art world joe rogan onx expands and more industry moves 1234761632

This week's art industry moves include Allison Blais being named President and CEO of the Wadsworth Atheneum, succeeding Jeffrey N. Brown. The Onassis Foundation's ONX art-and-tech hub is expanding with a new Tribeca space opening in January 2026, debuting with the exhibition "TECHNE: Homecoming." Other appointments include Frank Lord joining Withers as senior counsel, Matthew Stavro becoming Senior Specialist at Freeman's, and Madeline Cornell as Sales Director at Morgan Presents. Galleries announced new artist representations: Anthony Meier and von Bartha jointly represent the estate of Barbara Stauffacher Solomon, Jessica Silverman now represents Lava Thomas, Kendall Koppe represents Michael Bühler-Rose, and David Kordansky Gallery takes on Tristan Unrau. The Spector Craft Prize launches with Crystal Bridges Museum partnership. A blue diamond pendant known as the Mellon Blue sold at Christie's for $25 million, a 22% drop from its previous sale. The New York Times explores whether artist-podcaster Joshua Citarella could be the "Joe Rogan of the left."

wadsworth atheneum president allison blais 1234761174

The Wadsworth Atheneum Museum of Art in Hartford, Connecticut, has appointed Allison Blais as its new president and CEO, effective January 2026. Blais, currently executive vice president and chief strategy and operations officer at New York’s 9/11 Memorial & Museum, will succeed Jeffrey N. Brown, who held the role for five years. The announcement was made by board chair Duffield Ashmead IV MD, who praised Blais's experience with large-scale capital projects and stakeholder engagement. Blais, a Connecticut native, expressed her long familiarity with the Wadsworth and her enthusiasm for working with museum director Matthew Hargraves.

rosalia lux patti smith la yugular 1234760894

Rosalía's fourth studio album, *LUX*, features a recording of Patti Smith from a 1976 interview on the closing track "La Yugular." The article describes Rosalía's admiration for Smith, recounting a meeting where Smith complimented her dress and discussed the song. Smith's influence is highlighted through her music, memoir *Just Kids*, and her artistic practice in photography and mixed media, including her first solo exhibition at the Wadsworth Atheneum Museum of Art in 2011. Smith also recently released a new memoir, *Bread of Angels*.

America’s Finest Renaissance Tapestry Set for Major Restoration

The European Fine Art Foundation (TEFAF) has awarded its €25,000 Museum Restoration Fund to the Minneapolis Institute of Art (MIA) for the conservation of *The Meeting of Dante and Virgil*, a mid-16th century Italian Renaissance tapestry. This is the first time TEFAF has funded a tapestry restoration since the initiative began in 2012. The wool and silk tapestry, made between 1547 and 1549 by the Florentine workshop of Duke Cosimo I de’ Medici and designed by Francesco Salviati, depicts the opening scene of Dante’s *The Divine Comedy*. It is the only early Medici tapestry held by a public collection outside Italy, standing 17 feet tall and eight feet wide. Due to structural weaknesses and light sensitivity, it has been largely in storage for 70 years. Conservation work by the Midwest Art Conservation Center will include wet cleaning, stabilization, and partial reweaving, along with a new display system. The tapestry is scheduled to return to public view at MIA on July 11.

The Making of a Maintenance Artist

A new documentary titled "Maintenance Artist" (2025) traces the decades-long practice of Mierle Laderman Ukeles, a pioneering artist who focused on marginal, unpaid, and feminine labor. The film covers her career from her 1969 "CARE" manifesto, through her role as artist-in-residence at the New York City Department of Sanitation, to her first retrospective at the Queens Museum in 2017. It highlights her critique of art-world gender biases and her efforts to recognize discounted labor in all fields.

art andrea fraser carmen de monteflores whitney biennial

Andrea Fraser and her 92-year-old mother, Carmen de Monteflores, are showing work side by side in the 2024 Whitney Biennial at the Whitney Museum of American Art in New York. This is Fraser's third time in the biennial, but de Monteflores's first museum exhibition after abandoning her art career in 1970 due to repeated rejections. Fraser presents five wax sculptures of toddlers, while de Monteflores shows exuberant, monumental shaped canvases of heads and bodies from the 1960s. The mother-daughter duo's participation came about after Fraser sent images of her mother's stored paintings to biennial co-curator Marcela Guerrero, leading to a joint invitation.

painting female old master artemisia gentileschi sells 2 million 1378720

Artemisia Gentileschi's 17th-century painting 'Lucretia' sold for €1.88 million ($2 million) at Dorotheum's Old Master sale in Vienna, more than double its high estimate. The work, previously unseen in public, was acquired by an Australian collection, continuing a trend of strong auction results for the Baroque artist.

‘Maintenance Artist’ Highlights Mierle Laderman Ukeles’ Radical, Caring Approach to Public Art

A new documentary titled 'Maintenance Artist,' premiering at the Tribeca Film Festival, profiles New York City artist Mierle Laderman Ukeles, who has served as artist-in-residence at the city's Department of Sanitation since 1977. The film traces her radical practice, which began with her 1969 'Manifesto for Maintenance Art' and includes performances like 'Touch Sanitation Performance' (1980), where she shook hands with all 8,500 sanitation workers, thanking each for keeping the city alive. Ukeles' work elevates overlooked labor—trash collection, street-cleaning—as a form of public art.

An Important Urbino Maiolica Basin for the Clark

Un important bassin en majolique d'Urbino pour le Clark

The Clark Art Institute in Williamstown has acquired a significant 16th-century Urbino maiolica basin from the gallery Camille Leprince following its display at TEFAF. Attributed to the workshop of Orazio or Flaminio Fontana, the trilobed basin features intricate historiated scenes from the life of Joseph and elaborate grotesque decorations. The piece was a highlight of the fair and is accompanied by extensive research regarding its complex provenance.

Sidle House Gallery Presents: “Anne Hebebrand: A World That Is”

Sidle House Gallery in Freeport, Maine, opens its 2026 season with a solo exhibition titled “Anne Hebebrand: A World That Is,” on view from May 1 through June 13. The show features cold-wax and oil paintings created over the past seven years, described by the artist as intuitive maps of memory. Related events include an opening reception, an artist talk, a cold wax and oil workshop, and a violin performance by Katherine Liccardo.

Wadsworth Atheneum showcases Connecticut’s role in nation’s founding ahead of America 250

The Wadsworth Atheneum Museum of Art in Hartford is launching a series of major exhibitions to commemorate the 250th anniversary of the United States. Key highlights include the "Radical Roots" exhibition, which explores Connecticut’s pivotal role in the development of American democracy, and a collaborative project with the Amistad Center for Art and Culture titled "Framing American Democracy." These showcases utilize the museum's vast collection of 50,000 works to trace the nation's history from the 1600s to the present day.