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WangShui, an artist known for AI-assisted abstract paintings, challenges the stereotype of tech-focused artists as isolated nerds. In a studio visit, they described their practice as a spiritual project, using machine learning to create works like 'Scr∴ pe II (Isle of Vitr∴ ous)' at the 2022 Whitney Biennial and pieces at the 2024 Venice Biennale. Their latest collaboration with Maryam Hoseini, 'The Demon and the Muse (DM),' is on view at SITE Santa Fe International, covering the facade with red oil and black ink. WangShui emphasizes that AI is a tool for exploring consciousness and healing, not a replacement for human creativity.

museum artist ranking june 2025 2661244

Artnet News published its quarterly museum artist ranking for June 2025, analyzing temporary exhibitions at over 250 U.S. museums to identify which living artists received the most institutional attention. The list includes over 4,500 names, with Indigenous contemporary artists dominating the top ranks: Cara Romero and Sky Hopinka remain highly visible, joined by Jeffrey Gibson and Andrea Carlson. Cindy Sherman appears in at least 10 group shows nationwide, while Alex Katz continues as a rare painter favored by museums at age 97. The ranking prioritizes career retrospectives, dedicated exhibitions, and special commissions over group show appearances.

Mary Lovelace O’Neal, Painter Who Defied the Bounds of Abstraction, Dies at 84

Mary Lovelace O’Neal, the American painter known for her large-scale abstract works that defied easy categorization, died in Mérida, Mexico, on May 10 at age 84. Her death was confirmed by her galleries, Jenkins Johnson and Marianne Boesky, on May 13. Active in the Civil Rights movement of the 1960s, O’Neal developed a distinctive practice that blended Minimalism, Abstract Expressionism, and figurative elements, most notably through her Lampblack series and later the "Whales Fucking" series. Her work gained renewed attention in the 21st century, with exhibitions at Mnuchin Gallery and the Museum of the African Diaspora, and her painting *Blue Whale a.k.a. #12* (1983) was selected for the 2024 Whitney Biennial.

Mary Lovelace O’Neal, Author of Uncategorizable Abstractions, Dies at 84

Mary Lovelace O’Neal, an activist, educator, and artist known for her monumental lampblack paintings that expanded the possibilities of abstraction, died on May 10 in Mérida, Mexico, at age 84. Despite a six-decade career, she was long considered an "artist's artist" before gaining international acclaim in recent years, with major exhibitions at Mnuchin Gallery, Marianne Boesky Gallery, the San Francisco Museum of Modern Art, and inclusion in the 2024 Whitney Biennial and the 2025 group show "Paris Noir" at the Centre Pompidou.

Closure of DePaul Art Museum leaves collection in limbo

DePaul University has announced the permanent closure of the DePaul Art Museum (DPAM) effective June 30, citing a projected $27.4m budget deficit for 2026. Despite an open letter signed by over 3,000 students and faculty, the administration is moving forward with the shutdown of the $7.8m facility that has served as a cultural anchor since 2011. Director Laura-Caroline de Lara had successfully raised funds to keep the museum operational through the current season, but the university's leadership remains committed to the closure as part of a broader cost-cutting initiative.

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Shana Moulton, an artist and chair of the art department at the University of California, Santa Barbara, discusses her exhibition "Meta/Physical Therapy" at the Museum of Modern Art in New York and her retrospective at the Buffalo Institute for Contemporary Art. The article centers on Moulton's semi-autobiographical alter ego, Cynthia, a hypochondriac navigating New Age wellness culture through video installations, performances, and a collection of eccentric objects. Moulton explores themes of hypochondria, hospital art, and the absurdity of wellness consumerism, drawing from her upbringing in a California mobile home park and her long-running video series "Whispering Pines" (2002–18).

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British artist Stuart Semple has been ordered by a French court to pay €16,000 ($18,200) in damages for selling a blue paint called Easy Klein, which he developed as a tribute to Yves Klein. The ruling, issued on what would have been Klein’s 97th birthday, sided with Klein’s estate and trademark holders—Blue Bay Limited, RUK (the company managing Klein’s copyrights), and Klein’s son Yves Amu Klein—who argued that Semple’s product unfairly capitalized on Klein’s legacy. Semple denies the claims and plans to appeal, stating that the packaging was a satirical riff on Calvin Klein perfume, not an attempt to confuse consumers.

Mary Lovelace O’Neal, Painter and Civil Rights Luminary, Dies at 84

Mary Lovelace O’Neal, a painter, educator, and Civil Rights activist, died on May 10 at age 84 in Mérida, Mexico. Known for her monumental canvases and inventive “lampblack” works, she moved fluidly between abstraction and figuration, using layers of black pigment to assert Blackness and presence. Her career included studies at Howard University and Columbia University, activism with the Student Nonviolent Coordinating Committee, and connections to the Black Arts Movement.

Mary Lovelace O’Neal, Abstract Painter Who Refused to Conform, Dies at 84

Mary Lovelace O’Neal, an abstract painter known for her gestural, unruly works that defied categorization, died on Sunday in Mérida, Mexico, at age 84. Her galleries, Jenkins Johnson and Marianne Boesky, announced her passing. O’Neal produced sprawling paintings characterized by tangles of drippy strokes, often using lamp black pigment to create intensely black canvases. She rejected labels like Abstract Expressionist or Minimalist, insisting she was simply a painter. Her series "Whales Fucking" (1979) and a 2020 exhibition at Mnuchin Gallery revived her profile, leading to inclusion in the 2024 Whitney Biennial.

FAD News: Trevor Paglen to co-curate Zero 10 at Art Basel Basel 2026.

Art Basel 2026 has announced that artist Trevor Paglen will co-curate the latest edition of Zero 10, the fair's global initiative dedicated to digital art, alongside digital art strategist Eli Scheinman. Making its debut at Art Basel's flagship Swiss edition, Zero 10 will take over the Event Hall on Messeplatz from June 17–21, 2026, with a Preview Day on June 16. The expanded presentation will feature 19 exhibitors showcasing artists working at the forefront of digital, generative, and media-based practices, and is themed "The Condition," examining life within algorithmic systems and AI. Highlights include works by Hito Steyerl, Avery Singer, Andreas Gursky, Vera Molnar, Ryoji Ikeda, John Gerrard, and Rafael Lozano-Hemmer, presented by galleries such as Hauser & Wirth, Marian Goodman Gallery, Sprüth Magers, Esther Schipper, Almine Rech, bitforms gallery, Art Blocks, and HEK (Haus der Elektronischen Künste).

Exhibition spotlights civic engagement of artists

The Cantor Arts Center at Stanford University has opened a new iteration of its Archive Rooms series, featuring two concurrent exhibitions: "Archive Room: Ester Hernandez" and "Archive Room: Ruth Asawa." The Hernandez exhibition showcases seldom-exhibited artwork, ephemera, writing, and family photographs from the artist's archive, including her iconic print "Sun Mad" (1982) addressing pesticide contamination, alongside materials documenting her community-based practice and activism. The Asawa exhibition highlights her arts advocacy through teaching materials, photographs, and projects from the Alvarado School Arts Workshop, an artist-in-residence program she co-founded in 1968 that operated in 50 San Francisco public schools.

Culture Type | The Month in Black Art: Here’s What Happened in August 2025

The Studio Museum in Harlem announced it will reopen on November 15, 2025, after being closed since 2018 for construction of its new building on 125th Street. The museum shared details about opening celebrations, community day, suggested admission prices, and hours. In other August 2025 news, Brazilian artist Ana Cláudia Almeida joined Stephen Friedman Gallery (London/New York) alongside Quadra and Fortes D’Aloia & Gabriel; Ekow Eshun was named curator of British Art Show 10, opening in September 2026 across five UK cities; and Vanity Fair previewed the new Studio Museum building in its September issue, featuring interviews with Director Thelma Golden and artists Karon Davis and Tshabalala Self.

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Crystal Bridges Museum will present an exhibition dedicated to singer-songwriter Jewel during the Venice Biennale, running from May 10 to November 22 at the Salone Verde, near Fondazione Prada. Titled “Matriclysm: An Archeology of Connections Lost,” the show is organized by Crystal Bridges curator-at-large Joe Thompson and features paintings from Jewel's “Ceremony” series, a tapestry, and three large-scale sculptures—including “Heart of the Ocean,” an eight-foot-tall piece that uses live oceanic data from NASA and Stanford University to control 60,000 programmable lights. The exhibition explores themes of feminine memory, matriarchy, and connection.

Exhibition | RonNAGLE, 'Phantom Banter' at Gio Marconi, Milan, Italy

Gió Marconi Gallery in Milan, Italy, is presenting 'Ron Nagle. Phantom Banter,' the first solo exhibition in Italy dedicated to West Coast sculptor Ron Nagle. The show features eleven ceramic sculptures produced between 2024 and 2026, along with recent drawings, highlighting Nagle's refined small-scale works and his process of translating drawings into three-dimensional objects. Nagle, born in 1939 in San Francisco, apprenticed with Peter Voulkos in the 1960s and became a key figure in the California Clay Movement, influenced by artists like Ken Price.

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David and Sybil Yurman, the couple behind the iconic David Yurman jewelry empire, reflect on their origins as artists in New York in a new book, *Sybil and David Yurman: Artists and Jewelers*, published last month. The book draws from their personal archive of paintings, sculptures, photos, and jewelry, tracing their journey from working under sculptor Jacques Lipchitz and ceramicist Shōji Hamada to building a global brand. In an interview with CULTURED, the Yurmans share stories of their first date, Sybil's early career as a ceramicist and painter, and how their partnership evolved from art to jewelry.

Dealer Scott Nichols on His Lasting Love for Iconic California Photographers

Veteran art dealer Scott Nichols reflects on his long-standing career and the evolution of his eponymous gallery, which specialized in 20th-century California photography for nearly three decades in San Francisco before relocating to Sonoma in 2019. The gallery is renowned for its deep expertise in Group f.64, maintaining one of the largest private collections of Brett Weston’s work alongside masterpieces by Ansel Adams, Dorothea Lange, and Imogen Cunningham.

olo new color yolo stuart semple 2635547

Researchers at the University of California, Berkeley, have discovered a new color called "olo" that cannot be seen under normal conditions. The color, described as a highly saturated blue-green, was perceived by five human subjects during tests using a complex laser system and custom software named Oz. The team published their findings in *Science Advances* on April 18, explaining that olo results from stimulating only the medium-wavelength cone cells in the retina, a feat not possible with natural light. British artist Stuart Semple has since created a physical paint called YOLO, claiming it is the closest approximation to this elusive color, priced at $10,000 per 150ml bottle.

The Met Appoints Oluremi C. Onabanjo as Curator of Photographs

The Metropolitan Museum of Art has appointed Oluremi C. Onabanjo as Curator in its Department of Photographs following an international search. Onabanjo, who joins from the Museum of Modern Art (MoMA), will oversee exhibitions, acquisitions, and research for 20th-century and contemporary photography, with a specific emphasis on international practices in Africa and Asia. Her role includes the stewardship of the Walther Collection, a massive gift of over 6,500 works, and the preparation of a major exhibition scheduled for 2028.

This Berkeley MFA exhibition probes how museums and institutions exclude disabled bodies

Priyanka D’Souza's Master of Fine Arts thesis installation, "b. Call in sick," opens today at the Berkeley Art Museum and Pacific Film Archive (BAMPFA) as part of the annual MFA exhibition at UC Berkeley. D’Souza, one of six graduating MFA students, created works that critique how museums and institutions exclude disabled bodies, using angled shelves, rolling stools, and seating to privilege seated viewers over standing ones. Her practice draws on campus protest photos from Berkeley archives, transformed into semi-abstract renderings, and builds on her earlier Instagram project "Resting Museum," developed after a residency at the Delfina Foundation in London.

Groundbreaker Private Tour of Seattle Art Museum

On June 2, 2025, Asia Society Seattle will host a private tour of the Ai Weiwei exhibit at the Seattle Art Museum (SAM), led by Dr. Foong Ping, the Foster Foundation Curator of Chinese Art and an affiliate professor at the University of Washington. The event is exclusive to the society's Advisory Council, Groundbreaker and Innovator members, and donors, requiring advance registration.

Mary Lovelace O’Neal, painter and activist, 1942–2026

Mary Lovelace O’Neal, the American painter, professor, and civil rights activist, has died at age 84. Born in Jackson, Mississippi, she was a co-founder of the Non-Violent Action Group while a student at Howard University, later earning an MFA from Columbia University. Known for monumental abstract works on soot-black surfaces, she developed her signature technique through the Lampblack series (1960s–70s) and continued evolving her practice through series such as Whales Fucking (1970s–80s) and Panthers In My Father’s Palace (1980s–90s). In 1985, she became the first African American woman to receive tenure in the Department of Art Practice at the University of California, Berkeley, where she taught for nearly three decades and served as chair from 1999 until her retirement in 2006.

Political censorship of art exhibition at California’s Pepperdine University

Pepperdine University, a private Christian institution in Malibu, California, censored and closed an art exhibition titled "Hold My Hand in Yours" at its Frederick R. Weisman Museum of Art. The exhibition, curated by museum director Andrea Gyorody, featured works centered on hands as symbols of labor, identity, care, and connection. On October 1, administrators Lauren Cosentino and Nicole Singer visited the museum, leading to the shutdown of artist Elena Mann's video "Call to Arms 2015-2022," which included references to Donald Trump's policies, the overturning of Roe v. Wade, the Brett Kavanaugh hearings, and the George Floyd protests. Another work, "Con Nuestras Manos Construimos Deidades" by Natalie Godinez and the nonprofit AMBOS, was also censored after officials objected to text reading "Save the Children" and "Abolish ICE."