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art nathaniel mary quinn gagosian interview

Nathaniel Mary Quinn is preparing for his fifth solo exhibition with Gagosian, titled “ECHOES FROM COPELAND,” opening September 10. The show is inspired by Alice Walker’s 1970 novel *The Third Life of Grange Copeland*, which Quinn read twice and found deeply resonant. The works continue his signature style of fragmented, abstract-figurative portraits using oils, pastels, and charcoal, while also incorporating influences from Francis Bacon exhibitions he saw in London. Quinn’s practice draws heavily on his own traumatic upbringing—his mother died when he was 15 and he was abandoned by other family members—and his compositions evoke fragmented memories.

5 Artists on Our Radar in May 2025

Artsy's May 2025 edition of 'Artists on Our Radar' highlights five emerging visual artists: Julia Jo, Raina Lee, Yaya Yajie Liang, and two others. Julia Jo, a Korean painter based in New York, showed new works at the Independent art fair with Charles Moffett, featuring emotionally charged, abstract figurative paintings. Raina Lee, a Taiwanese American ceramicist, presented pocket-sized glazed stoneware at NADA and Future Fair during New York Art Week, inspired by travel and cultural relics. Yaya Yajie Liang, a Chinese painter based in London, creates oil paintings with fluid brushstrokes exploring bodily sensations and interconnectedness.

Gone too soon: A posthumous retrospective of the late Noah Davis at the Philadelphia Art Museum

The Philadelphia Art Museum (PAM) has opened "Noah Davis," the first solo retrospective of the late Los Angeles–based painter, who died at age 32 from a rare cancer. Davis's career spanned only six years, beginning with his first solo show at Tilton Gallery in New York in 2009. The exhibition, which originated at the Barbican in London, is the fourth and final stop of an international tour and the only North American venue. It features Davis's large-scale, abstract figurative paintings of Black life, including works like "You Are..." (2012) and "Untitled" (2015), and highlights his use of chemical solvents to degrade paint surfaces. The show also explores his role as founder of the Underground Museum in Arlington Heights, Los Angeles, a community-focused space where he once displayed fakes as "Imitations of Wealth."