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Shreg the green ogre, a grey obsessive and Vermeer’s boiled egg – the week in art

This week's art roundup from The Guardian highlights a range of exhibitions across the UK, including Bruce Asbestos's 'Bootleg Shreg 2' at Exeter Phoenix Gallery, a playful show featuring a green ogre that parodies copyright rules. Other notable shows include Roy Oxlade's primitive paintings at Alison Jacques, May Morris's craft legacy at Lady Lever Art Gallery, a 30-year anniversary group show at Timothy Taylor, and Alan Charlton's monochrome grey works at Annely Juda Fine Art. The article also features an image of a naturally sculpted rock on Kangaroo Island, a review of the Turner Prize nominees, and a masterwork analysis of Vermeer's 'The Guitar Player' at Kenwood House, which was stolen in the 1970s and recovered with the help of a clairvoyant.

alfonso artiaco liam gillick alan charlton 2713185

Naples-based gallery Alfonso Artiaco has opened a dual exhibition pairing British artists Liam Gillick and Alan Charlton for the first time. Gillick, a former Young British Artist associated with relational aesthetics, presents three new aluminum and Plexiglas "elevation" sculptures plus a wall piece titled *Euphoric Production Cycle* (2025). Charlton, known for his lifelong dedication to grey monochrome painting, contributes three works—a circle, square, and triangle—that anchor the show. The exhibition runs through January 10, 2025.

alfonso artiaco liam gillick alan charlton 2713185

Liam Gillick and Alan Charlton, two British artists with deep ties to Modernism, are paired for the first time in a dual exhibition at Alfonso Artiaco in Naples. Gillick, a former Young British Artist associated with relational aesthetics, presents new aluminum and Plexiglas sculptures including "Euphoric Production Cycle" (2025), while Charlton, known for his lifelong dedication to grey monochromes, contributes three works featuring circles, squares, and triangles. The show runs through January 10, 2025.