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painter mary abbott has died 1647730

Abstract Expressionist painter Mary Abbott has died at age 98 due to heart failure, as confirmed by McCormick Gallery in Chicago, which represented her for nearly 20 years. Known for her colorful canvases and sweeping brushstrokes, Abbott was praised by the New York Times in 2008 as one of the last great Abstract Expressionist painters of her generation. Despite her early modeling career on Vogue covers and her immersion in the downtown New York art scene alongside figures like Mark Rothko and Willem de Kooning, her work received little scholarly recognition until the 2016 Denver Art Museum exhibition "Women of Abstract Expressionism," which traveled to the Mint Museum and Palm Springs Art Museum.

8 Must-See Solo Gallery Shows in June

Galerie magazine has curated a list of eight must-see solo gallery shows across the United States for June, featuring artists from New York to Los Angeles. Highlights include Will Cotton's fantasy paintings of cowboys and mermaids at Templon in New York, Salman Toor's narrative works depicting gay South Asian diaspora life at Luhring Augustine, and Beverly Fishman's hybrid sculptural paintings addressing the pharmaceutical industry at Miles McEnery Gallery.

patricia marroquin norby met museum curator departure 1234779468

Patricia Marroquin Norby, the Metropolitan Museum of Art’s first-ever curator of Native American art, has stepped down from her role after a five-year tenure. While both Norby and the museum cited health reasons for her December 2025 departure, the exit follows intense public scrutiny regarding her claims of Indigenous heritage. A 2024 report by the Tribal Alliance Against Frauds (TAAF) alleged that Norby has no American Indian ancestry, leading to a public debate over her qualifications and identity.

Art in Wisconsin: A Guide for Collectors, Curators and the Curious

This article, written by Brian Hieggelke, serves as an editorial introduction to a special issue focused on the visual art scene in Wisconsin. It contrasts the state's art world with that of neighboring Illinois, highlighting Wisconsin's unique, friendly quirkiness and its abundance of self-taught artists. The piece recounts a visit to the inaugural Door County Contemporary art fair in Fish Creek, noting the small scale but immense charm, and the multi-hyphenate nature of Wisconsin's art players who are simultaneously artists, gallerists, and writers. The article then provides a table of contents for the issue, covering topics from the Kohler Arts Residency to the Wisconsin Museum of Quilts and Fiber Arts, and introduces several contributors including artists, writers, and educators.

minneapolis museums close ice protest 2739776

The Walker Art Center and the Minneapolis Institute of Art closed on January 20, 2026, in protest of escalating Immigration and Customs Enforcement (ICE) operations in the Twin Cities. The closures follow the fatal shooting of Renee Good, a 37-year-old mother of three, by ICE agent Jonathan Ross, which sparked nationwide outrage. The museums canceled scheduled events, including a performance by Nile Harris, and joined a broader one-day economic blackout called "A Day of Truth and Freedom" organized by Minnesota union leaders and community groups. Other cultural institutions participating include the Bakken Museum, the Minnesota Museum of American Art, the Weisman Art Center, and the Museum of Russian Art.

deleuze seminars painting 1234749008

A newly translated English edition of Gilles Deleuze's 1981 seminars on painting, originally published in French as 'Sur la peinture' in 2023, has been released by the University of Minnesota Press. Translated by Charles J. Stivale, the eight lectures explore what concepts painting can offer to philosophy, rather than the reverse. Deleuze discusses terms like catastrophe, the diagram, and figure, focusing on artists such as Titian, Turner, Cézanne, van Gogh, Klee, Mondrian, Pollock, and Bacon, offering a chaotic yet magnificent counterpoint to his more systematic book 'Francis Bacon: The Logic of Sensation'.

carlos agredano fume los angeles nomadic art division 1234746165

Artist Carlos Agredano, who grew up near the 105 Freeway in Lynwood, California, has created a traveling sculpture titled "FUME" (2025) that uses air quality sensors mounted on his 1992 Toyota Pickup to measure pollution from vehicle exhaust and ambient air. The work was exhibited at the Los Angeles Nomadic Art Division (LAND) and is part of Agredano's broader practice examining how the LA freeway system has harmed working-class communities of color through toxic drift and destructive urban planning. His research draws on sources including Eric Avila's book "Folklore of the Freeway" and studies from UCLA's Center for Occupational & Environmental Health.

New Kickernick Gallery Exhibition Celebrates 50 Years of a Women’s Art Collective

The article reports on a new exhibition at the Kickernick Gallery in Minneapolis celebrating the 50th anniversary of WARM (Women's Art Registry of Minnesota), a pioneering women's art collective founded in 1976. The show features works by founding members including Harriet Bart, whose textile piece "Concrete Poem" (1985) is made from discarded garment labels she collected from her studio floor. The exhibition is curated by Christy Frank and runs until mid-June, highlighting the collective's history of mentorship, activism, and advocacy for gender equity in the arts.

Why this Minneapolis feminist art collective still matters 50 years later

The Women’s Art Registry of Minnesota (WARM), one of the oldest feminist art collectives in the United States, is celebrating its 50th anniversary. Founded in 1973 in Minneapolis, the collective emerged as a grassroots response to the systemic exclusion of women from mainstream galleries and museums, eventually establishing its own gallery space and a robust mentorship program that continues to support female-identifying artists today.

3 national art exhibits draw on Tweed collection

Three major U.S. museums—the Metropolitan Museum of Art, the Walker Art Center, and the Denver Art Museum—are simultaneously exhibiting works loaned from the Tweed Museum of Art at the University of Minnesota Duluth. The loans include pieces by Ojibwe artist George Morrison (1919-2000) for "The Magical City: George Morrison's New York" at the Met; works by Sičáŋǧu Lakota artist Dyani White Hawk for "Dyani White Hawk: Love Language" at the Walker; and a work by Andrea Carlson for "Andrea Carlson: A Constant Sky" at the Denver Art Museum. Tweed director Julie Delliquanti and Duluth Art Institute executive director Christina Woods highlight the significance of sharing the Tweed's collection with national audiences.

Weisman Art Museum shows rugs as the messengers of our stories

The Weisman Art Museum in Minneapolis is hosting "RugLife," a touring exhibition that transforms rugs into platforms for storytelling, history, and social commentary. Curated by Ginger Gregg Duggan and Judith Hoos Fox, the show features works by artists including Sonya Clark, Andrea Zittel, Nevin Aladağ, Ai Weiwei, and Ali Cha'aban, who use rug-making to address themes such as Black barber culture, climate change, political tensions, and the war in Ukraine. The exhibition originated at San Francisco's Museum of Craft and Design in 2023.

Landmark George Morrison show foregrounds Abstract Expressionism’s debt to Native art

A new exhibition at New York's Metropolitan Museum of Art, titled "The Magical City: George Morrison’s New York," showcases the largest-ever show of works by Ojibwe abstract painter George Morrison (1919-2000). Running until 31 May 2026, the exhibition features 25 works and archival materials, highlighting Morrison's Abstract Expressionist style and the tension between his life in New York City and his roots on the Grand Portage Chippewa reservation. The show includes pieces like "The Antagonist" (1956) and "Aureate Vertical" (1958), revealing his dual experiences of urban glamour and Native displacement.

Appreciation and demand for Minnesota artist's work surges as The Met opens solo exhibition

The Metropolitan Museum of Art in New York will open "The Magical City: George Morrison’s New York" on July 17, the first solo exhibition for the late Minnesota-born Ojibwe artist. The show features over 30 works by Morrison, an abstract expressionist who painted alongside Willem de Kooning, Jackson Pollock, and Franz Kline, and whose large wood-and-granite collages, totems, and paintings are widely installed across Minnesota and internationally. The exhibition coincides with a surge in demand for his work, driven by recent high-profile gallery shows and a 2022 USPS Forever Stamp series.

Meaningful projects

Detroit-based artist Elonte Davis and Hungarian curator Kriszti Sarusi are among several creatives reflecting on the personal and social impact of their recent projects. Davis highlighted his 2026 community-centered initiatives, including his solo exhibition 'Homeroom: Detroit Taught Me First' and workshops at the Detroit Institute of Arts, while Sarusi discussed 'Floating Reality,' an exhibition series designed to provide space for underrepresented artists through a collaborative collective.

design literature best books of 2025

Cultured magazine has published its annual list of the best design and architecture books of 2025, featuring ten titles that span cookbooks, travelogues, political design history, photography, and architectural theory. Highlights include "Campania: Recipes & Wandering Across Italy’s Polychromatic Coast" edited by Apartamento, "Furnishing Fascism" by Ignacio G. Galán, "Synthesis" by Mari Katayama, and "Monumental" by Cat Dawson, which examines how contemporary artists are reshaping memorial landscapes.

Now Open: Prospect Refuge Gallery

A new art gallery concept, Prospect Refuge Gallery, opens in Northeast Minneapolis, led by Victoria Sass of Prospect Refuge Studio. The gallery's inaugural exhibition, "Homecoming: Objects of Origin," features works by New York-based ceramicist Jeremy Anderson, a Twin Cities native, showcasing ceramic vessels, lighting, and bronze-cast furniture that draw influence from Midwest rural architecture. The gallery aims to rotate regional talent through exhibitions focused on collectable design.

Art in Bloom returns to Mia, transforming galleries with floral interpretations

Art in Bloom, the Minneapolis Institute of Art's annual floral showcase, returned from April 23 to 26, 2026, featuring over 160 flower arrangements inspired by artworks from the museum's permanent collection. The free, four-day event, presented by the Friends of the Institute, drew thousands of visitors and included guided tours, family activities, and expanded programming. Floral designers, florists, and garden clubs placed their interpretations alongside original pieces, with this year's centerpiece inspired by a Japanese Presentation vase from the early 20th century, once owned by railroad magnate James J. Hill.

Owatonna Arts Center seeking submissions for its 73rd annual Steele County Arts Exhibition

The Owatonna Arts Center (OAC) is calling for submissions for its 73rd annual Steele County Arts Exhibition, with the submission period open through April 30 and the exhibition running from May 3 to May 31. Artistic Director Silvan Durban, who has been with the center for 48 years, notes that all forms of physical media are accepted and there is no specified theme, encouraging broad participation from both returning and new artists. The exhibition continues a local tradition that began in the 1930s with the Owatonna Arts Project supported by the University of Minnesota and the Carnegie Foundation.

Northside artists sow seeds of ancestral wisdom in Arboretum exhibit

An art exhibit titled "Where the Seed Remembers: A Celebration of Earth, Lineage and Memory" opened on March 29 at the University of Minnesota’s Landscape Arboretum’s Reedy Gallery in Chaska, featuring 10 artists of color. Co-curated by Northside artist Joshua Gillespie (Brotha Aśe), the show includes works by Ron Brown, Ayolanda Evans, Imani Mansfield, and Allena Sweats, among others, and opened with a libation ceremony by Vusumuzi Zulu and Mariama Imani. The exhibition runs through May 17.

Weisman Explores What Makes a City in New Exhibition

The Weisman Art Museum in Minneapolis has opened a new exhibition titled "Imagining Future Cities: Global and Minnesota Visions, Past and Present," running through September 14. Curated by Dingliang Yang, an urban designer and McKnight Land-Grant Professor at the University of Minnesota, the show features architectural drawings, diagrams, and models that examine the history and meaning of cities over the past 150 years. Yang collaborated with faculty members Thomas Fisher and Jennifer Yoos, research fellow Michael Keller, and 17 student research assistants over three years to create the exhibition, which is organized into three galleries exploring theoretical, experimental, and perceptual approaches to urban design.

NW Minnesota Arts Council announced its NW Minnesota Art Exhibit Winners

The Northwest Minnesota Arts Council announced the winners of its 2025 Northwest Minnesota Art Exhibit, awarding $2,300 in cash prizes to student and adult artists from a seven-county region. The winners were recognized at a reception in Crookston on April 27, with juror Glen Henry, an Indigenous artist and Director of Exhibitions at Minnesota State University Moorhead, selecting the awardees. Categories included adult and student divisions, with top prizes going to Elizabeth Kitchell-Rockstad for mixed media and Alyssa Foster for drawing, among others. Selected works will travel to area libraries and five student pieces will be displayed in Senator Mark Johnson's office.

New WAM exhibition explores the stories behind museum collections

The Weisman Art Museum (WAM) has launched a new exhibition titled "The Stories We Tell," which investigates the provenance and acquisition histories of its permanent collection. The show features a diverse array of objects, ranging from ancient ceramics to contemporary works, while highlighting the institutional processes that bring art into a public museum setting.

Goldstein Museum of Design Explores Power, Resistance, and Community in Denim-Focused Exhibit

The Goldstein Museum of Design at the University of Minnesota has opened a new exhibition titled 'Resist and Reclaim,' which explores design as a tool of both oppression and liberation. The show focuses on denim as a material linked to labor, exploitation, and resistance, featuring 20 custom denim jackets created by local Black and Indigenous women and femme artists, alongside faculty research on architecture and visual culture.