death of artist sarah cunningham ruled accidental 1234739121

An inquest has ruled that the death of London-based artist Sarah Cunningham, 31, was accidental. She went missing in the early hours of November 2 in Camden, and her body was later found on the tracks at Chalk Farm Underground Station. On April 9, London’s Poplar Coroner’s Court determined that Cunningham jumped down onto the northbound train track and walked into the tunnel, where a train hit her 18 minutes later, but the coroner found she did not intend to take her own life. Cunningham was a rising artist represented by Lisson Gallery.

more italians take avantage of art for taxes scheme 131511

The Italian government has successfully revived a program allowing citizens to use cultural treasures, fine art, antique books, and villas to satisfy tax bills. Culture and Tourism Minister Dario Franceschini named a panel to tally the value of works offered for income and inheritance taxes, aiming to reinvigorate a scheme established in 1982 that previously attracted little interest. The program mirrors similar initiatives in other EU countries, notably Britain, where a comparable plan drew works worth $80.4 million in 2012–13.

Why Italy's cultural wealth never really enters public accounts and budgets?

Perché la ricchezza culturale italiana non entra mai davvero nei conti e nei bilanci pubblici?

Italy has exceeded the European Commission's structural adjustment path by 0.1 percentage points of GDP, reopening fiscal scrutiny. Amid this debate, the article highlights a deeper issue: Italy's immense cultural heritage is drastically undervalued in public accounts. For example, the Pompeii Archaeological Park is recorded at just €48.9 million, the Colosseum at under €15 million, and the Uffizi at about €2 billion—figures based on outdated 2002 ministerial criteria that bear no relation to actual economic or cultural worth. The State General Accounting Office, with the University of Roma Tre and EU technical assistance, has proposed a new methodology to value cultural assets by discounting their future net financial flows, including direct revenues and indirect tourism-related returns.