Drained, Drowning, and Decay: The Best National Pavilions at the Venice Biennale

The 2026 Venice Biennale is defined by themes of ruin and decay, with standout national pavilions exploring bodily, infrastructural, and archaeological collapse. The Slovenian Pavilion features the Nonument Group repurposing materials from past Biennales into a ruin of a mosque for Bosnian Muslim soldiers from World War I. Syria presents its first national pavilion since the Civil War, with Sara Shamma invoking Palmyra, destroyed by ISIS. Germany's pavilion, titled "Ruin," features works by Henrike Naumann (who died in February) and Sung Tieu, questioning the pavilion's fascist architecture and nationalist residue. The Austrian Pavilion, curated by Florentina Holzinger, offers a visceral performance titled "Sea World." The Biennale is also marked by the abrupt resignation of its five-member jury, who refused to consider nations charged with crimes against humanity, leading to awards being chosen by public vote. Additionally, the main exhibition "In Minor Keys" was affected by the death of its curator, Koyo Kouoh.

From the Aral Sea to Milan: Uzbekistan tells its story between craftsmanship and climate crisis

Dal Mar d’Aral a Milano: l’Uzbekistan si racconta tra artigianato e crisi climatica

Uzbekistan made its official debut at the Milan Design Week with the exhibition 'When Apricots Blossom' at Palazzo Citterio. Curated by Kulapat Yantrasast and promoted by the Uzbekistan Art and Culture Development Foundation, the immersive show presents contemporary reinterpretations of Uzbek craft, organized around three pillars of Karakalpak culture: textiles, food, and dwelling. It features installations by international designers like Bethan Laura Wood and a deconstructed yurt by WHY Architecture.