Jean-Marc Bottazzi, a Japanese bond trader and collector based in Hong Kong, discusses his philosophy of collecting in an interview with The Art Newspaper. He emphasizes deep, focused support of artists rather than acquiring a superficial variety, citing his extensive holdings of over 100 works by the 96-year-old Japanese artist A-Yo and deep collections of Abstract Expressionism, Gutai, and conceptual photography.
A rare, hand-signed offset lithograph invitation card from a 1985 Helen Frankenthaler exhibition at the Milwaukee Art Museum has surfaced on the market. The two-sided card, which served as an invitation for the show "Frankenthaler, Works on Paper, 1949-1984," was signed by the artist in ink during her talk at the opening reception on October 3, 1985. It is currently presented in a double-sided frame to preserve the integrity of the signature and the exhibition text.
The Metropolitan Museum of Art has announced a major upcoming exhibition, "Krasner and Pollock: Past Continuous," scheduled for October 2026. The show seeks to reframe the legacy of Lee Krasner by presenting her work as equal in significance to that of her husband, Jackson Pollock, challenging the historical narrative that has long positioned her in his shadow.
The Princeton University Art Museum has opened "Willem de Kooning: The Breakthrough Years, 1945-50," an exhibition featuring 22 pivotal works from a transformative period in the artist's career. The show highlights de Kooning’s unique ability to balance abstraction with representational elements, showcasing masterpieces like "Gansevoort Street" and "Dark Pond." Unlike his contemporaries who moved toward pure abstraction, de Kooning’s work from this era remains anchored in the physical world, capturing the energy of mid-century Manhattan and the natural landscape through a radical use of line and gesture.
Artist Linda Colletta has transformed her studio practice within Bridgeport’s historic American Fabric Arts building, a former lace factory, by blending painting with labor-intensive weaving. Drawing inspiration from the site’s industrial history and the teachings of Bauhaus artist Anni Albers, Colletta repurposes drop cloths and tears apart her own canvases to weave them back together. Her recent work explores the materiality of paint and the concept of "Thought Forms," a visual language for emotions influenced by early 20th-century Theosophy.
Art historian Amy Lyford delivered a lecture exploring the artistic and personal relationship between Arshile Gorky and Isamu Noguchi. The talk, presented by the gallery Hauser & Wirth, examined their shared experiences as immigrants, their navigation of American modernism, and the cross-pollination of ideas between their practices.