers' fantastical new show

The Museum of Arts and Design (MAD) in New York has opened "Uncanny Valley," a major exhibition dedicated to the Los Angeles-based duo Nikolai and Simon Haas. The show features 85 works spanning 15 years of their practice, showcasing their signature blend of art, furniture, and craft through zoomorphic sculptures and kooky forms. Organized in collaboration with the Cranbrook Art Museum, the exhibition places these physical objects against surreal, algorithmically-generated backdrops that explore the intersection of human craftsmanship and digital technology.

Frances Thrasher’s Solo Exhibition ‘The Uncanny Valley’ Under Heaven4theYoung

Multidisciplinary artist Frances Thrasher, working under the name Heaven4theYoung, will present her second solo exhibition, 'The Uncanny Valley,' at ACE/FRANCISCO Gallery opening October 16. The show features new works in ceramics, oil, and watercolor, following her sold-out 2022 debut. Thrasher's painting 'Withered' was recently on view at the Lyndon House Arts Center's 50th Juried Exhibition, and her piece 'Teenage Lobotomy' served as album cover art for Patterson Hood's solo release. At 20, she has also earned a Badge of Honor from the Berlin Music Video Awards for a stop-motion film she made for Hood's song 'The Pool House.'

Roar materials: the ‘uncanny’ art of dinosaur puppetry – in pictures

The Australian puppetry company Erth is preparing for a new immersive dinosaur show at the Sydney Opera House. The article provides a behind-the-scenes look at their workshop in Marrickville, where a team of artists and designers hand-craft highly realistic, large-scale dinosaur puppets using animatronics, 3D printing, and traditional craftsmanship.