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ai art restoration conservation mit 2656171

MIT mechanical engineering student Alex Kachkine has developed a new AI technique that could dramatically speed up the restoration of aged or damaged paintings. The method uses a high-resolution scan of the artwork, an AI algorithm to identify cracks and missing patches, and a digitally printed polymer film—called a "digital mask"—that is overlaid onto the painting and sealed with varnish. The mask can be removed without trace using conservators' solvents. Kachkine tested the process on a 15th-century oil-on-panel painting by the Master of the Prado Adoration of the Magi, where the AI identified 5,612 damaged sections and the restoration took just 3.5 hours—66 times faster than conventional hand inpainting.

Mechanical engineer develops AI-generated digital masks to restore damaged paintings

Alex Kachkine, a mechanical engineer and PhD student at MIT, has developed AI-generated digital masks to restore damaged paintings. The system uses a removable, precision-printed polymer film with clear and painted areas, applied over the artwork like a custom graphic wrap. Kachkine tested the technique on a late-15th-century oil-on-panel painting attributed to the Master of the Prado Adoration of the Magi, using generative AI to reconstruct 5,612 areas of loss, including an obliterated infant Jesus. The masks are produced in hours and are physically separated from the paint surface by a conservation-grade varnish.