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diane arbus haunting new retrospective 2653004

The largest-ever exhibition of Diane Arbus's work, titled "Constellation," opens today at the Park Avenue Armory in New York City. Featuring over 450 prints—many previously unpublished—the immersive show debuted at LUMA Arles in 2023 and arrives in the U.S. with its original labyrinthine format. Curated by Matthieu Humery, the exhibition presents Arbus's iconic photographs of marginalized figures, celebrities, and everyday people without chronological or narrative order, emphasizing her equalizing gaze. The prints come from the collection of Maja Hoffmann, who acquired the complete set of printer's proofs from Neil Selkirk, the only person authorized by the Diane Arbus Estate to print from her negatives.

how to curate a life lessons from 3 art world tastemakers 2640029

At TEFAF 2025 in New York, held at the Park Avenue Armory, a panel titled "Thrill of the Chase" brought together three cultural tastemakers: gallerist Jeanne Greenberg Rohatyn, designer Adam Charlap Hyman, and curator Alexandra Cunningham Cameron. Moderated by Artnet's William Van Meter, the discussion explored what makes an object irresistible—whether beauty, rarity, mystery, or narrative—and how these figures curate their lives and work across art, design, and interiors.

must see fall gallery shows new york 2682575

The article highlights four must-see fall gallery shows in New York City for September-October 2025. It features Mercedes Matter's first solo show at Berry Campbell, reviving the overlooked Abstract Expressionist; Julio Torres's theatrical debut "Color Stories" at Performance Space New York; Gabrielle Garland's first New York solo exhibition at Miles McEnery Gallery, showcasing surreal suburban paintings; and Omar Ba's exhibition "Promises and Glory" at Templon, presenting fantastical mixed-media works.

cooper hewitt triennial home 2635230

The Cooper Hewitt, Smithsonian Design Museum has opened "Making Home," the seventh installment of its Triennial, featuring 25 newly commissioned projects that explore the concept of home through memory, construction, and rupture. Co-curated by Alexandra Cunningham Cameron, Christina L. De León, and Michelle Joan Wilkinson, the exhibition is organized across three themes—Going Home, Seeking Home, and Building Home—and marks the first partnership between Cooper Hewitt and another Smithsonian museum, the National Museum of African American History and Culture. The show is on view through August 10.

nea funding cuts 2640963

President Donald Trump has proposed eliminating the National Endowment for the Arts (NEA), and arts organizations across the U.S. are already feeling the impact. After a White House budget request in May that excluded the NEA, dozens of institutions received abrupt termination notices for their grant applications, with the NEA citing a shift in policy priorities to focus on projects reflecting the nation's artistic heritage as prioritized by the President. In protest, many senior NEA staff resigned or were asked to retire, leaving the agency in disarray. The cuts are part of broader federal efforts to defund cultural agencies, including the Kennedy Center, the Smithsonian, and the National Endowment for the Humanities, which has seen a 70-80 percent staff reduction and canceled over a thousand grants. Private foundations like the Mellon Foundation and the Helen Frankenthaler and Andy Warhol Foundations have launched emergency funding programs, but the consequences for artists, educators, and community organizations are immediate and destabilizing.

natural history museum vca cosmos 2633078

Ruth Angus, associate curator of the Department of Astrophysics at the American Museum of Natural History, leads a tour of the exhibition "Cosmic Splendor: Jewelry from the Collections of Van Cleef & Arpels," running through January 4, 2026, in the Melissa and Keith Meister Gallery. The show features over 60 pieces from the Parisian maison's archives and private collections, each inspired by cosmic phenomena such as galaxies, stars, and planetary nebulae. Angus served as curatorial advisor alongside Denton Ebel, Kate Kiseeva, and Alexandrine Maviel-Sonet, with thematic sections covering the Moon, Sun, distant galaxies, meteorites, and the Zodiac. Highlights include the Trappist transformable necklace (2021) inspired by the TRAPPIST-1 star system and the Explosion Stellaire necklace (2021) depicting a supernova.

mauritshuis museum rembrandt paintings copies 1234739388

The Mauritshuis museum in The Hague has reclassified three paintings previously attributed to Rembrandt as copies or studio works: *Portrait of Rembrandt with a Gorget* (ca. 1629), *Study of an Old Man* (ca. 1655–60), and *‘Tronie’ of an Old Man* (ca. 1630). The first was identified as a copy in 1999, the second was found to be by a student despite a genuine signature, and the third may have been painted by a student or Rembrandt himself. The museum now lists 11 works as authentic Rembrandts, including *The Anatomy Lesson of Dr. Nicolaes Tulp* (1632), and seven works whose authenticity has been questioned.

Inez & Vinoodh Handpick 6 Defining Works From Their New Retrospective

The Dutch photography duo Inez & Vinoodh have launched a major retrospective titled "Can Love Be a Photograph" at the Kunstmuseum Den Haag. Spanning their career since 1986, the exhibition features 150 works that blur the lines between fashion photography, celebrity portraiture, and fine art. To mark the opening, the artists highlighted six defining works—including the digitally manipulated "Thank You Thighmaster" series—that prioritize conceptual depth and psychological mutation over the glossy celebrity culture they are often associated with.

Sale of Robert Rauschenberg’s Captiva Compound to Developers Ignites Backlash

The Robert Rauschenberg Foundation has sold the artist’s 22-acre Captiva Island estate to South Seas, a neighboring resort developer, for $45 million. The sale includes Rauschenberg’s former home, studio, and several cottages where he lived and worked for decades. The Foundation defended the move by citing the prohibitive costs of protecting the site against rising sea levels and hurricane damage, confirming that the prestigious Rauschenberg Residency program will now come to an end.

baku azerbaijan art week 2731495

The article recounts the author's experience attending Baku Art Weekend in Azerbaijan, a festival centered at the Zaha Hadid-designed Heydar Aliyev Centre. The event featured a major exhibition of Fernando Botero's work, "The Triumph of Form," alongside kinetic installations by Daniel Wurtzel and sculptures by Jorge Marín. The festival is shaped by Leyla Aliyeva, vice president of the Heydar Aliyev Foundation and daughter of Azerbaijan's president, who aims to position Baku as a global cultural capital.

natural history museum will remove human remains from display 2381068

The American Museum of Natural History in New York City will remove human remains from its public displays over the next eight weeks and update its policies regarding the collection. The decision follows an investigation by Erin Thompson, a professor of art crime at John Jay College, whose report for Hyperallergic raised ethical and legal concerns about the acquisition of approximately 12,000 individuals' remains held by the museum. Museum president Sean Decatur announced the removal as the "right course of action," acknowledging that the remains were collected without consent and often used to advance racist scientific agendas.

9 Must-See Museum Shows Across the U.S.

The article highlights nine must-see museum exhibitions across the United States for summer 2025, offering escapes from heat and virtual travel through art. Featured shows include "Lisa Yuskavage: Drawings" at the Morgan Library and Museum (June 27, 2025–January 4, 2026), the first comprehensive museum presentation of her drawings; "Gustave Caillebotte: Painting His World" at the Art Institute of Chicago (June 29–October 5, 2025), featuring over 120 works including the recent Musée d'Orsay acquisition *Boating Party*; and "Anicka Yi" at the Museum of Fine Arts, Houston (June 29–September 7, 2025), showcasing the bio-tech artist's imaginative works on karmic debt.

whitney biennial 2026 review 2750311

The 2026 Whitney Biennial marks a shift in contemporary art from literal messaging toward atmospheric 'mood.' This edition is characterized by an immersive aural landscape of drones and whispers, moving away from the overt identity politics of previous years in favor of a 'sincerity first' credo. Key works include Emilie Louise Gosslaux’s emotional tribute to her guide dog, Mo Costello’s community-focused binders, and Nour Mobarak’s intimate recordings of internal bodily sounds.

New Chrysler exhibition at NSU puts Black identity front and center

The James Wise Gallery at Norfolk State University has unveiled "Define Yourself!", a traveling exhibition organized in partnership with the Chrysler Museum of Art. Inspired by James Baldwin’s "The Fire Next Time," the show features 15 works by artists including Kara Walker, Emma Amos, and Carl Van Vechten that explore themes of Black identity, media representation, and double consciousness. The initiative is part of the Atlantic Coast Cohort, a program funded by the Art Bridges Foundation to share museum collections with historically Black colleges and universities (HBCUs).

'Something Borrowed, Something New' at the Sarasota Art Museum headlines 35 exhibitions on view in April

The Sarasota Art Museum is headlining a busy April art season in Southwest Florida with the opening of 'Something Borrowed, Something New.' This major exhibition features works by iconic modern and contemporary artists, including Louise Bourgeois, David Hockney, and Kara Walker, sourced from private collections across the region. The museum is also showcasing site-specific installations such as Molly Hatch’s 'Amalgam,' a 450-plate earthenware display, and Janet Echelman’s 'Radical Softness,' which explores the evolution of her monumental netted sculptures.

'Something Borrowed, Something New' at the Sarasota Art Museum headlines 35 exhibitions on view in April

The Sarasota Art Museum is headlining a busy month for the Southwest Florida art scene, featuring 35 exhibitions across the region this April. Key highlights include the opening of "Something Borrowed, Something New," a diverse group show featuring artists like William Villalongo, alongside major closing exhibitions such as Molly Hatch’s site-specific plate installation "Amalgam" and Janet Echelman’s career retrospective "Radical Softness." Other notable displays include Jillian Mayer’s interactive "Slumpies," which explores the physical impact of digital device usage.

state of the art market an analysis of global auction sales in the first five months of 2022 2136208

Artnet News, in collaboration with Morgan Stanley and the Artnet Price Database, analyzed global auction sales from January through May 20 for the years 2018 to 2022. The total auction sales for the first five months of 2022 reached $5.7 billion, just barely exceeding the previous high set in 2018. The sell-through rate was 73.4%, the second highest in the period examined. The average price of a work sold surged 180% from 2020 and 26% from 2021, driven by pent-up supply of high-value works. Sales of works priced at $10 million and above grew nearly 50% year-over-year, fueled by major consignments from the estates of Thomas and Doris Ammann, Anne Bass, and Harry and Linda Macklowe. Meanwhile, sales of works under $10,000 increased 43% since 2018, partly due to the rise of online auctions during the pandemic.

churchill painting hudsons bay company auction 2700846

The Hudson's Bay Company, a historic Canadian department store chain that declared bankruptcy in March, began selling off its art collection. On November 19, 27 paintings from the retailer's trove were auctioned by Canadian auction house Heffel, all selling well above estimate. The top lot was an impressionistic painting of a Marrakech street by Winston Churchill, which sold for $1.5 million, more than tripling its low estimate. Other notable sales included Frederic Marlett Bell-Smith's 'Lights of a City Street' at $691,250 and works by William von Moll Berczy and Charles Pachter.

Phillips’ Mill’s “96th Juried Art Show” Opens Sept. 20

Phillips’ Mill Community Association will host its 96th Juried Art Show from September 20 to October 26 at the historic grist mill in New Hope, Pennsylvania. The exhibition features a record-breaking 700+ artworks submitted by artists from Bucks County and the River Towns region, with an opening night preview on September 19 for patrons and accepted artists. The event includes 25 awards totaling $14,500, and for the first time, the opening requires tickets. Honored Artist Shawn Campbell and Signature Image artist Jay McPhillips will greet guests, and a jury of art professionals selected the works.

The Art of the Tour: King Charles's Traveling Painters

King Charles III has sponsored an exhibition titled “The King’s Tour Artists” at Buckingham Palace, featuring 43 artists he recruited to paint during 70 royal tours over the past 40 years. The show, open until September 28, includes 74 paintings selected from over 300 works in the King’s private collection, alongside a companion book, *The Art of Royal Travel: Journeys with The King*. The idea originated from Peter St. Clair-Erskine, the 7th Earl of Rosslyn, who catalogued the collection. Critics have dismissed the works as polite and old-fashioned, but the exhibition highlights Charles’s long-standing patronage of representational art and his own practice as a watercolorist.

Gotta Have Art: Scottsdale galleries have evolved over decades

The article explores the evolution of art galleries in Scottsdale, Arizona, over the past several decades. It traces how the local gallery scene has transformed from a small, desert-focused art community into a diverse and sophisticated hub for contemporary, Native American, and Western art, attracting both local collectors and international visitors.

Rembrandt works called into question by experts in the Netherlands

Conservators at the Mauritshuis gallery in The Hague have called into question the attribution of three paintings long believed to be by Rembrandt van Rijn. Technical analysis revealed an underdrawing beneath *Portrait of Rembrandt with a Gorget* (c. 1629), proving it is a copy and that the original is in Nuremberg. *Tronie of an Old Man* (c. 1630) may be by a student or employee, and *Study of an Old Man* (c. 1655), though signed by Rembrandt, shows less accomplished brushwork and a date applied later in different paint, suggesting studio production. All three works remain on view in the exhibition *Rembrandt?* (17 April–13 July).

Shokkan at the ROM considers the sense of touch in Japanese art

The Royal Ontario Museum (ROM) in Toronto presents "Shokkan," an exhibition curated by Akiko Takesue that explores the Japanese concept of touch in art. Despite the challenge of displaying tactile experiences behind glass, the show succeeds by featuring historic Japanese works—such as kimonos, tea bowls, ukiyo-e prints, and netsuke—alongside contemporary pieces by artists like Issey Miyake, Tabaimo, Makiko Hattori, and Emma Nishimura. Interactive stations allow visitors to handle replicas and less valuable objects, including samurai swords, scrolls, and netsuke, to physically engage with the theme.

Philadelphia museum opens $20m expansion after winning back cancelled funding from Trump administration

Woodmere Art Museum in Philadelphia will unveil a $20 million expansion on November 1, adding the Frances M. Maguire Hall for Art and Education—a converted 19th-century mansion with 14 galleries and an education studio. The project, which also includes four acres of new green space, was funded in part by a gift from the Maguire Foundation and follows the museum's acquisition of the adjacent building in 2021. The expansion allows the museum to display more of its 8,000+ works by regional artists, including Pennsylvania Impressionists and Violet Oakley's preparatory sketches.

woodmere art museum drops lawsuit against trump administration 1234751135

Woodmere Art Museum in Philadelphia dropped its lawsuit against the Trump administration after the Institute of Museum and Library Services (IMLS) reinstated a $750,000 grant that had been unlawfully terminated. The museum had been preparing to go to court on September 12 when it received a Letter of Reinstatement on September 4, stating the termination review process was complete. The grant, awarded in 2024 through the IMLS’s “Save America’s Treasures” program, was intended to revamp the museum’s catalog system and digitize works for an exhibition honoring the 250th anniversary of the country’s founding. Woodmere had already received about $195,000 of the grant and entered into several contracts before the termination.

3 Philadelphia-area museums collaborate on a retrospective of artist Syd Carpenter

Three museums in the Philadelphia area—the Woodmere Museum, the Maguire Museum at St. Joseph’s University, and the Berman Museum of Art at Ursinus College—have jointly organized a major retrospective of sculptor Syd Carpenter's five-decade career. The exhibition, titled "Syd Carpenter: Planting in Place, Time and Memory," is split across the three venues, each focusing on different aspects of her artistic evolution, from early pottery to recent organic, plant-inspired sculptures.

Philadelphia museum sues Trump administration over lost federal funding

The Woodmere, a museum in Philadelphia, sued the Trump administration after an executive order revoked a $750,000 federal grant from the Institute of Museum and Library Services (IMLS). The museum had already received roughly $195,000 of the funds, but the order targeting "unnecessary" federal bureaucracy cut the remainder. On September 4, the IMLS reinstated the full grant, leading to the dismissal of the lawsuit, which had been scheduled for a first hearing on September 12. The grant, part of the Save America's Treasures program, was intended for conservation, catalog updates, and digitization projects.