Gregory Olympio has opened a new solo exhibition titled "Vaisseaux" at blank projects in Cape Town. The show, which runs from January 29 through March 14, 2026, features a substantial body of new work, documented by 27 installation images. This marks a significant presentation for the artist at the prominent South African gallery.
Acclaimed Norwegian artist and writer Lars Elling is set to debut his first South African exhibition, "Dreams of Reason," at the Everard Read Gallery in Franschhoek on April 11, 2026. The collection features works created during his annual five-month residencies at the De Rust farm in Elgin, home of Paul Clüver Family Wines. The exhibition marks a significant shift in Elling’s palette, moving from the muted greys of Norway to the vibrant ochres and blues of the Western Cape, while exploring the liminal psychological space between sleep and wakefulness.
Curator Koyo Kouoh, the first African woman appointed to curate the Venice Biennale, has died suddenly. Her death was confirmed by the Zeitz Museum of Contemporary Art Africa (Zeitz MOCAA) in Cape Town, where she served as executive director and chief curator. The Venice Biennale issued a statement mourning her loss, noting she had been working on the conception and development of the Biennale Arte 2026. Kouoh, born in Cameroon in 1967, was a prominent figure in contemporary African art, having curated for documenta 12 and 13, co-founded the Raw Material Company art center in Dakar, and organized the landmark exhibition "When We See Us: A Century of Black Figuration in Painting" at Zeitz MOCAA.
The Young Artists’ Project (YAP) exhibition returns to the KZNSA Gallery in Durban, South Africa, from August 22 to September 21. Initiated in 2002 by then-curator Storm Janse van Rensburg, the annual project mentors emerging artists in producing their first solo exhibitions. This year features two artists: N’lamwai Luntha Chithambo, a Malawian-born painter who earned degrees from Rhodes University and has shown at the National Arts Festival and Sasol New Signatures; and Zama Mwandla, a South African surrealist painter whose work confronts sexual violence and healing, with exhibitions at the African Feminisms show and the 54th Art & Antique Fair in Salzburg.
The article explores Madagascar's burgeoning contemporary art scene, centered on Hakanto Contemporary, a non-profit art space in Antananarivo founded by artist Joël Andrianomearisoa. It highlights the group exhibition "Lamba Forever Mandrakizay," featuring 21 Malagasy artists reflecting on the traditional lamba textile, and the innovative culinary-art fusion by chef Lalaina Ravelomanana. The piece also mentions the Musée de la Photo, founded in 2018, which preserves Malagasy photographic heritage.
Oye Art Gallery has officially opened in Nigeria, marking a significant milestone as a space dedicated to the work of Oye Adegbola, an artist with special needs. During the inaugural exhibition, Creative Director Asha Adedayo Samuel emphasized that the gallery's mission is to bridge the social gap between individuals with disabilities and the wider public. The event showcased Adegbola’s award-winning portfolio, challenging the perception of special needs individuals as mere dependents and instead highlighting them as valuable contributors to national development.
The Margate Art Museum is set to host its annual Open Art Exhibition on March 27, featuring a diverse range of works from approximately 25 local artists. The event, organized by the Ray Nkonyeni Municipality, will include a meet-the-artist session and showcase various mediums such as sculpture, painting, and mixed media. Notable participants include established figures like Marianna Radley and Celeste van der Merwe, alongside emerging talents like Emihle Sikobi.
Theresa-Anne Mackintosh’s solo exhibition, "Now is not Forever," recently debuted at the Wits Art Museum (WAM), featuring a provocative blend of older paintings and new sculptures. The show centers on anthropomorphic figures and the erasure of senses, notably in the "hear no evil, see no evil, do no evil" series, where body parts are painted over to symbolize the avoidance of moral decay. These works, alongside vivid sculptures representing the artist's alter egos, challenge viewers to look past aesthetic surfaces to confront the inherent chaos and dysfunction of contemporary society.