art basel 2025 sales report 1234745462

Art Basel 2025 in Switzerland, now in its 55th edition, opened with 289 exhibitors amid a soft and unpredictable art market. Major sales included a Ruth Asawa sculpture for $9.5 million at David Zwirner, a Gerhard Richter painting for $6.8 million, and a Keith Haring from 1983 for $3.5 million at Gladstone. The top reported sale was David Hockney's 'Mid November Tunnel' (2006) for $13-17 million at Annely Juda Fine Art. Hauser & Wirth headlined with a moody Mark Rothko from the early 1960s, while galleries adopted strategies of offering wide price ranges and diverse styles to hedge against market uncertainty.

Closure of DePaul Art Museum leaves collection in limbo

DePaul University has announced the permanent closure of the DePaul Art Museum (DPAM) effective June 30, citing a projected $27.4m budget deficit for 2026. Despite an open letter signed by over 3,000 students and faculty, the administration is moving forward with the shutdown of the $7.8m facility that has served as a cultural anchor since 2011. Director Laura-Caroline de Lara had successfully raised funds to keep the museum operational through the current season, but the university's leadership remains committed to the closure as part of a broader cost-cutting initiative.

chicago depaul art museum closing 1234774646

DePaul University has announced the permanent closure of the DePaul Art Museum (DPAM) in Chicago, effective June 30. The decision comes as the private university faces severe financial strain, including a $27.4 million budget deficit that has already led to significant staff layoffs. While the university plans to convene discussions on how the museum's building and its 4,000-object collection might serve future academic needs, the institution as a public-facing museum will cease operations following its final exhibitions in March.

An Art Historian’s Riotous Novel Melds Medieval Art with Monica Lewinsky

Julia Langbein's new novel *Dear Monica Lewinsky*, published by Doubleday, follows translator Jean Dornan as she revisits a traumatic relationship with a professor from her youth, set against the backdrop of the 1998 Monica Lewinsky scandal. The story interweaves medieval art, particularly the 13th-century *Golden Legend*, with Lewinsky's public shaming, as Jean prays to Lewinsky for guidance and is visited by a haloed version of her. Langbein, an art historian with a PhD from the University of Chicago, draws on her expertise to explore themes of humiliation, self-estrangement, and collective experience.

Artibus et Historiae - An Art Anthology - No. 92, 2025

Artibus et Historiae - An art anthologie - n°92, 2025

The latest issue of the academic journal 'Artibus et Historiae' has been published, featuring a collection of scholarly articles focused on European art from the Renaissance to the early 19th century. The volume includes research on topics such as the translation of classical imagery in colonial Peru, investigations into women artists in Bologna, new attributions and provenance studies for works by artists like Ludovico Carracci and Caravaggio, and analyses of drawings and artistic education.

east tennessee state university cancels exhibition political art 1234757807

East Tennessee State University (ETSU) has canceled its annual juried exhibition of politically-themed art, "The Fletcher Exhibit of Social and Politically Engaged Art," at the Reece Museum. The show, established in 2013 in memory of ETSU art student Fletcher Dyer, featured works that criticized conservative figures including Charlie Kirk, Mitch McConnell, and Mike Johnson. The cancellation follows backlash from the ETSU chapter of Turning Point USA and Republican officials in Tennessee. Dyer's family, who endowed a scholarship for politically engaged art students, expressed feelings of betrayal, with the university stating its goals "no longer coincided" with theirs but refusing to provide written explanation.

UWS’s American Folk Art Museum Marks Two Milestones With New Shows

The American Folk Art Museum on the Upper West Side is celebrating its 65th anniversary and the upcoming 250th anniversary of the United States with two major exhibitions: “Folk Nation: Crafting Patriotism in the United States” and “Self-Made: A Century of Inventing Artists.” These shows feature works ranging from 19th-century textiles to 20th-century paintings by self-taught icons like Morris Hirshfield and Reverend Benjamin Franklin Perkins, highlighting how marginalized and non-academic artists have historically interpreted American identity and personal narrative.

Oberlin art museum kicks off fall with a fine Monet show and a new director

The Allen Memorial Art Museum at Oberlin College has opened "Picturing Paris: Monet and the Modern City," a focused exhibition reuniting three Claude Monet paintings from spring 1867, including the museum's own "The Garden of the Princess" alongside two loans from European museums. The show features over 30 additional works from the Allen's collection by artists such as Renoir, Degas, and Cézanne, and coincides with the arrival of new director Jon Seydl, who returned to Northeast Ohio in July after leadership roles at the Cleveland Museum of Art, Worcester Art Museum, and Krannert Art Museum.

Denver Art Museum Announces Royce K. Young Wolf, Ph.D., as Associate Curator of Native Arts

The Denver Art Museum (DAM) has appointed Royce K. Young Wolf, Ph.D., as its new Associate Curator of Native Arts. A member of the Eastern Shoshone, Hidatsa, and Mandan nations, Young Wolf brings a multidisciplinary background as a language activist, photographer, and scholar. She previously held prestigious fellowships at Yale University and worked on major exhibitions for the MHA Nation Interpretive Center. In her new role, she will oversee strategic initiatives, acquisitions, and community-based curatorial projects for one of the nation's most significant Indigenous art collections.

St. Mary’s College Professor Of Art Sue Johnson Reveals D.C. Gallery Exhibition

Sue Johnson, professor of art at St. Mary's College, is presenting her second solo exhibition at gallery neptune & brown in Washington, D.C., titled “Blueprint for Happiness.” The show runs from May 16 through June 20, with an opening reception on May 16. Johnson debuts a new series, “My Teenage Years,” which builds on her earlier “Symmetrical Bodies” work and examines the pressures on women to conform to ideals of happiness and perfection in body image and domestic spaces, drawing on 1960s-70s material and commercial culture.

In April, there are 29 shows at art centers including this year's International Baccalaureate Visual Arts Exhibition

Southwest Florida's art scene is experiencing a significant surge this April, with over a dozen art centers from Sarasota to Marco Island hosting 29 distinct exhibitions. Highlighting this seasonal peak, Art Center Sarasota is featuring major solo and group shows, including Herion Park’s fiber sculpture installation "UnBroken," Kendra Frorup’s exploration of cultural memory in "At Home Anywhere," and a curated group exhibition titled "Rooted in Community" focusing on historically Black neighborhoods.

Bildmuseet opens the MFA exhibition from Umeå Academy of Fine Arts.

Bildmuseet in Umeå, Sweden, will host the Master's exhibition "Of Love and Care" from the Umeå Academy of Fine Arts at Umeå University, opening on 22 May 2026 with an Art Friday event featuring talks, performances, tours, live music, and a DJ. The exhibition showcases works by ten graduating artists—Christian Abrahamsson, Amanda Angeli Blombäck, Time Bohlin, Renan De Menezes Anan, Elna Dani Liljedahl, Joanne Löfling, Måns Palmberg, Sofia Tien, Fanny Åberg, and Tin Åling—whose pieces explore themes of love, care, mysticism, and the wonder of existence, moving beyond overtly political and consumerist messages. A media preview will be held on 20 May, and the exhibition runs through 23 August 2026.

Raphael and the Renaissance of Divine Beauty

The New York Times explores the enduring legacy of Raphael, the High Renaissance master whose work defined the pinnacle of 'divine beauty' and classical harmony. The analysis delves into his technical mastery, his ability to synthesize the influences of Leonardo and Michelangelo, and his prolific output during his brief life in Rome.

Art Museum and Galleries at W&L: Winter 2026 Programs and Exhibitions

Washington and Lee University's Art Museum and Galleries is hosting five temporary exhibitions through Winter Term 2026, including "Edward Burtynsky: Taking Place" at the Reeves Museum of Ceramics, "Moffat Takadiwa: Recoded Memories" at the Watson Galleries, and "Luminous Layers: Glazed Surfaces and the Art of Reflection" alongside "Points of Exchange: Asian Ceramics in the Reeves Collection" at the Reeves Museum, plus "Expressions of Color: Paintings by Evelyn Dawson" at the McCarthy Gallery. The museum is also offering free public programming such as Artful Yoga sessions and an MLK Week Open House featuring artworks connected to the Civil Rights movement.

Exploring Memory, Material, and Movement: Highlights From Third Week of Senior Art Studio Thesis Exhibition

The third week of the University's 2025 art studio senior thesis exhibitions opened on April 9, 2025, at the Ezra and Cecile Zilkha Gallery, featuring works by eight seniors: Kerri Bel, Beatrice Campomori Garuti, Olivia Gomez, Vicky Gong, Will Hardison, Aleah Hurwitz, Ava Liberace, and Alp Yücel. The exhibition spans diverse mediums and themes, including Vicky Gong's "Ether," which explores technology, intimacy, and alienation through material and affect; Will Hardison's "The Sand Remembers the Waves," a monotype series about memory and landscape; and Alp Yücel's "Obstructed View," a sculptural installation that challenges visual perception and physical movement through the gallery space.

Opening Reception | 21st Annual SDSU Art Council Scholarship Exhibition | Athenaeum Art Center

The Athenaeum Art Center in San Diego is hosting the 21st Annual SDSU Art Council Scholarship Exhibition from May 16 to July 3, 2026, with an opening reception on May 16. The exhibition features new work by five graduate and undergraduate students from San Diego State University's School of Art and Design: Andrea Mendoza, Tina Mardan, Todd Bradley, Ana Saad, and Isa Ybarra. Their works explore themes of the body as a site of history, resistance, and reinvention, addressing chronic pain, immigrant memory, queerness, and colonial boundaries through diverse media including painting, metalsmithing, photography, installation, clay, fiber, and printmaking.

Coburn Gallery’s annual faculty art exhibition to open Jan. 22

Coburn Gallery at Ashland University will host its annual faculty art exhibition from January 22 to February 20, 2026, featuring two-dimensional and three-dimensional works by ten faculty members from the AU Department of Art + Design. An opening reception will take place on January 22 from 4:30 to 6:30 p.m., with free admission to the public.

'Rhino World Order' to open Tyler Art Gallery season

SUNY Oswego's Tyler Art Gallery opens its fall season with 'Rhino World Order,' an exhibition of large-scale ceramic and plaster sculptures by Buffalo-based artist Richard Tomasello. The show runs from September 2 to October 8, with an opening reception on September 5. Tomasello's work draws inspiration from Eugène Ionesco's 1959 absurdist play 'Rhinoceros,' using the rhinoceros as a metaphor for fascism and conformity. His sculptures address themes of physical assault, school shootings, mob mentality, toxic masculinity, and systemic violence, emphasizing the power of individual resistance. Related events include a panel discussion with the artist and gallery director Davana Robedee, and a student reading of the play.

Salon | Impressionism, Realism & Post-Impressionism

The Salon was an official art exhibition sponsored by the French government, originating in 1667 when Louis XIV sponsored an exhibit of works by members of the Académie Royale de Peinture et de Sculpture. It was held in the Salon d’Apollon of the Louvre Palace in Paris, and after 1737 it became an annual event, with a jury system introduced in 1748. During the French Revolution, the Salon opened to all French artists, though academicians retained control through much of the 19th century. Its influence waned after the Société des Artistes Français took over in 1881 and as independent avant-garde exhibitions gained prominence.

Mindy N. Besaw appointed new director for Eskenazi Museum of Art at IU Bloomington

Indiana University Bloomington has appointed Mindy N. Besaw as the next Wilma E. Kelley Director of the Sidney and Lois Eskenazi Museum of Art, effective August 15. Besaw, who brings over two decades of curatorial and museum leadership experience, currently serves as director of fellowships, research and university partnerships and curator of American art at Crystal Bridges Museum of American Art. She succeeds interim director Mariah Keller and will oversee all facets of the museum's strategy, operations, and engagement, including exhibitions, collections, teaching partnerships, and public programming.

MFA exhibition explores time, space and transformation

UC Santa Barbara’s Art, Design & Architecture Museum presents the MFA Thesis Exhibition titled "it’s about time," featuring works by four graduating artists: Lucy Bell, Austin McCormick, Autumn Nicole, and Rose Schlossberg. The show runs from May 17 to June 1 and includes video, sculpture, painting, and immersive installation that examine the relationships between time, memory, and materiality. Curatorial text by doctoral student Kristin Yinger frames the exhibition as a parenthetical pause that contains the artists' experiences during the MFA program.

“Jamea Richmond-Edwards: Another World and Yet the Same” at Hamilton College’s Wellin Museum of Art

The article announces the exhibition “Jamea Richmond-Edwards: Another World and Yet the Same” at Hamilton College’s Wellin Museum of Art. The show presents the work of contemporary artist Jamea Richmond-Edwards, whose practice explores themes of Black womanhood, mythology, and Afrofuturism through mixed-media works on paper and large-scale installations.

FVCC to host visiting artist Susan Fletcher for gallery talk

Flathead Valley Community College is hosting a visiting artist event featuring Susan Fletcher at its student art gallery. The public event includes a show opening and a gallery talk where Fletcher will discuss her creative process and the natural inspirations behind her work.

Photo: Juried Student Art Exhibit opens at MSU Billings on Thursday

Montana State University Billings is launching its annual Juried Student Art Exhibition at the Northcutt Steele Gallery. The exhibition, which features works selected from the student body, officially opens this Thursday and will be celebrated with a formal reception and awards ceremony on April 16th.

Newest DeLuce Gallery exhibit explores ‘Art Left Behind’

Northwest Missouri State University has unveiled "Art Left Behind: Exploring Decades of Creativity," an exhibition featuring student artworks discovered in the storage rooms of the Olive DeLuce Fine Arts Building. Curated by students Brooke Reyes, Jeri Walters, and Sammy Ward, the show presents a selection of prints dating from the late 1960s to the present day. The collection largely consists of works created under the guidance of former professor Phil Laber, ranging from abstract compositions to social and political commentaries.

Gallery showcases faculty art

The Allegheny Art Galleries opened a faculty art exhibition featuring works from three art department professors. Associate Professor Heather Brand presented three photographic series, including "Under Glass, Over Time," "Recursive Light," and "After Utopia," exploring themes of scale and contained worlds. Associate Professor Clare Kambhu displayed a series of oil paintings inspired by her time teaching in New York City public schools, focusing on imparting a human presence to impersonal educational spaces through her technique.

Experience the Fall 2025 Exhibitions at Boston University Art Galleries

Boston University Art Galleries (BUAG) has announced its fall 2025 season, featuring three exhibitions: "Information, Overload: School of Visual Arts 2025 Alumni Exhibition," which examines how artists navigate the circulation of images and text in the digital era; "Ni de Aquí, Ni de Allá (Not From Here, Not From There)," a solo show by acclaimed artist Victor “Marka27” Quiñonez exploring identity shaped by immigration and resilience; and "Hidden in the Layers," a returning exhibition celebrating printmaking, photography, and new media. All shows are free and open to the public at the Faye G., Jo, and James Stone Gallery and 808 Gallery on BU's Charles River Campus.

Throughline Announces Artists Selected for “Future Forward” Exhibition

Throughline Collective in Houston has announced the 15 artists selected for "Future Forward," a group exhibition featuring graduate and undergraduate art students from across Texas. Guest curated by Madi Murphy, Associate Curator of FotoFest, the show opens with a public reception on August 8, 2025, at Throughline Gallery and runs through August 30. Selected artists include students from universities in Denton, Houston, Lubbock, and San Antonio, working in painting, drawing, photography, sculpture, and textile-based art.

'Room of Wonders' exhibit opens at Cantor Art Gallery at the College of the Holy Cross

The 'Room of Wonders: A Worcester Wunderkammer' exhibition has opened at the Iris & B. Gerald Cantor Art Gallery at the Priory Arts Center, College of the Holy Cross. Curated by Birgit Straehle, the show features works by artists including Abu Mwenye, Caelum Lam, Jose Vicente Criollo, and Madeleine Lord, with sculptures such as Criollo's 'Night Owl' (2025) and 'Fish' (2023), and Lord's 'Old Friends' (2022) and 'Saint Recyclus' (2024). The opening reception took place on June 6, 2025, drawing local arts organizer Tina Zlody and Holy Cross staff member Casey Denis.

OSU Department of Art Faculty Exhibition highlights natural world and technology

The Ohio State University Department of Art Faculty Exhibition is currently on view at the Urban Arts Space, featuring works by 23 full-time, tenured, tenure-track, and visiting faculty. The exhibition spans from historical artifacts to cutting-edge technology, with many works focusing on the natural world or technology. Highlights include virtual reality experiences and David John King's "Here Hear," which combines tiny objects on a rotating platform projected onto a wall via video camera, drawing from the artist's dreams and memories.