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christopher kulendran thomas moma gagosian new museum

Christopher Kulendran Thomas, an artist who has been building his own neural networks for over a decade, is showing new paintings and a video installation at Gagosian's Upper East Side location, with concurrent exhibitions at the Museum of Modern Art and upcoming at the New Museum. His series 'Peace Core' uses AI trained on Sri Lankan painters to generate compositions that are hand-painted onto canvas, depicting Mullivaikkal beach—the site of a 2009 massacre of Tamil civilians during the Sri Lankan civil war. The Gagosian show also features a 24-screen video installation that algorithmically remixes American TV footage from the morning of September 11, 2001, before the attacks became visible.

walter swennen dead

Walter Swennen, a Belgian artist who began his career as a poet before turning to painting, has died at age 79. His death was announced by his gallery, Xavier Hufkens, without specifying a cause. Swennen was known for his playful, language-infused paintings that combined cryptic phrases, comic-book-like figures, and unconventional materials such as found wood and metal. He rose to prominence in Belgium alongside other painters interested in materiality, but his work stood out for its freewheeling humor and destabilization of meaning. A major retrospective at WIELS Contemporary Art Centre in Brussels in 2013 helped revive his career, leading to later shows at Gladstone Gallery in New York and a growing international following.

‘An immense void in the world of contemporary art’: Koyo Kouoh, curator of the 2026 Venice Biennale, has died, aged 57

Koyo Kouoh, the acclaimed Cameroonian-born curator who was appointed to organize the 2026 Venice Biennale, died on Saturday at a hospital in Basel, Switzerland, at age 57. Her husband confirmed she died of cancer following a recent diagnosis. Kouoh had been selected in December to become the first woman from Africa to curate the prestigious international exhibition, and the Biennale's statement mourned her loss as leaving "an immense void in the world of contemporary art."